Shown only in prototype form and behind glass at PMA this year Epson has today fully revealed their R-D1 'Rangefinder Digital Camera'. This camera has come out of a collaboration between Epson and Cosina, it supports Leica M mount and L mount with an adapter and has a six megapixel APS size sensor with an output image size of 3008 x 2000 pixels (which sounds to me like the sensor used by Nikon in the D100 & D70). Epson's timing for this announcement is the 2004 Photo Expo to be held in Tokyo between 19th and 21st March. This announcement has received a lot of attention from the Japanese websites who have lots of images of the camera, see inside for links.
Epson RD-1 Images
Phil: Sometimes it's the little details which are the most important, with this camera I love the flip-out and twist rear panel which has the LCD monitor and digital controls mounted on it, when closed against the body you could easily mistake this camera for a normal film rangefinder camera. There's even a small equivalent field of view (or approx. focal length) converter ring on the panel cover.
Epson Launches the World's First Rangefinder Digital Camera
Seiko Epson Corporation ("Epson") has launched the Epson Rangefinder Digital Camera R-D1, the world's first rangefinder digital camera, in partnership with Cosina Corporation.
Epson has helped transform the world of photo printing into the digital world by developing inkjet printers and other digital photo printing technologies. Among the critical technologies behind the stunning quality of Epson's digitally rendered photos is digital image processingtechnology for optimizing digital data as a high-quality photo image. Digital image processing technology is already being used in Epson's printer drivers, high-resolution scanners and other input and output devices, but Epson had been looking for new potentially intriguing applications for it, as well. It was while scouting the possibilities that Epson met up with Cosina, a company that can boast some of the world's foremost original optical technologies.
Cosina has developed outstanding original optics technologies in the production of camera lenses while still maintaining a rigorous fidelity to the historic photography heritage. Epson felt that if the companies were to use the rangefinder camera platforma platform that is being left in the wake of progress toward the digital ageand if they were to merge Epson's digital image processing technology with Cosina's advanced optics technology, they might be able to discover some completely new creative photographic possibilities. This idea led to collaboration between the two companies, with engineers from both sides paying uncompromising attention to detail during product development. Thus was born the R-D1
The R-D1 dares to swim against the high tide of fully automatic electronic digital cameras. It is a digital camera that still manages to feel like a traditional manual camera, for people who appreciate the peculiar satisfaction that comes with the ability to use an analog camera well. In other words, the R-D1 is simultaneously a state-of-the-art digital camera that offers outstanding performance and image quality, and a throwback that offers camera buffs the look and feel of a vintage film camera, as well as the joy of skillfully using their camera as a tool.
Digital camera firsts
Among many digital camera firsts, the R-D1 is the world's first rangefinder digital camera. A rangefinder is a type of camera that has a built-in device for measuring distance based on the principles of triangulation. The photographer focuses the camera by superimposing two slightly different views of a scene with the rangefinder. In general, compared to an auto-focus system, performance does not change even if lenses are swapped, and focus can be achieved quickly, accurately and with a light level that is nearly the same as the unaided eye, even in dimly lit locations. In addition, since the field of view is not blocked by the action of a shutter as it is with a single-lens reflex camera, the photographer will not miss the decisive moment.
The R-D1 is also the world's first digital camera to accept Leica L- and M-mounts*2. As such, it offers a new platform that links the future with the past. A huge number of lens types more than 200 have been created and sold over the long history of photography. This camera gives twenty-first century photographers a way to use these famed lenses from our photographic heritage. The new camera gives photographers the chance to develop a new cult of photography by allowing them to resurrect their familiar old lenses in a digital world.
The R-D1 also uses the world's first 1x viewfinder, enabling photographers to view scenes including panoramas - through the camera as if they were looking at scenes using their naked eyes. The camera also has the advantage of improved focus precision compared to low magnification optical finders.
Epson = Photo
With "Epson = Photo" as its watchword, Epson is committed to bringing color to life and to the way people communicate, by aspiring to create new possibilities that expand the horizons of the digital photo market and by suggesting new ways to enjoy digital photography using advanced digital image processing technology.
The R-D1 will be exhibited at the 2004 Photo Expo, which will be held from March 19-21 at the Tokyo Big Sight.
*1 Epson Rangefinder Digital Camera R-D1 is a trademark of Seiko Epson
*2 The L-mount is adaptor-compatible.
Note: Lenses with external dimensions exceeding 20.5 cannot be used with this camera. In addition, the following lenses cannot be used (correct as of March 11, 2004)
Hologon 15mm F8, Super Angulon 21 mm F4, Super Angulon 21 mm F3.4, Elmarit 28 mm F2.8 (early models), Summicron 50 mm F2 (dual range Summicron), Hektor 50 mm F2.5, and Elmar 50 mm F3.5.
