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With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Pre-Photokina 2006: Leica has today announced the ultra-compact D-LUX 3. This new camera (based on the Panasonic LX-2) has a ten megapixel 16:9 ratio CCD, Leica 4x wide angle optical zoom lens (28 to 112 mm equiv.) with optical image stabilization and a 2.8" 16:9 ratio LCD monitor. (While this camera is based on the LX-2 it has had image processing adjustments as defined by Leica).
The compact digital camera for creative freedom and unforgettable pictures
Leica Camera AG, Solms is exhibiting the new LEICA D-LUX 3 at photokina in Cologne (26th September to 1st October 2006). The D-LUX 3 is a compact digital camera with outstandingly high-performance optics and a comprehensive range of settings. The camera offers 10 million pixels and many technical improvements compared to its predecessor, the LEICA D-LUX 2.
The high-performance LEICA DC VARIO-ELMARIT 1:2.8-4.9/6.3-25.2 ASPH zoom lens on the LEICA D-LUX 3 permits a wide range of focal lengths from 28 to 112 millimetres in small picture format, allowing creative scope in picture composition from wide-angle through to the telephoto range. The integral picture stabiliser gives the user additional protection against camera shake in all photography situations, even under difficult lighting conditions. A total of three picture formats (16:9, 3:2 and 4:3) in different resolutions are available for pictures. The display on the LEICA D-LUX 3 has been increased to 2.8“, allowing for the first time the full extent of a picture to be displayed in 16:9 format. The image signal processor has also been improved in comparison to its predecessor model, delivering even faster image processing and saving within the camera. This allows the LEICA D-LUX 3 to be used quickly, reliably and spontaneously at any moment.
“The LEICA D-LUX 3 is a compact camera with controls like those of a professional camera and this gives it a particularly wide creative scope. Different picture modes from manual settings through to the subject programs for quick snapshots allow limitless possibilities for creativity in picture composition. Together with the lightning-fast image processing and a compact camera design, the LEICA D-LUX 3 offers users particularly mobility and flexibility, to capture perfect moments in unforgettable pictures“, says Marius Eschweiler, Product Manager for digital compact cameras at Leica Camera AG.
The high-performance LEICA DC VARIO-ELMARIT 1:2.8-4.9/6.3-25.2 ASPH zoom lens comprises nine lenses in eight groups. With a maximum aperture of 2.8 and a large focal length range from 28 to 112 millimetres in small picture format, the LEICA D-LUX 3 offers versatile picture composition possibilities for brilliant photos with true-to-life colours. The optics are individually matched to the camera sensor. Together with the electronics and software, this enables picture quality with true-to-life colours, excellent sharpness and high brilliance.
In relation to colour matching, contrast and picture definition, Leica Camera AG has developed its own profile. This is oriented to the picture characteristics that are well known to Leica System Camera customers from their use in combination with professional film materials and specialist development laboratories.
Further security for a successful picture is derived from the integral protection against camera shake (O.I.S.), which can be switched on and off at any time. This reliably protects against camera shake in all photographic situations, since small movements of the hand are systematically compensated. Whether at twilight, during indoor shots, for snapshots or in zoom operation – the result is always a sharp picture without the need for a tripod.
The user can operate a changeover lever on the lens at any time to change the side ratio of the photo to any one of three picture formats. Depending on the picture format selected, the resolution varies from 10 MP (16:9), 8 MP (4:3 format) and 7 MP in the classic 3:2 Leica format.
The 2.8“ camera display supports the picture format in the 16:9 side ratio and for the first time it shows complete pictures in wide format. With a resolution of 207,000 pixels, it creates an exceptionally brilliant display and enables photographers to make a reliable and exact assessment of the picture composition both when taking the photo and when reviewing it. To reduce the load on the rechargeable battery, the display can also be switched to a darker low-energy mode, without having to sacrifice the outstanding picture quality.
With its technical features, the LEICA D-LUX 3 is also optimally suited for use in digiscoping – photography through a scope. A Leica digital adapter allows the compact camera to be attached to the eyepiece of a LEICA TELEVID scope and thus becomes a camera with an extremely long focal length range for keen birdwatchers and naturalists. The event being watched can be captured in a digital picture that fills the format in impressive quality without vignetting. The large 2.8" monitor of the LEICA D-LUX 3 is outstandingly suitable for assessing the section whilst digiscoping – even for several people - and also for assessing the picture composition. The optical picture stabilisation gives shake-free pictures of the natural world even in poor lighting and extreme conditions. This combined with the quick response time of the shutter are just what are required for a spontaneous picture.
The LEICA D-LUX 3 is characterised by its clear and concentrated design. The straight-line layout and the reduction to the essentials show the camera’s typical Leica lineage. The LEICA D-LUX 3 offers clear functions and is intuitive and secure in use, thanks to the simple operating concept. A joystick on the rear of the camera simplifies manual focussing.
