Canon EOS M: hands-on preview of Canon's first mirrorless EOS
Canon has, as expected, announced the EOS M - its first mirrorless interchangeable lens camera. Based around the same 18MP APS-C sensor as the recent EOS 650D/T4i, the EOS M is the first model to use a new, smaller 'EF-M' lens mount. It is launched alongside two EF-M lenses that use STM stepper motors optimized for use with the camera's hybrid AF system. As we've seen before in the mirrorless sector, the EOS M is predominantly aimed at the point-and-shoot upgrader market looking for DSLR quality and makes greater use of a 650D-style touch-screen interface. We've been using the EOS M for a little while and have prepared a preview, looking in more detail at Canon's first mirrorless EOS camera and how it handles.
UPDATE. We've recently updated this preview with our own images of the camera, having initially used those provided by Canon. We've also added more information about the camera and screenshots of its touch interface, so if you read our initial preview shortly after publication it's worth having another look.
DSLR-quality images at your fingertips: Canon launches the small and simple EOS M
London, UK, 23 July 2012 – Canon today expands its award-winning EOS range with the launch of the new EOS M. The company’s first ever compact system camera (CSC), the EOS M is designed for those who use photography to share their everyday passions – from food, to fashion and culture, music and art. Offering DSLR-quality imaging, creative features and Full HD movie creation in a compact and easy-to-use model, the EOS M is the perfect, take-anywhere partner for a new breed of enthusiasts who chronicle their lives through images, without necessarily considering themselves to be ‘photographers’.
The EOS M is available in sleek black, glossy white, stylish silver or bold red colours, and condenses Canon’s renowned EOS imaging heritage into a stylish, compact design. The model launches alongside two new lenses, the EF-M 22mm f/2 STM pancake and the EF-M 18-55mm f/3.5-5.6 IS STM standard zoom, as well as a new compact EX Speedlite – the Speedlite 90EX – providing everything you need to capture stunning images every day. For those who want to push their images even further, the EOS M can also utilise Canon’s extensive range of EF lenses with the new Mount Adapter EF-EOS M, for even more creative freedom.
The quality of a Canon DSLR
Print your favourite moments in poster-size or crop your image for maximum impact – whether shooting the atmosphere of your favourite club or the intricate stitching of the latest must-have handbag – thanks to the EOS M’s high-resolution, 18 megapixel APS-C hybrid CMOS sensor. The large sensor also allows you to artistically blur the background for beautiful portraits, or for close-ups with impact.
With the inclusion of Canon’s DIGIC 5 processor, colours ‘pop’ and skin tones are beautifully natural, whilst a super-fast shutter allows you to capture split-second action. The atmosphere of evening shoots and challenging night-time scenes are also easily recorded in stunning detail thanks to the EOS M’s sensitive native ISO range of 100- 12,800 (extendable to 25,600).
For pin-sharp shots and professional-looking footage, this new design features a Hybrid AF System that supports super-fast, accurate AF when shooting stills and movies – allowing you to record any moment with confidence.
Shoot what you see and easily express your creative vision
Every aspect of the EOS M has been designed to make it simple to capture beautiful, creative, high-quality images. From the very first swipe across the bright, high- resolution, 7.7cm (3.0”), Clear View LCD II Touch screen, the EOS M gives you as much or as little control over your photos as desired. Simply select different shooting modes and settings via the on-screen icons, or let Scene Intelligent Auto adjust the camera settings according to the subject and shooting conditions, leaving you free to focus on composition and selecting the perfect moment to hit the shutter release button.
EOS M users can shoot with the confidence that comes from having the world's most comprehensive photographic system behind them. Whether you want to capture every detail of a close-up or zoom in to frame a subject in the far distance, any one of Canon’s extensive range of EF lenses can be connected via the new
Mount Adapter EF-EOS M for photographic flexibility.
With one of Canon’s Speedlite flash units, you can also explore creative lighting techniques to add an extra level of interest to your shots. Alternatively, create unique images with a range of Creative Filters like Toy Camera effect, Grainy B&W or even a filter that mimics the distortion of a fish-eye lens. The filters can be applied before the shot is captured, with the result previewed in Live View, allowing you to experiment with different effects before selecting the perfect treatment for your final image.
