Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Nikon has unveiled the D3S professional DSLR. The new model is an upgrade to the popular D3 and comes with 720p HD video recording and a sensitivity range up to ISO 102,400 for improved low light performance. Images are captured on a new 36 x 23.9 mm CMOS sensor and buffer size has been increased for 48 RAW frames in one burst. Futher improvements include a faster contrast detect AF in Live View and in-camera RAW-processing. Body shape, quality and operation are virtually identical to the D3.
October 14, 2009: Nikon today announces the introduction of the D3S, the camera that enables professionals to take control of the unpredictable and extends the possibilities for action photographers everywhere. Built upon the widely acclaimed Nikon D3, the D3S advances low light photography to another level and sets in motion new creative options for multi-media movie shooting.
Robert Cristina, Manager, Professional Products for Nikon Europe, comments: “The D3S rewrites the rules for extreme low light photography, enabling photographers to take control of ambient light. Professionals from all over the world have contributed to making the best even better.”
It’s what we need, now.
Francois Marit, Photo Technical Manager at global news provider, Agence France Presse, said: “Since we started using the Nikon D3, we have also been exploring movie capture to see exactly how it can help us. Now the D3S gives us exactly what we need, the ability to shoot pictures and movies with one piece of professional equipment. This enables us to transmit complete packages of still images and movie clips from the thousands of news and sports events we cover every week, and will really give us the edge in both online and print formats”
Bill Frakes, one of the first professional photographers to trial the D3S, said: “I make career decisions in milliseconds and I want the best possible image quality every time I push the button. I need a camera that responds precisely, quickly and consistently. The D3S does that and more and this gives me enormous freedom.”
When flash is not an option
The D3S features a completely re-designed 12.1 effective megapixel image sensor. The large pixel pitch, with a completely modified inner structure, means that the D3S can capture images under light conditions which were previously believed to be impossible. The seven stop ISO range of 200 – 12,800 enables image and movie capture in extremely low ambient light conditions which is essential for today’s news and sports photographers.
Further proof of the D3S’s incredible capacity for low light photography is the fact that it is the first camera to offer no less than three additional ISO boost levels, up to Hi-3, (ISO equivalent of an astounding 102,400).
FX format HD movies
The D3S delivers a new look and feel to the emerging trend of DSLR movie capture and exploits the creative depth-of-field effects offered by the large FX-format sensor and the benefits of wide aperture NIKKOR lenses, the lens of choice for the world’s leading photographers. Instant and intuitive in use, the D3S’s D-movie function is prioritised for high productivity.
Movies are captured at 720p/ 24fps in motion JPEG with stereo sound using the input jack. The file format enables a unique ‘Save Selected’ frame option that enables the user to shoot video freely, secure in the knowledge that a still image of a key moment can be transmitted as well.
Acclaimed autofocus tuned for movie capture.
Completely configurable to set up, but extremely simple to use, Nikon’s acclaimed high-density 51-point Multi-CAM3500 AF system, with 15- highly sensitive cross points, provides users with an industry leading system for tracking fast moving subjects. The D3S contrast detection AF system has also been tuned to provide autofocus support during movie capture and Live View.
Image sensor cleaning
Following extensive feedback from professional photographers, the D3S implements a new image sensor cleaning function that generates vibrations at four different frequencies to reduce the impact of static dust collection on the optical low pass filter of the image sensor. This has been implemented without impacting on the 100% viewfinder coverage expected from a flagship, professional D series camera.
The D3S now offers no less than three alternative crop modes, all masked automatically in the viewfinder. The photographer can now choose from 5:4 (30x24); 1.2x (30x20); and DX (24x16). The new crop mode is designed to offer a practical combination of lens magnification and slightly reduced file size.
When discretion is required
The D3S features a new Quiet shutter release mode that enables the photographer to mitigate the sound caused by the mirror return. Suitable for wildlife photography and other situations where shutter noise might distract the subject, this innovation again reflects and responds to practical feedback from photographers using Nikon’s D3 series cameras.
Improved Active D-Lighting options
The D3S now offers no fewer than five options for Active D-Lighting when shooting high contrast or high key subject matter. Alongside a new Auto setting, users now have four manual control levels; Extra High ; High, Normal and Low.
In camera post processing
Another aid for increasing productivity in the D3S is the new RAW processing options in the Retouch menu. The following image settings can be applied to RAW (NEF) files in the camera on-the-fly: JPEG compression, Size, White Balance, Exposure Compensation, Picture Control, Noise Reduction, Colour space and Vignette Control settings. These options accelerate post production worklflow for the busy photographer on the road, by reducing the need to use a PC and Capture NX2 software.
