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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pentax has announced an upper-entry level DSLR, the K-x. Based on the K2000 (K-m) body, the K-x adds a number of features including a 12.4 Mp CMOS sensor, 11-point autofocus, Live View and HD video mode. It will be available in a choice of colors - black, white, and limited editions of red and navy - from October 2009 at a price of $649.95 with the 18-55mm DA-L kit lens. To accompany the K-x Pentax has also released a budget 'L' version of its 55-300mm F4-5.8 telephoto zoom lens.
GOLDEN, CO (September 16, 2009) : PENTAX Imaging Company redefines the entry-level digital SLR category with the introduction of the K-x digital SLR. This latest PENTAX camera offers high-end features including Live View and HD video. And, since there’s no rule that SLR cameras must come in black only, the K-x will be available in a choice of white or black, as well as special, limited edition red and navy.
Priced at $649.95 USD (for body with DA L 18-55mm lens), the extremely compact and lightweight PENTAX K-x forges ahead on the trail initiated by the popular PENTAX K2000. With a one-handed shooting design and simple, easy-to-use operation, the K-x is perfect for users stepping up from a point and shoot digital camera to their first digital SLR.
The PENTAX K-x offers photographic performance that challenges higher class DSLR models and offers several features that set this camera apart in the entry-level category:
All combined, the PENTAX K-x is the perfect camera for new digital SLR camera users as well as an ideal backup camera for more experienced photographers.
Along with the K-x, PENTAX announced the smc PENTAX DA L 55-300mm F4-5.8 ED super-telephoto zoom lens. This lens will be exclusive to a K-x Twin Lens Kit package consisting of a K-x body, this new lens and the smc PENTAX DA L 18-55mm F3.5-5.6 lens. The lightweight design of this zoom lens offers the exceptional optical performance found in all PENTAX lenses for super-telephoto photography with the K-x and other PENTAX digital SLR camera bodies.
The PENTAX K-x is now available for pre-order in black or white. Limited edition colors of red and navy will become available at select locations to be announced.
The PENTAX K-x (in black and white) will ship in October 2009 in three configurations: options:
PENTAX K-x FACT SHEET
12.4 effective megapixels
The K-x incorporates a newly developed CMOS image sensor to assure high-speed image data readout and more flexibility with varying ISO sensitivity levels. With approximately 12.4 effective megapixels, this image sensor accurately reproduces true-to-life images with fine detail and rich color depth. The
K-x offers a wide sensitivity range between ISO 200 and ISO 6400 and allows users to expand the sensitivity range between ISO 100 and ISO 12800 via a custom function to offer greater creative freedom to photographers.
Compact, lightweight body
The PENTAX K-x is one of the most compact, lightweight digital SLR cameras in its class. The stainless-steel chassis and overall design offer a space-efficient layout.
Widescreen HD movie recording at 1280x720 pixels at a cinematic 24 frames per second (720p24)
The PENTAX K-x movie recording function*1 captures true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 24 frames per second. Compatible with every PENTAX interchangeable lens ever made, the Video Capture mode opens a new world of creativity for PENTA K-x owners.
PENTAX-original SR mechanism for sharp, blur-free images
The K-x features the PENTAX-developed Shake Reduction mechanism that effectively compensates for the adverse effects of camera shake by as much as four shutter steps. This innovative mechanism extends its benefits to all PENTAX interchangeable lenses — even those designed for film-format cameras.*2 With this SR mechanism, the K-x produces sharp, blur-free images even under demanding conditions such as telephoto lens photography, shooting in dark or low-light setting without a flash illumination, and sunset scenes.
High-speed continuous shooting at approximately 4.7 images per second
The K-x’s high-speed continuous shooting mode records as many as 17 images (in JPEG recording format) at a maximum speed of approximately 4.7 images per second. This is the fastest of all entry-class models. The K-x also features a more reliable shutter unit, which passed a demanding action test of more than 100,000 shutter releases. The top shutter speed of 1/6000 second allows the photographer to preserve sharp, crisp images of fast-moving subjects.
High-performance, high-speed PRIME II imaging engine
The K-x features the newly developed PRIME (PENTAX Real IMage Engine) II, that is an upgrade of the original PRIME imaging engine. This new imaging engine offers greater data processing speed and enhanced capability to produce higher-quality images with richer, more accurate color rendition, as well as faster transmission speed of movie data.
Live View function with Face detection of up to 16 faces
In addition to the camera’s viewfinder, the K-x features a Live View function that allows users to view subjects on the LCD monitor during shooting. The K-x also offers a choice of three different focusing modes in Live View:
Innovative Image Processing Functions
Digital Filter function
The K-x’s digital filter function allows users to process recorded images in a variety of creative ways within the camera and produce highly creative visual expressions. With a choice of 16 different filters including Color Extract, Retro, Soft, Starburst, Toy Camera, and more (including a custom filter for building multiple effects), photographers may apply multiple filters to a single image for customized effects.
Cross Process mode
The K-x features a new Cross Process mode that automatically and randomly adds finishing touches to exposures to create eye-catching images with unique, intriguing colors (just like images treated with Cross Process*3 in film photography). This mode adds a whimsical element to digital photography since photographers don’t know the results until the captured image is actually displayed on the camera’s LCD monitor.