Turn film-maker with EOS Movie and Video Snapshot
When a moment calls for more than a still image, the EOS M lets you switch easily to Full HD video with stereo sound for superb results. Video Snapshot mode also helps family and friends avoid long home movie viewing sessions, guiding you to create exciting movies in-camera, with a professionally edited feel.
Extending the EOS System with dedicated accessories
In addition to compatibility with Canon’s existing EF lenses1, accessories and Speedlites, the EOS M launches with its own bespoke range of compact accessories. Two new EF-M lenses offer portability and high performance when using the new model – the EF-M 18-55mm f/3.5-5.6 IS STM standard zoom and the
EF-M 22mm f/2 STM pancake lens. Both feature new Stepper Motor technology for exceptionally smooth AF performance, as well as precision Canon optics, while their compact designs offer the perfect form-factor to complement the camera’s pocket-sized body.
Additionally, the EOS M will ship with the new Speedlite 90EX flash unit as standard. Lightweight and highly-compact, it offers a maximum guide number of nine and supports wide-angle lenses, making it an ideal general-purpose flash for everyday use. A wireless master function also allows the control of multiple flash guns wirelessly, allowing more advanced users to experiment with a range of creative lighting effects.
EOS M – key features
The quality of a digital SLR in a compact body
Scene Intelligent Auto
Be versatile with interchangeable lenses
Create out-of-focus backgrounds for high impact
Atmospheric photos in low light
Full-HD video with Video Snapshot Mode
1 Via Mount Adaptor EF-EOS M
|MSRP||$799.99 with 22mm lens, €849/£769 with 18-55mm lens, €1049/£949 with 18-55mm + 22mm lenses, €979/£879 with 22mm lens + EF adapter|
|Body type||Rangefinder-style mirrorless|
|Max resolution||5184 x 3456|
|Other resolutions||3456 x 2304, 2592 x 1728, 1920 x 1280, 720 x 480|
|Effective pixels||18 megapixels|
|Sensor photo detectors||19 megapixels|
|Sensor size||APS-C (22.3 x 14.9 mm)|
|Color space||sRGB,Adobe RGB|
|ISO||Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800 (25600 with boost)|
|Boosted ISO (maximum)||25600|
|White balance presets||6|
|Custom white balance||Yes (1)|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Number of focus points||31|
|Lens mount||Canon EF-M|
|Focal length multiplier||1.6×|
|Screen / viewfinder|
|Screen type||Clear View II TFT LCD|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/4000 sec|
|External flash||Yes (via Hot-shoe)|
|Flash modes||Auto, On, Off, Red-eye|
|Flash X sync speed||1/200 sec|
|Continuous drive||4.3 fps|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±3 (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±2 (3 frames at 1/3 EV, 1/2 EV steps)|
|WB Bracketing||Yes (3 frames in either blue/amber or magenta/green axis)|
|Resolutions||1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 480 (60, 50 fps)|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (HDMI mini)|
|Battery description||Lithium-Ion LP-E12 rechargeable battery & charger|
|Battery Life (CIPA)||230|
|Weight (inc. batteries)||298 g (0.66 lb / 10.51 oz)|
|Dimensions||109 x 66 x 32 mm (4.29 x 2.6 x 1.26″)|
|GPS notes||via GPE2|
Jul 16, 2015
Jul 16, 2015
Jun 17, 2014
Mar 3, 2014
|It's good to be at home by Nightcrawler12|
from Best photo of the week...
|Tiny tree by Kaappo|
The Olympus 17mm F1.2 promises to open up new possibilities for Micro Four Thirds shooters seeking razor-thin depth-of-field and smooth, 'feathered' bokeh. Take a peek at our extensive sample gallery.
Are you a speed freak? Hungry to photograph anything that goes 'zoom'? Or perhaps you just want to get Sports Illustrated-level shots of your child's soccer game. Keep reading to find out which cameras we think are best for sports and action shooting.
Still yearning for an Aperture replacement? Here's a quick overview of RAW Power, a Raw image editor for iOS that pairs with the Mac application introduced in 2016. Take a look at some of its capabilities.
Video features have become an important factor to many photographers when choosing a new camera. Read on to find out which cameras we think are best for the videophile.
Tech lover Albert Lee was one of the first to pre-order the intriguing 16-camera module Light L16. Two months in, here's what he has to say about using this not-so-little computational camera.
The public art installation featured blurred portraits, ostensibly captured by the artist under that same underpass... except they weren't. They were actually portraits of comedians, pulled from the 2015 Edinburgh Fringe Festival program.
