Pentax enters enthusiast compact market with brass-capped MX-1
Pentax has announced the MX-1 - its entry into the enthusiast compact camera sector. The MX-1 features classic styling and construction, with brass top- and base-plates. It's based around a stabilized 12MP BSI CMOS sensor and a familiar-sounding 28-112mm equivalent F1.8-2.5 lens. In addition the MX-1 features a flip-out 920k dot rear screen. It includes a top-plate exposure compensation dial and rear thumb wheel to control a UI very much like those in the company's DSLRs. We've borrowed a pre-production version of the camera and have prepared a hands-on preview article.
PENTAX Debuts Retro Design Camera Featuring Fast F1.8-2.5 Lens, 4X Zoom and Classically Crafted Brass Body
The MX-1 strikes the perfect balance between performance and classic design
Denver, CO (January 7, 2013) — PENTAX RICOH IMAGING AMERICAS CORPORATION (PENTAX) has introduced the MX-1, an advanced digital compact camera whose craft design and vintage lines appeal to a wide variety of photo enthusiasts. It’s fast F1.8-2.5 lens produces sharp and crisp imagery in a variety of settings and the camera’s 1/1.7 inch, 12.0 effective megapixel backlit CMOS sensor renders impressive low-light performance.
Encased in brass covers with an ergonomically-pleasing, texturized grip, the MX-1’s body is a tactile experience. The brass panels are cool to the touch and its high-end composition feels substantial in the hand, enabling simple and intuitive handling. Thanks to its beautiful styling and premium materials, the MX-1 develops a stunning patina impressing a history on the camera with each use.
The camera captures images in a wide variety of settings and its fast lens makes creating beautiful focusing effects and bokeh achievable, enabling heightened creative expression and artistic personalization. The MX-1’s 4X zoom offers a versatile and highly-useable range, from a wide 28mm to telephoto 112mm (in 35mm format), its dual shake-reduction system enables sharp, blur-free images in even the most demanding circumstances.
“The feature set of the MX-1, including its large articulated LCD, makes it a phenomenal choice for photo enthusiasts who require superior image-capturing capabilities but also appreciate the styling and construction of a classic camera.” said John Carlson, senior marketing manager, PENTAX.
Whether it is the seasoned and well-practiced veteran who is brought back to the heart of his passion with the touch and feel of the cool brass panels, or the design-conscious novice who’s inspired by retro character and design, the MX-1 delivers on their hunger to produce beautiful photos through defining optics, electronics and design.
Major features of the MX-1 include:
Expanding photographic horizons with fast lens and versatile zoom
The PENTAX MX-1 features a 4X optical zoom lens offering a large maximum aperture of F1.8 to F2.5 and 28mm wide-angle coverage (in the 35mm format). When set at maximum aperture and widest angle of view the photographer can use fast shutter speeds in dimly lit locations and take advantage of a beautiful bokeh (out-of-focus) effect in the background. The MX-1 also provides a Macro mode to capture dramatic close-up images of subjects from as little as one centimeter away. Additionally, the Intelligent Zoom (digital zoom) function extends the zoom coverage up to approximately 7.8 times (for a focal length of approximately 218mm (in the 35mm format) without compromising image quality by optimizing the resolution to match the zoom length.
Newly engineered backlit CMOS image sensor ensures super-high-resolution images in high-sensitivity shooting
The MX-1 incorporates a newly designed back-illuminated CMOS image sensor. With a top sensitivity of ISO 12800 and approximately 12.0 effective megapixels, it boasts remarkable high-sensitivity, low-noise capabilities and assures high-speed image data readout to deliver high-resolution images. The MX-1 also features a state-of-the-art imaging engine. Supported by the latest Super Resolution technology, this engine offers outstanding image-processing performance to produce clear, high-quality images with well-defined details. In addition, the MX-1’s unique Handheld Night snap mode helps the photographer capture blur-free night-time images by taking multiple images at one time, then synthesizing them into a single composite picture.
Classic and refined design
With its textured-rubber grip, and brass top and bottom covers that develop a distinctive appearance after years of use, the MX-1 offers a classic design reminiscent of traditional film cameras. It also features a number of metallic accents, including the lens ring, to further complete the tasteful, high-class finish down to the fine details.
DSLR operability including in-body RAW data development and dedicated exposure compensation dial enhance the shooting experience
Thanks to a dedicated exposure compensation dial, the MX-1 assures user-friendly, direct-access shift of the exposure compensation setting without the need to recall the menu screen. It also features a mode dial for swift, effortless setting of 10 different shooting modes — ranging from the hands-off Auto Picture and the all-purpose Programmed AE, to the more creative Aperture-priority AE, Shutter-priority AE and Metered Manual. As the result, the photographer is assured of outstanding creative freedom to choose the most appropriate shooting mode for a particular scene or subject without delay. Additionally, the MX-1 comes equipped with a host of SLR-like features to optimize its operability, including advanced UI (user interface) functions, easy-to-access controls and in-body RAW data development.