Ready for anything
The D3S redraws the boundaries for photographers allowing them even more control over unpredictable subjects in testing lighting conditions. The camera sensor is so sensitive that it can capture subjects that are practically invisible to the naked eye and render results that are remarkably clear of noise and ready for print. The weather-sealed durable magnesium construction is built to withstand extreme temperatures and humidity to enable users to complete assignments faster and more efficiently.
ISO performance: ISO 12800 as standard, expandable to ISO equivalent of 102400 (Hi 3)
Professional photographers can now rely on ISO 200 to ISO 12800 as the professional standard of image quality for their assignments — an incredible advantage when shooting indoor sports, stadium events at night or any other shooting situations where light is limited and Speedlights are not practical. Shooting at ISOs as high as 12,800, the D3S can take commercial-quality, pin-sharp images in low light at action-freezing shutter speeds — a capability that will open a new world of photographic opportunities. When needed, the D3S expands to the amazing ISO equivalent of 102,400, still revealing colours and details even in extremely low-lit places where human eyes may find it difficult to discern objects. This exceptional low-noiseperformance also applies to D-Movie capture, which creates new potential for multimedia projects and assignments.
Image sensor cleaning: assured protection
Another significant improvement from the D3 is the employment of the Image Sensor Cleaning function, which generates vibrations at four specific frequencies to optimise dust removal. This function can be set to operate automatically when the camera is turned on and off, or manually.
EXPEED: Nikon’s comprehensive approach to quality digital images
Nikon’s fast, comprehensive, and energy-efficient approach to in-camera image processing maintains the rich initial data’s integrity through 14-bit A/D conversion and 16-bit image-processing, which demonstrates the enormous creative potential of NEF (Nikon Electronic Image Format). Combined with Nikon’s FX-format sensor, the D3S produces an exceptional tonal range and minimized tone jumps. Users can expect more accuracy with difficult colour combinations such as skin tones and strong reds in the same frame without over-saturation and finer tonal gradation in highlights, even with extremely bright subject matter.
Picture Control: custom-tailored tone and color
Picture Control helps you define the look and feel of your images by custom-tailoring sharpness, saturation and other parameters to match your creative intentions. The D3S comes with four pre-installed Picture Control profiles, which can be fine-tuned and saved as new custom Picture Control profiles that match your personal shooting style or particular shooting conditions. These profiles can easily be copied to additional cameras.
9-frames-per-second* shooting rate in FX-format, 11 fps* in DX crop
The D3S’s continuous shooting rates are impressive, and the D3S’s powerful stepping motor allows for a more steady delivery of fast continuous shooting speeds at a wider range of aperture settings than lesser cameras can claim. Professionals will now have greater control and fewer limitations when making the images they desire. With the DX crop, photographers can also add a 1.5x picture angle and a faster frame rate to their arsenal. Furthermore, the factory-installed buffer memory is twice the capacity of the D3, dramatically increasing the power of continuous shooting.
Scene Recognition System: enlightened accuracy and intelligence
Nikon’s exclusive 1,005-pixel RGB sensor precisely reads brightness and colour information to raise the overall accuracy of AF, AE, i-TTL flash control and auto white balance to new heights, thanks to the Scene Recognition System. The D3S’s AF delivers superb subject tracking and subject identification performance. Highlight analysis used for AE reproduces brightness faithful to the eye, and light source identification makes auto white balance uniquely precise and reliable.
51-point AF: fast and accurate subject acquisition
The D3S’s strategically positioned 51 AF points deliver faster focus, even with quick and/or erratic subject movement. The 15 cross-type sensors in the centre of the frame maintain the same outstanding performance with any AF NIKKOR lens f/5.6 or faster. There are four Dynamic-area AF options, including 51 points (3D-tracking), which accurately follows your subject by shifting focus points using colour and brightness information from the Scene Recognition System. This gives users an extra advantage when composition is important but your subject’s movement is extremely erratic. Single-point and Auto-area AF modes are also available.
Approx. 100% frame coverage
The D3S’s large prism gives you the FX-format visual advantage when you shoot. The viewfinder image is not only larger and brighter, but the focusing screen is also carefully designed to help you to more intuitively sense sharp focus, be it manual or autofocus.