Edelkrone has upgraded its SliderOne with a SliderOne Pro and introduced a new generation of Wing and Wing Pro models, all while simultaneously improving the app that controls its entirely lineup.
People have waiting a long time for the Canon 85mm F1.4L IS lens, but how does it compare to Canon's 85mm F1.2L and Sigma's 85mm F1.4 Art? Phillip Pettit of Lensrentals took all three lenses for a spin to find out.
Affinity Photo for iPad, one of the first full-featured Raw editors designed specifically for tablet use, has been named Apple's Best iPad App of 2017. And what's more, it's currently 50% off!
VSCO Messages allows VSCO X subscribers and free users alike to share text, images, photo editing 'recipes', VSCO journal entries and more.
Flickr has revealed their top 25 photos of 2017, and there are some truly stunning shots in the mix.
Testing of the Canon G1 X Mark III is well underway, inside of the studio and out. We've just added it to our test scene comparison tool, where you can take a look at its performance side-by-side against peers like the Sony Cyber-shot RX100 V.
Whether it's a trip to the beach for some snorkeling or scrambling up a 10,000 ft volcano, the Olympus Tough TG-5 proved to be a great travel companion for Jeff. That's why it's his 2017 Gear of the Year.
Last year, the DJI Mavic Pro and the Phantom 4 Professional took top honors in our end of year buying guide. Read on to find out who it this year for beginners, consumers, prosumers, and professionals at a price tag less than $2,000.
Meyer Optik Goerlitz is resurrecting yet another classic lens. This time, the company has set its crowdfunding sights on the Primoplan 75mm F1.9, a lens originally manufactured in a run of just 2,000 back in the 1930s.
The folks at Kolari Vision—an infrared camera conversion company based in New Jersey—recently tore down a brand new Sony a7RIII, giving everybody a peek at the camera's much-improved weather sealing.
Resource Travel's Brandon Cunningham recently joined The Giving Lens for a 10-day adventure in India. A trip he won't soon forget, to a country that left him in "sensory and soul overload."
Meet the new Freefly Movi, a handheld gimbal stabilizer designed by cinema stabilization pros for use with the iPhone. Freefly is calling this little beast "the world's most portable, adaptable, and intuitive cinema robot."
Photography portfolio site PhotoShelter is adding their voice to the growing group of online companies that are speaking out in favor of net neutrality, and against the FCC's upcoming vote to kill it.
The Direct app would replace the current Inbox on the Instagram app, doing for Instagram what the Facebook Messenger app did for Facebook on mobile.
Qualcomm's latest high-end mobile chipset offers higher frame rates and a wider color gamut, among other important camera improvements you can expect to see in next year's flagship smartphones.
Photographer Josselin Cornou recently got trapped in a blizzard in the Snowy Mountains of Australia with his Fujifilm GFX 50S and new Tamron 15-30mm F2.8 lens. Find out how they held up to 110km/h winds and -15°C temperatures.
While film nostalgia reaches an all-time high, Seattle-based pro photographer Sofi Lee is turning back to 'digicams' made between 2008 and 2011.
The fixed prime lens camera market may be a bit niche, but it's here that you'll find some of the best cameras you can buy. Sensors ranging from APS-C to full-frame are designed to match their lenses, which cover ranges from 28-75mm equivalent, so image quality is top-notch.
With a capacity of 512GB, Samsung's new UFS chips take built-in storage on smartphones to desktop-PC levels. Will this eliminate the need for microSD slots?
Photographer Josh Rossi decided to go big for this year's Christmas card, so he recreated the Star Wars: The Last Jedi poster using himself, his wife, and their two kids.
In response to a NY Times article about how some traffickers were using Instagram as part of the illicit animal trade, Instagram has added a content advisory screen that pops up to warn users any time they search for hashtags "associated with harmful behavior to animals."
Kodak is expanding its instant photography lineup today with the release of the Kodak Mini Shot Instant 10MP camera. A tiny little digital camera that spits out either 2.1 x 3.4-inch or 2.1 x 2.1-inch prints.
Huawei'e next high-end smartphone could be the first to take computational imaging to the next level with a triple-camera that spits out 40MP files.
Landscape photographer Spencer Cox recalls the single most rewarding—and frightening—landscape photography experience of his life: photographing a sandstorm.