Dual shake-reduction system produces sharp, blur-free images
The MX-1’s dual shake-reduction system couples the PENTAX-developed sensor-shift-type SR (Shake Reduction) mechanism with a digital SR mode to more effectively compensate for camera shake. This hybrid system guarantees the photographer sharp, blur-free images even under demanding shooting conditions prone to camera shake, such as when using a telephoto lens, shooting with incident light in poorly lit locations, or photographing sunset scenes.
Large, articulated LCD display simplifies capturing images at challenging angles
The MX-1 comes equipped with a large 3.0-inch, high-definition LCD display with approximately 921,000 dots. Its articulated design allows the photographer to adjust the display vertically and set it to the angle easiest for capturing and viewing. It also provides a clear view of images and menus displayed on the screen to assure quick, effortless review of recorded images and swift, error-free setting changes.
Full HD video captures high-quality movies with the push of a button
The MX-1 features Full HD movie recording functionality employing the H.264 recording format, to capture high-quality, extended movie clips (with 1920 x 1080 pixels, at a 16:9 aspect ratio, and at a frame rate of 30 frames per second). Switching to video mode is simple and intuitive; with the push of a dedicated button, the MX-1 instantly begins recording video from any shooting mode. It also offers creative movie capture modes — including a High-speed Movie mode* for slow-motion playback and a Time-lapse Movie mode* for fast-forward playback — to make movie capturing and viewing more fun and exciting. A micro-HDMI terminal (Type D) is also included on the camera body for quick and efficient output of recorded movies and sound to external devices.
* In these modes, the recorded size is fixed at VGA dimensions (640 x 480 pixels).
- Dual-axial digital level for accurate horizontal and vertical alignment
- Pop-up auto flash for perfectly exposed images and fill light
- Remote control sensors on front and back panels
- 15 digital filters, including Miniature and Toy Camera, to add creative touches to captured images
- A choice of four aspect ratios (4:3, 16:9. 3:2, 1:1) to accommodate specific applications
- SILKYPIX Developer Studio 3.0 LE for PENTAX RICOH IMAGING RAW data development software (designed by Ichikawa Soft Laboratory) included, in addition to in-body RAW data development
- Compatibility with Eye-Fi wireless LAN SD memory cards
Pricing and Availability
The new MX-1 advanced digital compact will be available at retail outlets nationwide and online in February 2013 with a suggested retail price of $499.95.
For details on the complete line-up of PENTAX cameras, visit: For details on the complete line-up of PENTAX lenses, visit: http://pentaximaging.com/camera-lenses/about.
|Body material||Brass and composite|
|Max resolution||4000 x 3000|
|Other resolutions||3984 x 2656, 3968 x 2232, 3072 x 2304, 3072 x 2048, 3072 x 1728, 2592 x 1728, 2560 x 1440, 2048 x 1152|
|Image ratio w:h||4:3, 3:2, 16:9|
|Effective pixels||12 megapixels|
|Sensor photo detectors||13 megapixels|
|Sensor size||1/1.7" (7.44 x 5.58 mm)|
|Color filter array||Primary color filter|
|ISO||Auto (100 -1600), 100, 200, 400, 800, 1600, 3200, 6400, 12800|
|White balance presets||9|
|Custom white balance||Yes|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Focal length (equiv.)||28–112 mm|
|Autofocus assist lamp||Yes|
|Digital zoom||Yes (4x)|
|Normal focus range||60 cm (23.62″)|
|Macro focus range||1 cm (0.39″)|
|Number of focus points||25|
|Screen / viewfinder|
|Screen type||TFT LCD with AR coating|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/8000 sec|
|Built-in flash||Yes (Pop-up)|
|Flash range||12.00 m|
|Flash modes||Auto, On, Off, Red-Eye, Fill-in, Slow Speed sync, Trailing Curtain sync|
|Continuous drive||1.0 fps|
|Self-timer||Yes (2 or 12 sec)|
|Exposure compensation||±2 (at 1/3 EV steps)|
|AE Bracketing||±2 (3 frames at 1/3 EV steps)|
|Resolutions||1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps)|
|Storage included||75.3 MB|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (Mini HDMI type-D)|
|Remote control||Yes (Optional)|
|Battery description||Lithium-Ion D-Li-106 rechargeable battery & charger|
|Battery Life (CIPA)||290|
|Weight (inc. batteries)||391 g (0.86 lb / 13.79 oz)|
|Dimensions||122 x 61 x 51 mm (4.8 x 2.4 x 2.01″)|
Jul 1, 2013
Jul 1, 2013
Dec 18, 2013
Jan 6, 2016
|Big Steaming Pile by WhistlerOne|
from Product Shoot: Coffee
|AU4_6418_BB-35 by DaveInHouston|
LEE has released a new series of Reverse ND filters that are most opaque in the middle and become progressively clearer towards the top. This makes them ideal for capturing scenes where the sun is close to the horizon.
