Lensbaby has announced the Composer Pro version of its selective focus lens. Available for Canon, Nikon, Sony Alpha, Pentax and Olympus DSLR mounts, the 'Pro' version uses a metal ball-and-socket assembly with refined focus mechanism for smoother operation. The manual focus lens with tilt control is currently available with either the company's Sweet 35 or Double Glass optics for $400 and $300 respectively.
Lensbaby Announces a New SLR Lens:
The Composer Pro
Portland, OR – April 4, 2011 - Lensbaby announces its newest SLR creative effects camera lens, the Composer Pro. The Composer Pro refines and enhances the popular and award winning Lensbaby Composer by upgrading the swivel ball and focus mechanism to provide professional performance. The Composer Pro’s metal swivel ball design and refined focus mechanism deliver ultra-smooth focus and tilt control. The updated focus mechanism features a fluid and accurate dampened focus ring comparable to the focus mechanisms of the highest quality professional manual focus lenses. This smooth, fluid operation makes the Composer Pro the perfect choice for discerning professional photographers and videographers who want to create ground-breaking creative imagery.
The Composer Pro is compatible with the Lensbaby Optic Swap System and ships with either the Double Glass Optic or the new Sweet 35 Optic installed. Each optic creates a Sweet Spot of sharp focus that photographers can move around the photo by tilting the Composer Pro’s swiveling lens body. The Composer Pro is compatible with the complete range of creative optics in the Lensbaby Optic Swap System including the Fisheye, Soft Focus, Pinhole/Zone plate, Single Glass, and Plastic. Each optic can be swapped into the Composer Pro to deliver a different creative effect.
The Composer Pro joins Lensbaby’s growing family of lenses, which now includes the Lensbaby Composer, Scout, Muse, and Control Freak. The Composer Pro will retail for $300 with the Double Glass Optic installed or for $400 with the Sweet 35 Optic installed. The entry-level Lensbaby Composer will remain in Lensbaby’s product line but at a lower MSRP of $250.
“The Composer Pro builds on the strengths of its siblings in the Lensbaby family. In addition to being a core element in the Lensbaby Optic Swap system, it is smooth, fluid and precise to meet the needs of our community of photographer who want to see their unique visions through a precision piece of photographic equipment. Professional photographers continue to be at the core of our customer base.” said Craig Strong, Lensbaby Co-Founder and Chief Creative Officer. “The Composer pro is for them.”
Composer Pro Specs:
- Refined metal ball design delivers ultra-smooth focus and tilt control
- Ships with either the Sweet 35 Optic or Double Glass Optic installed
- Compatible with the Lensbaby Optic Swap System
- Focus Type: Manual
- Size/Weight: 2.25” (5.71cm) high x 2.5” (6.35cm) wide / 4 oz (113.4g)
- Tilts from zero to 17.5 degrees
Sweet 35 Optic Product Specs:
- Focal Length: 35mm
- 12 blade internal aperture, controlled by a dial on the front of the optic
- Aperture range from f/2.5 through f/22 (sweet spot size ranges from 15%, at f/2.5, to 40%, at f/22, of total image area on APS-C sensor cameras)
- Selective focus optic (creates a sweet spot of focus surrounded by gradual blur)
- Compatible with Lensbaby Composer, Scout, Muse, and Control Freak lens bodies*
- Focus distance when used with Composer Pro: 7.5” to infinity
- 4 multi-coated glass elements, in three groups
- 46mm front threads**
Double Glass Optic Product Specs:
- Focal Length: 50mm
- Low dispersion, high refractive index, multi-coated optical glass doublet
- Aperture Type: Interchangeable, magnetic aperture disks
- Apertures: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22
- Selective focus optic (creates a sweet spot of focus surrounded by gradual blur)
- Focus distance when used with Composer Pro: 18” to infinity
- 37mm front threads accept all Lensbaby accessory lenses
Composer Pro with Double Glass Optic is available now from Lensbaby-authorized photo specialty stores worldwide, and from adorama.com, amazon.com, bhphotovideo.com and lensbaby.com. Composer Pro with Sweet 35 Optic will be available soon. Composer Pro with Double Glass Optic retails for $300 MSRP and Composer Pro with Sweet 35 Optic retails for $400 MSRP.
*The Sweet 35 Optic is not compatible with the Composer with Tilt Transformer for Micro 4/3rds and Sony NEX Cameras.
**The Sweet 35 Optic is not compatible with current 37mm Lensbaby accessories.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.