Just Posted: our group test of travel zoom compact cameras. The travel zoom/compact super zoom category is one of the great success stories of recent years, with all the major manufacturers offering at least one small camera with at least a 10x zoom. And that success is understandable - few other camera types offer such a balance between size, price and flexibility. We've looked at fourteen of the latest models and narrowed these down to a shortlist of six for the full review treatment. Our 18-page grouptest shows how these six perform in a variety of situations, but all fourteen have both real-world samples and studio comparisons. Click here to find out what we thought and which cameras prevailed.
Just Posted: Olympus E-P3 studio Raw files and Raw conversions. We've been given access to an early beta of Adobe Camera Raw 6.5 which will include Raw support for the recently-announced Olympus PEN E-P3. We've used it to process our standard studio samples, allowing direct comparisons between the PEN and its peers. We've also included the original Raw files for download so that you can put them through your own image workflow as Raw processors become available that offer support.
Pentax has announced a special edition of its 645D 40MP medium format camera to celebrate being named 'Camera of the Year' at the Camera Grand Prix Japan 2011. The built-to-order special comes with a red lacquer finish and special camera strap, arranged in a paulownia-wood box. The company has not announced how many it will produce. Pentax previously made a special edition of its K10D DSLR when it received the equivalent award in 2007.
Just Posted: our revised Fujifilm X100 review. Amongst the changes listed in Fujifilm's 1.10 firmware update for the FinePix X100 were several that addressed issues raised in our original in-depth review. To reflect this, we have gone back into the studio and re-tested the X100 to see just how much difference the changes make. Does the update allow the X100 to achieve its obvious potential as a high-quality luxury compact camera, or is it still too quirky to earn our outright recommendation? Read our extensively updated review to find out.
Alongside its three PEN bodies, Olympus has announced the M. Zuiko Digital ED 12mm F2.0 and M. Zuiko Digital ED 45mm F1.8 prime lenses for Micro Four Thirds. The 12mm F2.0 is a metal-bodied 24mm equivalent featuring a unique snap-focus manual focus mode. A snap-back focus ring reveals a traditional depth-of-field scale for 'zone' focusing and offers improved focus 'feel.' Later in the year it will be accompanied by the 45mm F1.8 portrait lens, making Olympus one of the only manufacturers to offer a fast prime at a roughly 100mm equivalent focal length, ideally suited to portraiture. There is also a relatively compact, bouncable and remotely commandable flash, the FL-300R, helping the PEN range look more like a complete system. More details of the 12mm F2.0 are included in our E-P3 preview, along with a gallery of sample images.
Startup company Lytro is claiming to be close to launching a camera that allows any point of focus to be specified after the shot is taken. The concept behind the device, called a light-field, or plenoptic camera has surfaced regularly over the past few years, but now Lytro, founded by Stanford PhD Ren Ng, says it will have a product ready within a year. The concept uses a series of microlenses to split the incoming light rays across multiple sensor pixels, depending on the angle from which it arrived. This additional information about the angle of the arriving light makes it possible to recalculate different focus points after the image has been shot, but at the cost of lower image resolution. The company hasn't, as yet, provided details such as its system's output resolution. (From the New York Times)
Lens rental company Lensrentals has posted an interesting blog post on the subject of filters. Ostensibly side-stepping the issue of whether UV filters are actually beneficial, it illustrates the effect of stacks of UV filters of different qualities. Acknowledging this isn't a real-world application, it does show that, if you are going to use filters, you probably shouldn't try to skimp on them. The post also shows exactly why you should never be tempted to stack more than 49 filters on the front of your lens.
- Canon EOS M58.8%
- Panasonic G85/G803.3%
- Panasonic FZ2500/FZ20001.9%
- Panasonic LX10/LX151.2%
- Panasonic GH5 development3.6%
- Sony a99 II15.9%
- Nikon KeyMission 170 and 801.0%
- Fujifilm GFX 50S development28.3%
- Olympus E-M1 II development18.7%
- Olympus E-PL80.1%
- Olympus 25mm F1.2 Pro1.5%
- Olympus 12-100mm F4 IS Pro1.9%
- Olympus 30mm F3.5 Macro0.1%
- Sigma 85mm F1.4 Art3.6%
- Sigma 12-24mm F4 Art2.6%
- Sigma 500mm F4 DG OS HSM Sport2.4%
- YI M12.2%
- GoPro Hero50.8%
- GoPro Karma drone2.2%