A former New York Times photographer is suing both the newspaper and its photography director Michele McNally for over $500,000 for age discrimination and unfair classification as a freelancer for nearly a decade.
"CPS Platinum members will now enjoy next-day service, with equipment serviced and shipped the business day after an estimate is approved. For repairs that will take longer, Canon will offer next-day loaner equipment."
Irix is introducing a new filter system called the Irix Edge 100. The ultra-light, ultra-thin system is build specifically for wide angle lenses like Irix's own 15mm F2.4.
After conducting a series of safety tests, the FAA is recommending that all airlines ban cameras and other electronics with Lithium Ion batteries from checked baggage. The agency believe the risk of a catastrophic fire and explosion is too great.
The Pixentu jackets keep you and your gear warm and dry, offering useful features like lens and tripod pockets, in addition to some quirky ones like an extended hood to protect your camera from the rain.
Adobe gave the audience at MAX a sneak peek at some exciting new technology its developing. It's called Adobe Cloak: a highly capable Content Aware Fill-like feature for video editors.
Earlier today, Flickr moved its photo book printing service over to a third party services, and stopped offering any wall art options entirely.
The patent details a flipping rear LCD screen so large, Canon has had to hide the rear dial and several buttons underneath.
We've added a selection of extra images to our Nikon D850 gallery. As part of the process of rounding off the review we made sure a number of us had shot the camera in a variety of situations, we've added those shots to the gallery to give a broad cross section of how the camera performs.
Wiral LITE is an affordable, easy-to-use cable cam system that can do things a portable slider simply can't do, and go places no slider would dare go.
Not happy with the recent demise of Lightroom as a stand-alone, subscription free service? Macphun's got your back... or they will in 2018.
Once connected to a PC, Mac, tablet or smartphone, Pholio automatically searches through the device storage and backs up all images and videos—complete with auto-tagging and intelligent search capabilities.
The 360 Round uses eight horizontally positioned camera pairs and one upward-pointing single lens to capture and livestream panoramic 4K 3D content.
Introduced just three years ago, the Samsung NX1 was both a technological tour-de-force and a great camera to use, earning one of the highest scores we've ever awarded and winning our 2015 Innovation Award. But its short-lived run in the photo world leaves us wondering what could have been.
The Fujifilm X-E3 is styled like a classic rangefinder, but features a built-in touchscreen, AF joystick, and electronic viewfinder – truly an old school meets new type of camera. Lay some eyes on our sample gallery to see how it performs in the real world.
Like it or not, Adobe is embracing a cloud-centric, AI-rich future with the introduction of Lightroom CC. And that's a great thing, though you may not see it now, argues Rishi Sanyal.
The announcement of a more cloud-integrated Lightroom product sees the death of the company's standalone version. This need to make payments in perpetuity (whether you choose Lightroom Classic or CC), chips away at the idea that your Lightroom library is a long-term solution, argues Richard Butler.
The XPro-C 2.4GHz wireless flash trigger that Godox released for Canon users last month now has a Nikon equivalent—the aptly named XPro-N. Sony, Fujifilm and MFT versions are in the works.
In the aftermath of hurricanes Harvey, Irma and Maria, camera and lens maker Sigma is extending its standard product warranty to cover damage caused by these three natural disasters.
The F4 Plus can can capture 360° stills, videos and broadcast livestream footage at 8K resolution... that's 7680 x 3840 pixels!
Lightroom is hogging the spotlight at Adobe MAX, but Photoshop CC got some substantial improvements as well. Find out what's new in the latest version of Photoshop CC.
The aptly-named 'Nude' app automatically detects NSFW images on your iPhone, moves them to a protected vault and deletes the original files in the camera roll and on iCloud.
The Zeiss Milvus family of manual-focus full-frame lenses just gained a new member. Meet the Zeiss Milvus 24mm F1.4: a fast, rugged new lens designed primarily for landscape and architecture photography.
Lightroom has built a brand new Lightroom CC from the ground up to be faster, easier to use, and cloud-based. The application formerly known as Lightroom CC will continue to exist, and will go by "Lightroom Classic CC."
Google Research did a deep dive on the Pixel 2 smartphone's background-blurring portrait mode that uses neural networking and dual-pixel technology instead of a dual-camera setup.
With the arrival of the PowerShot G1 X III, there are now seven Canon cameras built around the 24MP Dual Pixel sensor and Digic 7 processor. We take a look at the differences and what might prompt you to choose one over the others.
Meet the HP ZBook x2. The so-called 'world's most powerful and first detachable PC workstation,' it was built with creative professionals in mind, and is being debuted at Adobe MAX.
PDN sat down with Ahmed Fakhr, director of photography at RollingStone.com, to talk about how the famed publication is adapting to the changing photo and video needs of the modern era and how he 'evaluates the skills of potential contributors.'
Kudos to Canon. Earlier today, the camera giant announced that it had produced its 90 millionth EOS camera and 130 millionth EF-series lens.