The LEICA D-LUX 3 has a metal body of aluminium. The quality of machining lays great emphasis even on small details. The exclusive use of high-quality materials is the basis for a reliable and robust product in use.
The LEICA D-LUX 3 is supplied with a 64 MB SD card, a battery charger, a powerful rechargeable battery and a comprehensive software package (Adobe Photoshop Elements 4.0 (PC)/3.0 (Mac), Quicktime Movie Player). Further accessories available include a mains adapter (for direct power supply to the camera from the mains), a spare rechargeable battery and two types of high-quality camera case. The sporty Cordura case is particularly hard-wearing, whist the real leather classic moulded case looks very smart. Both camera cases securely protect the products against damage.
The LEICA D-LUX 3 is available in silver or black finish.
1/1.65 " Type CCD
16:9 Aspect Ratio
4224 x 2376
3840 x 2160
3072 x 1728
1920 x 1080
4:3 Aspect Ratio
3168 x 2376
2880 x 2160
2304 x 1728
2048 x 1536
1600 x 1200
1280 x 960
640 x 480
3:2 Aspect Ratio
3568 x 2376
3248 x 2160
2560 x 1712
2048 x 1360
16:9 Aspect Ratio
848 x 480 @ 30/10 fps
1280 x 720 @ 15 fps
4:3 Aspect Ratio
640 x 480 @ 30/10 fps
320 x 240 @ 30/10 fps
|File formats|| Still: JPEG (Exif 2.2)
Movie: QuickTime Motion JPEG
|Lens|| LEICA DC VARIO-ELMARIT
28-112mm (35mm equiv) in 16:9 aspect mode
F2.8 - F8.0 (w) F4.9 - F8.0 (t)
4x optical zoom
|Image stabilization||Optical, 2 modes|
|Digital zoom||up to 4x|
|Focus||• Auto focus
• Manual focus
|AF area modes||• 1-point
• 1-point high speed
• 3 point high speed
• 9 point
|AF assist lamp||Yes|
|Focus distance|| Normal: Wide 50cm/ Tele 100cm - infinity
Macro/ MF/ Auto: Wide 5cm/ Tele 30cm - infinity
|ISO sensitivity|| Auto
|Exposure compensation|| +/- 2EV
1/3 EV steps
|Exposure bracketing||+/- 1/3 EV -1EV step, 3 frames|
|Shuttter speed|| Auto: 1/4 - 1/2000 sec
Program AE : 1 - 1/2000 sec
Aperture / Shutter Priority AE : 8 - 1/2000 sec
Manual : 60 - 1/2000 sec
|Aperture|| Wide: F2.8 - F8.0
Tele: F4.9 - F8.0
Aperture Priority AE
Shutter Priority AE
|White balance|| Auto
White Set 1/2
|White balance fine tune||150K step, -1500 - +1500 K) (except for auto WB)|
|Self timer||2 or 10 sec|
|Image parameters||Color Effect Mode Cool, Warm, Black & White, Sepia|
|Flash|| Auto, Auto/Red-eye Reduction, Slow Sync./Red-eye Reduction, Forced On/Off
Range: 0.6 - 4.9m (Wide/ISO Auto), 0.3 - 2.2m (Tele/ISO Auto)
Flash output Adjustment (1/3EV step, -2 - +2 EV)
|LCD monitor|| 2.8" TFT LCD
• 16:9 Aspect Ratio
|Connectivity|| USB 2.0
|Storage|| SD card
64 MB SD card included
|Power|| Li-ion battery
Optional AC adapter
|Weight (no batt)||185 g (6.5 oz)|
|Dimensions||106 x 58 x 26 mm (4.2 x 2.3 x 1.0 in)|
What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
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What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
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This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
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The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.
Switching screw-on filters between lenses of different thread sizes is much quicker with the Revoring adjustable step-up ring. It uses a sprung iris that expands to fit a range of filter thread sizes, so a single filter can be used on multiple lenses
That's right folks, you heard it here first. Read on for the full interview, with Kenji Tanaka of Sony.
Kodak's discontinued Aerochrome film gets a digital remake in the form of a new Lightroom preset pack from film emulation specialists Really Nice Images.
We've updated our Best cameras under $2000 buying guide, and the Fujifilm X-T4 is our top pick for those seeking a camera that excels and both stills and video shooting.
Chris and Jordan didn't forget about stills when they previewed the video-centric Panasonic G100 earlier this week.
The Canon EF-M 11-22mm F4-5.6 is by no means a new lens, but it's one we've been shooting with over the years, and appreciate for its compact form, solid build and useful wide-angle range.
Mauritius is a remote island off the southeastern coast of the African continent that's never had Google Street View. So, an island resident, Reuben Pillay, decided to use his own DJI Phantom 4 Pro drone to create more than 220 high-resolution 360-degree images of the island.
Pye Jirsa explains how blowing out the highlights in an image — usually a no-no in the world of photography — can result in a 'perfectly imperfect' photo that feels more authentic and natural.
Here's a fresh take on a classic debate, or why both film and digital are awesome.