High-precision 11-point AF sensor
The high-precision, wide-frame SAFOX VIII autofocus system of the K-x features 11 sensor points (with nine cross-type sensors positioned in the middle) to automatically capture even off-centered subjects in sharp, crisp focus. Photographers also may select one of the sensors as a focusing point to accommodate specialized applications.
*1 When the PENTAX K-x’s AV output terminal is used, movie clips are viewed at normal resolution. The data must be transferred to a PC for the playback of movie clips at high-definition TV proportions (1280 x 720 pixels).
*2 Lenses compatible with this mechanism: PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.
*3 A film development technique that takes advantage of unconventional film developers to create a distinctive finishing touch with intriguing colors.
|Body material||Plastic on stainless steel chassis|
|Sensor*||• 23.6 x 15.8 mm CMOS sensor
• Primary color filter
• 12.4 million total pixels
• 12.9 million effective pixels
|Shake Reduction||Sensor-Shift type|
|Dust reduction||• Image sensor moving mechanism and SP coating|
|Image sizes *||
• [12M] 4288 x 2848 pixels
• JPEG (Conforms to Exif 2.21), (Best, Better, Good)
|Color space|| sRGB
|Lenses||PENTAX K, KA, KAF, KAF2 and KAF3 mount lenses|
|Focusing|| 11-point wide autofocus system (SAFOX VIII)*
TTL Phase matching
Focus point selectable
|Focus modes|| AF-Auto
|AF assist||Built-in flash|
• Auto Picture mode
|Picture modes||• Portrait
• Night scene portrait
• Standard Flash-Off
• Night Scene
|Metering modes||• Multi-segment metering
• Center-weighted metering
• Spot metering
|Metering||• TTL open-aperture 16-segment metering
• Exposure range: EV 1-21.5（Standard Output Sensitivity 200 50mm F1.4）
|AE Lock||Can be allocated to AF button by Menu.|
|AE Bracketing|| ±0.5EV to ±1.5EV (1/2 EV steps)
±0.3EV to ±1.0EV (1/3 EV steps)
±0.7EV to ± 1.0EV (1/3 EV steps)*
|Exposure compen.||±3 EV (1/2 EV or 1/3 EV steps)*|
|Exposure steps|| 1/2 EV
• Auto (selectable range)
|Shutter|| Electronically controlled vertical-run focal plane shutter
|Shutter Speed|| 30 to 1/6000 sec*
|Image parameters|| Saturation (-4 to +4)
Hue (-4 to +4)
Sharpness (-4 to +4) (two types)
Contrast (-4 to +4)
• Fixed molded penta-mirror type
|LCD monitor||• TFT color LCD monitor
• Brightness adjustable
• Wide angle view
• 2.7 inch
• Approx. 230,000 pixels
|Live View|| TTL by Image sensor
Enlargement (2X, 4X, 6X in case of AF mode, 2x, 4x, 6x, 8x, 10x in case of MF mode)
Grid pattern, white/black out warning display, Histogram
AF: Contrast detection + Face detection / Contrast detection /
Phase difference detection
• Built-in retractable P-TTL pop-up flash
|External Flash||• Hot shoe, sync-speed: 1/180 sec.
• Wireless-sync with PENTAX dedicated flash
|Flash compensation||-2.0 to +1.0 EV|
|Drive modes||• Single-frame
• Continuous (Hi, Lo)
• Self-timer (12s, 2s)
• Remote control (0s, 3s)
• Auto bracket
|Self-timer|| 12 sec
|Continuous shooting||• 4.7 fps - 17 JPEG, 5 RAW*
• 2 fps - until card is full or 11 RAW*
|Remote release|| InfraRed remote (optional)
Instant or with 3 sec delay
|Custom functions||22 custom-programmable functions available*|
|Preview||Optical / Digital preview|
|Playback mode||• One Image
• Index (4 or 9 or 16 or 36* thumbnails)
• Enlargement (up to 16X, scroll available)
• Image Rotation
• Folder view
• Bright/Dark area
• Toy Camera
|Menu languages|| English
• USB 2.0 (HI-SPEED)
• Compatible with NTSC and PAL formats
|Storage||SD or SDHC card|
|Power||• Four AA (lithium, alkaline, and rechargeable Ni-MH) batteries
• Optional AC adapter
|Dimensions||122.5mm x 91.5mm x 67.5mm (4.8 x 3.6 x 2.7 in)|
|Weight (no batt/lens)||515g (18.2 oz.)*|
|Weight (no lens)||With lithium batteries and SD card: 580g (20.5 oz.)*|
A lightweight super-telephoto zoom lens for focal lengths between 84.5mm and 460mm (in the 35mm format). ED (Extra-low Dispersion) glass optical elements to assure true-to-life image descriptions and faithful color renditions through effective compensation of chromatic aberrations over the entire zoom range.
|Maximum format size||APS-C|
|35mm equivalent focal length||84.5-460mm|
|Diagonal angle of view (APS-C)||29°- 5.4 °
• 12 elements/ 8 groups
|Number of diaphragm blades||
|Weight||425 g (15 oz)|
|Dimensions||71mm diameter x112mm length
(2.8 x 4.4 in)
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.