Epson RD-1 Specifications
|Sensor|| 23.7 x 15.6 mm APS-C size
Primary color filter (RGB)
6.1 million effective pixels
|Image sizes|| 3008 x 2000
2240 x 1488
|File formats|| CCD-RAW (12-bit)
JPEG (EXIF 2.21)
|Viewfinder|| Twice reverse Galileo finder
Radical line length 38.2 mm
View frames 28 / 35 / 50 mm switchable
85% frame coverage
Exposure display by LED
|Lens mount|| EM mount (Leica M type interchangeable
Field of view crop: 1.53x
|Shutter speed|| 1 - 1/2000 sec
1/125 sec flash x-sync
|Exposure modes|| Aperture priority
|Exposure compen.|| +/- 2.0 EV
0.3 EV steps
|ISO sensitivity|| ISO 200
|White balance|| Auto
|Image parameters|| Standard
Epson Film 1
Epson Film 2
Epson Film 3
|B&W modes|| Standard B&W
Green filter B&W
Yellow filter B&W
Orange filter B&W
Red filter B&W
|LCD monitor|| 2.0" TFT LCD
Image quality setting
|Play mode|| Single image
Four thumbnail view (2x2)
Magnify (up to 9.4x)
Highlight and Histogram display
|Print standards|| DPOF
Epson Print Image Matching 2.6
|Storage||Secure Digital (SD)|
|Power|| Epson EPALB1 Lithium-Ion
Battery charger included
|Dimensions||142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in)|
|Weight (no batt)||590 g (1.3 lb)|
* Note that these specifications are a direct translation from Japanese and thus may contain small interpretation mistakes
More images of the Epson R-D1
|Nectar Dancing by Lensmate|
from A Big Year - birds
|Sad clown by PEB|
|Mtl Gen X 2015 DP by MarioSS|
from - Gen X - (In Full Colours+ Border)
Go behind the scenes with National Geographic photographer Renan Ozturk and see what it takes to capture a dangerous, harrowing, stunning Nat Geo photo essay.
Erez Marom tells the story behind this ominous photo of the sand 'reaching up' towards the mountains at Skagsanden beach in Norway. He calls this photo 'Torment.'
DPReview staffer Carey Rose has taken the Panasonic Leica DG 15mm F1.7 along for everything from a city-side boat ride to a bachelor party across the mountains. Find out how the little Leica fared.
Canon just unveiled the largest 12-ink printer on the market. The new imagePROGRAF PRO-6000 printer can make prints from 17 all the way up to 60 inches wide.
"Standing in one of the holiest places on earth, I felt uneasy," writes Wired's Jason Parham. "Most of my fellow visitors, I realized with a brief bloom of nausea, were taking selfies."
Christopher Nolan's Dunkirk has been receiving great reviews, but it's a challenge to see it in its full glory. This handy infographic reveals the aspect ratio chaos that is wrought as the industry retreats from film.
Anti-bullying organization Ditch the Label's Annual Bullying Survey 2017 reveals yet again that Instagram, more so than any other social network, has a the worst effect on youth mental health.
It's been a crazy day for innovative patent news. Apparently Sony is thinking of developing a medium format curved sensor camera.
An update to the Silkypix Raw converter fixes some bugs and adds support for several popular new cameras.
This crazy custom-built underwater camera shoots 8x10 large format film. It's supposedly "the first successful underwater 8x10 ever made," and it can be yours for $5,800... plus shipping.
Blackmagic just reveled a new accessory for their Cintel Film Scanner. The Cintel Audio and KeyKode Reader can capture KeyKode data and high-quality audio from film in real-time as it is being scanned.
A new Nikon patent shows a lens designed for a curved full-frame sensor. Could this be the high-end Nikon mirrorless camera people are hoping for?
The ability to shoot images at 1,000 fps first appeared in a Sony smartphone sensor. Now the Japanese manufacturer is using the same feature for industrial applications.
Astronomy expert and photographer Dr. Tyler Nordgren thinks you should "see your first eclipse, photograph your second." But if you do plan on taking photos this August, here are a few tips from someone who's been there.
How confident are you that you can spot a manipulated photo? A recent study at the University of Warwick shows that many people are pretty bad at it.
If you purchased a Leica TL2, do NOT attach Leica's Visoflex electronic viewfinder. Leica is working on a fix, but for now, it's possible the viewfinder will break your camera.
Google just released Motion Stills for Android. Unlike the iOS version, the Android app uses a redesigned video processing pipeline that processes each frame of a video as it is being recorded, creating instant results.
A huge copyright lawsuit between photography firm VHT and Zillow Group is heating up again, as both sides appeal a court ruling that granted VHT $4 million in damages.
European Space Agency astronaut Thomas Pesquet spent 6 months on board the International Space Station where he worked with Google capturing spheric panorama images that are now available in Street View.
It's official. PDN has confirmed with parent company Aurelius that 94-year-old lighting company Bowens is indeed going out of business.
The newly launched firmware version 1.06 fixes AF-issues that can occur with some lenses that are not officially compatible with the MC-11 converter.
Voyager is a waterproof smart light stick you can control entirely from your phone. The light has already blown past its $300K funding goal on Indiegogo.
2018 is the last year Photokina will take place during the traditional end-of-September dates. In 2019, Photokina will take place from the 8th to the 11th of May.
The Canon IXUS 50 (known as the SD400 Digital ELPH in North America) was one of a string of high-performing, pocketable PowerShots of the mid-2000s. In this week's throwback Thursday, Barney casts his mind back to 2005.
A close look at the EOS 6D II's Raw files suggest its dynamic range has taken a significant step backwards compared with the company's recent DSLRs. We look at how much difference this might make for your photos.
With a full-production review unit in our hands, we've got over 100 production samples from the new Canon EOS 6D Mark II to share.
Need a break from your day? Kick back and watch the making of a somewhat unconventional mojito filmed on Canon's new EOS 6D Mark II.
The Bonfoton Camera Obscura Room Lens can turn any room into a camera obscura, projecting the view from your window onto the walls of your room.
Adobe just released version 2015.12 of Lightroom CC, adding support for several new cameras and lenses, and baking in several important bug fixes while they were at it.
In this interview, Chiara Marinai, photo editor for VanityFair.com, explains exactly what she looks for in new photographers and photo submissions. Take notes.