Canon's Larry Thorpe has seen lot of changes over his 60-year career in the industry. We spoke to him after his recent retirement, and in this interview he highlights some of the technological advancements he's seen during his career and discusses the convergence between stills and video.
The DJI Air 2S addresses one of the most common feature requests from drone users: a a 1"-type sensor camera on a consumer-oriented model. We compare it to DJI's other foldable drone with a 1"-type sensor, the Mavic 2 Pro, to see how it stacks up.
The Panasonic Lumix DC-S5 is the company's most portable full-frame stills/video hybrid camera. Read our in-depth review to see how it stacks up against the competition.
The Lumix S 70-300mm F4.5-5.6 Macro OIS is a tele-zoom lens designed for Panasonic's full-frame mirrorless cameras. We've been using one for a few days - click through to learn more.
Right about the time we got our hands on the new Panasonic S 70-300mm F4.5-5.6 Macro OIS zoom lens, Seattle got hit with a rare winter snow storm that provided a great backdrop for our pre-production sample gallery.
It's been almost three years since we launched DPReview TV. Relive some of our favorite episodes and support our subscriber challenge: help us reach 300,000 subscribers by Valentine's Day and give Jordan a special challenge of his own.
Dale's favorite camera this year is one of the most interesting and distinctive mirrorless ILCs on the market - the ultra-traditional, rangefinder-styled Fujifilm X-Pro 3.
The Panasonic 20-60mm F3.5-5.6 is a compact zoom for L-mount cameras. It's a great kit lens for those who like shooting wide and is well-suited for video work.
Rather than chase ever bigger headline numbers, the Sony a7S III focuses on doing one thing and doing it really well. Read on for a detailed look at everything that's new under the hood.
Sony's 70-300mm F4.5-5.6 G OSS isn't going to compete optically with high-quality FE primes, but what it can deliver is a useful range with solid performance.
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