For the reliability professionals demand, the shutter of the D3S has been tested for up to 300,000 cycles in fully assembled cameras under rigorous conditions. The ruggedly constructed D3S employs a strong yet lightweight magnesium alloy for its body, exterior cover, chassis and mirror box. Furthermore, a comprehensive series of O-rings and other specialised seals, combined with additional Nikon engineering, protect the D3S against invasive moisture, dust and even electromagnetic interference.
Twin CF card slots
The D3S lets you designate each card slot for certain tasks: record two full CF cards of data sequentially for a large amount of storage, record the same data onto two cards (backup), record RAW and JPEG simultaneously onto separate cards, and transfer data from one card to another. You can also designate the slot for data-heavy D-Movie recording.
The D3S uses the EN-EL4a rechargeable batteries. Power consumption and power management systems have been engineered for greater operating efficiency, so you can expect long battery life, shooting up to 4,200 images* per charge.
Easy-to-access Live View mode
The dedicated Live View button gives you instant access to two Live View modes: Tripod mode for accurate AF operation and Hand-held mode for more versatile shooting angles. The speed for Contrast-detect AF in Tripod mode has also been improved for enhanced practicality.
3-in., approx. 921k-dot color, 170º viewing angle LCD monitor
The D3S’s large, high-resolution LCD monitor delivers bright, crisp image playback with up to 27x enlargement for immediate and precise image confirmation. Each LCD is covered with scratch resistant tempered glass and individuallycalibrated and fine-tuned at the factory to deliver consistent performance.
Additional Nikon D3S Features
* Based on CIPA Guidelines.
|Price (body only)|| US: $5199.95
EU: € 4699
|Body material||Magnesium alloy|
|Sensor*|| 36 x 23.9 mm CMOS sensor
RGB Color Filter Array
Built-in fixed low-pass filter
12.87 million total pixels
12.1 million effective pixels
3:2 aspect ratio
|Image processor||Nikon EXPEED|
| 4256 × 2832 [L]
3184 × 2120 [M]
2128 × 1416 [S]
| 3552 × 2368 [L]
2656 × 1776 [M]
1776 × 1184 [S]
| 2784 × 1848 [L]
2080 × 1384 [M]
1392 × 920 [S]
| 3552 × 2832 [L]
2656 × 2120 [M]
1776 × 1416 [S]
| 1280 × 720 @ 24 fps
640 × 424 @ 24 fps
320 × 216/24 fps
|File formats (Still)|| NEF (RAW) : (12-bit or 14-bit, lossless compressed, compressed or uncompressed)
NEF + JPEG
JPEG (EXIF 2.21)
|File format (Movie)*||AVI (Motion-JPEG)|
|Lens mount|| Nikon F mount with AF coupling and AF contacts
No field of view crop (full-frame)
When using DX lenses / DX mode 1.5x FOV crop
Type G or D AF NIKKOR*1: All functions supported
51 focus points (15 cross-type sensors)
|Lens Servo|| Single Servo AF [S]
Continuous Servo AF [C]
Manual focus [M]
Predictive Focus Tracking automatically activated by subject's status in [S] or [C] AF
|Focus Point|| Single point from 51 or 11 focus points
Liveview (Tripod mode): Contrast AF on a desired point anywhere within frame
|AF Area Mode||
Single point AF
Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
|AF assist||External Speedlite only|
Program Auto [P] with flexible program
TTL full-aperture exposure metering using 1005-pixel RGB sensor
|Metering range|| 3D Color Matrix Metering: 0 to 20 EV
Center-Weighted Metering: 0 to 20 EV
Spot Metering: 2 to 20 EV
At normal temperature (20°C/68°F), ISO 100 equivalent, f/1.4 lens
|Meter coupling||Combined CPU and AI|
|Exposure lock||At detected value with AE-L/AF-L button|
2 to 9 frames
|Exposure compen.|| +/-5.0 EV
1/3, 1/2 or 1 EV steps
|Sensitivity (Movie)*||ISO 200 to 12800 (ISO 6400 to Hi 3 in high-sensitivity movie mode)|
|Shutter|| Electronically-controlled vertical-travel focal plane shutter
30 to 1/8000 sec (1/3, 1/2 or 1.0 EV steps)
Flash X-Sync: 1/250 sec
|DOF Preview|| When Pv (DOF preview) button is pressed, lens aperture can be stopped down to value selected by user (A and M modes) or value selected by camera (P and S modes)
