Lens reviews update: DxOMark data for Sony NEX primes
DxOMark has been busy testing lenses for the Sony NEX system, and has just published an article detailing which lenses score best on the NEX-7. As part of our ongoing collaboration, we've added the test data for most of Sony's own E-mount primes to our lens widget, which you can use to assess their performance and compare them against each other. We'll be adding Sony's zoom lenses and third-party primes very soon, but for now you can explore the test data for the Carl Zeiss Sonnar T* E 24mm F1.8 ZA, E 20mm F2.8, E 30mm F3.5 Macro, E 35mm F1.8 OSS and E 50mm F1.8 OSS. Click the links below to find out more.
The Sony E 16mm F2.8 isn't on this list, but we looked at it back in 2010 as part of our review of the Sony NEX-3 and NEX-5. Click here to read our assessment of the Sony E 16mm F2.8, including data in our original lens widget.
Our unique lens data widget allows you to assess and compare lenses' sharpness, chromatic aberration, vignetting and distortion at a range of settings. It also displays the measured focal length and T-stop. Click here to read about how to use our lens data widget.
Click here to jump directly to links for the full test data on DxOMark
Lens test data
Full lens test results on DxOMark
Our lens test data is produced in collaboration with DxOMark. Click the links below to read DxOMark's full review of lenses for the Sony NEX-7, explore the full lens test data on the DxOMark website.
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Sep 12, 2012
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Aug 27, 2013
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Jun 30, 2016
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Jun 14, 2016
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Sony has officially announced four new conversion lenses - two for full-frame and two for APS-C - that can be screwed onto a select group of lenses. On the full-frame side there are ultra-wide and fisheye adapters for the new FE 28mm F2, which drop the focal range to 21mm and 16mm, respectively. The adapters for APS-C lenses - the 20mm F2.8 and 16mm F2.8 specifically - and reduce the focal lengths by 0.75X for the ultra-wide adapter and 0.6X for the fisheye. More details.
Sony has announced the E 20mm F2.8 - a moderately wide-angle pancake prime lens for its NEX cameras. The moderately-fast E-mount pancake will offer a 30mm equivalent field of view and adds another compact lens option for NEX shooters. It will be available in April for around $350. Sony has also said it will offer its video-targeted 18-200mm OSS F3.5-6.3 power zoom lens as a standalone product. Previously only available bundled with the NEX-VG30 camcorder, it becomes the company's third E-mount 18-200mm superzoom and will cost around $1200.
We have just updated our previously posted samples gallery from the Sony Carl Zeiss Sonnar T* E 24mm F1.8 ZA. Our previous gallery was shot exclusively using the NEX-7 but these latest samples were shot with the NEX-5N. Together, these samples should give you a good overall indication of how the lens performs in front of both 24MP and 16MP sensors. As usual we've tried to shoot the lens in a variety of conditions and at a variety of apertures to give an idea about how it behaves.
Sony has announced four lenses, one Alpha mount and three E mount for its NEX system. The first is the DT 16-50mm F2.8 SSM (SAL1650), a dust- and water-resistant fast standard zoom with a range equivalent to 24-75mm on full frame. NEX users get a premium fast prime, the Carl Zeiss Sonnar T* E 24mm F1.8 ZA (SEL24F18Z), plus the E 55-210mm F4.5-6.3 OSS telephoto zoom (SEL55210), and last but not least the E 50mm F1.8 OSS (SEL50F18) - the fastest optically-stabilized lens available for interchangeable-lens cameras. Click through for more details on availability and specifications.
Sony has announced its fourth lens for NEX cameras, in the shape of the E 30mm F3.5 macro (or SEL30M35). Billed as the world's lightest macro for interchangeable lens cameras capable of life-size 1:1 magnification, it uses internal focusing to achieve a minimum working distance of less than an inch from the front of the lens. It also promises quiet autofocus for both stills and video use. The lens will be available in October at a suggested retail price of around $250. We've had a pre-production example that we've used to prepare a samples gallery.
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