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Sony has issued firmware updates for its 35mm full-frame primes which claim to improve focus point reliability when using manual focus for long periods of time. Read more
LensRentals' Roger Cicala has been his usual busy self, tearing lenses apart to work out how to repair and maintain them. The latest optic to fall prey to his toolkit is the Sony Zeiss 35mm F1.4 ZA: one of the company's latest designs for its full frame a7 series cameras. Peering inside reveals a radical design approach far removed from the one Canon uses for its latest 35mm lens. Read more
Sony announced three new FE primes yesterday, including a 28 f/2, a 35mm f/1.4 and a 90mm f/2.8 macro. We got our hands on the Zeiss Distagon T* FE 35mm f/1.4 and shot with it around Seattle. It features a 9-blade circular aperture and a Direct Drive SSM focus system. Check out our samples gallery
Sony has officially announced four new conversion lenses - two for full-frame and two for APS-C - that can be screwed onto a select group of lenses. On the full-frame side there are ultra-wide and fisheye adapters for the new FE 28mm F2, which drop the focal range to 21mm and 16mm, respectively. The adapters for APS-C lenses - the 20mm F2.8 and 16mm F2.8 specifically - and reduce the focal lengths by 0.75X for the ultra-wide adapter and 0.6X for the fisheye. More details.
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The PowerShot G9 X Mark II is Canon's latest entry-level 1" sensor compact. With a time-tested sensor, 28-84mm equiv. lens and an intuitive touchscreen interface, the G9 X II appears to be a smart choice for those upgrading from cheap compacts or smartphones. Read our review to see how it performed.
Sony's a7R Mark III shoots 42.4MP files at 10fps and incorporates a robust video feature set, large battery, refined ergonomics and more. It certainly looks impressive, but what is it like to use, and how does it stack up against the rest of the market? Find out in our full review.