Activates modeling flash
|White balance*|| Auto (TTL white balance with main image sensor and 1,005-pixel RGB sensor)
Presets (twelve) with fine tuning*
Manual presets (five)*
Color temperature in Kelvin (2500 - 10000 K, 31 steps)
White balance bracketing (2 to 9 frames in increments of 1, 2 or 3)
|Image parameters*|| Sharpening: Auto, 10 levels*
Contrast: Auto,7 levels, Custom tone curve*
Brightness: 3 levels
Saturation: Auto, 7 levels*
Hue: 7 levels*
|Color space|| sRGB
|Viewfinder|| Optical-type fixed eye-level pentaprism
Built-in diopter adjustment (-3 to +1m-1)
Eyepoint: 18 mm (at -1.0m-1)
Quick return reflex mirror
Viewfinder magnification approx 0.7x with 50 mm f/1.4 lens
|Viewfinder Frame* Coverage|| FX (36x24): Approx. 100% (vertical/horizontal)
1.2x (30x20): Approx. 97% (vertical/horizontal)
DX (24x16): Approx. 97% (vertical/horizontal)
5:4 (30x24): Approx. 100% (vertical) and approx. 97% (horizontal)
|Focusing screen*|| B-type BrightView Clear Matte Screen VI*
Superimposed focus brackets
On-demand grid lines
|LCD monitor*|| 3.0" low-temperature polysilicon TFT LCD
921,000 pixels (VGA; 640 x 480 x 3 colors)*
170° viewing angle
100% frame coverage
Handheld mode: TLL phase-difference AF with 51 focus areas (15 cross-type sensors)
|Shooting modes*|| Single frame
Continuous Low [CL]
Continuous High [CH]
Quiet Shutter Release [Q]*
DX (24×16): Up to approx. 9 fps (CL) or approx. 9 to 11 fps (CH)
|Continuous buffer|| JPEG Large/Normal: 130 shots
|Self-timer|| 2, 5, 10 and 20 sec|
TTL: i-TTL balanced fill-flash and standard i-TTL flash for digital SLR using 1,005-pixel RGB sensor are available with SB-900, 800, 600 or 400
|Flash Sync Mode|| Front-curtain Sync (normal)
Red-Eye Reduction with Slow Sync
|Flash Accessory Shoe||
ISO 518 standard-type hot shoe contact; Safety lock mechanism provided
|Flash Sync Terminal||ISO 519 standard terminal, lock screw provided|
|Creative Lighting System||
Supported with SB-900, SB-800 or SU-800 as commander and SB-900, SB-800, SB-600 or SB-R200 as remotes; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units
|Orientation sensor||Tags images with camera orientation|
Chinese (Simplified and Traditional)
|Custom functions||46 custom functions|
USB 2.0 (Hi-Speed)
GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable and GPS Cable MC-35 (optional)
|Communications||FTP and PTP/IP file transfer with optional Wireless Transmitter WT-3 (IEEE 802.11 b/g)|
|Storage|| Dual Compact Flash Type I
UDMA, Microdrive and FAT32 supported
36 characters of text can be input and stored in EXIF header
|Power|| Lithium-Ion EN-EL4a/EL4
Quick Charger MH-22
Optional AC adapter EH-6
|Battery monitoring||The LCD monitor on the camera back displays the following information
about the EN-EL4a battery:
Remaining charge (%)
No. of shots taken since last charge
Battery life (5 stages)
|Dimensions||160 x 157 x 88 mm (6.3 x 6.2 x 3.4 in)|
|Weight (no batt) *||1240 g (2.12 lb*)|
Temperature: 0 - 40 °C / 32 - 104 °F, Humidity: under 85% (no condensation)
Rechargeable Li-ion Battery EN-EL4a, Quick Charger MH-22, USB Cable UC-E4, Audio Video Cable EG-D2, Camera Strap AN-DC5, Body Cap BF-1B, Accessory Shoe Cover BS-2, Eyepiece DK-17, Battery Chamber Cover BL-4, USB Cable Clip, Software Suite CD-ROM
Wireless Transmitter WT-4A/B/C/D/E*, GPS Unit GP-1, Magnifying Eyepiece DK-17M, AC Adapter EH-6, Capture NX 2 Software, Camera Control Pro 2 Software, Image Authentication Software
* Compared to Nikon D3
'I do not touch my dance work with Photoshop. Never!' says portrait photographer Steve Vaccariello - a bold statement in the digital age. But he's no luddite. His extended portfolio of commercial, celebrity and beauty work has certainly seen its share of image enhancement. When working with dancers, Vaccariello likes to use reductionist lighting designed to stay out of the way of the movements of the performers. See his work and find out more about him. See gallery
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.