Zeiss has added the 2.8/18, a super wide-angle AF lens, to its Batis line for Sony E-mount. The full-frame lens joins the current 25mm F2 and 85mm F1.8 offerings. Read more
Articles tagged "zeiss"
Optical manufacturer Zeiss has announced the winner of its first Zeiss Photography Award is a student who beat a host of professionals to the €15,000 top prize. Read more
German optical manufacturer Zeiss has announced it is to introduce a wide angle to its Otus family of lenses designed for full frame SLR cameras. The Zeiss Otus 1.4/28 is a 28mm lens with a maximum aperture of f/1.4, and will be available with ZE and ZF.2 mounts for Canon EOS and Nikon F cameras. Read more
ZEISS has introduced the 21mm F2.8 to its Loxia lineup for full-frame Sony E-mount cameras, joining the 35mm F2 and 50mm F2. Like its siblings, the 2.8/21 allows the user to de-click the aperture ring for video recording. Read more
What's the plural of Milvus? Milvi? We're not sure, but one thing we do know: Zeiss's new lens family has arrived in a big way. The German manufacturer announced six new manual focus lenses this week bearing the Milvus name. Take a look these mighty new lenses. Read more
German optics manufacturer Zeiss has announced it has created a new range of lenses specifically for high-resolution DSLRs. The Zeiss Milvus family will comprise six lenses fitted for Canon EF and Nikon F cameras. Read more
Lens maker Zeiss has written a blog post about its relationships with other manufacturers - specifically its partnership with Sony. The post sheds some light on exactly what that little blue logo on your lens can mean. The blog post itself appears to have been written by the marketing department, but reading between the lines gives us a better idea of how its relationship with Sony works. Read more
When the Zeiss 85mm F1.4 Otus rolled into our office in both Canon and Nikon mounts, we knew what had to be done. We proudly present to you the 85mm F1.4 Otus, one of the nicest things we've ever held, mounted on the 5DS R and the Nikon D810 for your peeping pleasure. You can even see how it compares with an old Canon EF 85mm F1.8... Read on
Zeiss has revealed two new full-frame lenses for Sony's E-mount system, the Batis 2/25 and 1.8/85. They offer autofocus, and are the first Zeiss-produced FE-style lenses to do so. Each lens barrel contains an OLED displaying focus distance and depth of field. A linear motor AF drive keeps operation quiet, and both lenses are sealed against dust and moisture. Read more
Sony announced three new FE primes yesterday, including a 28 f/2, a 35mm f/1.4 and a 90mm f/2.8 macro. We got our hands on the Zeiss Distagon T* FE 35mm f/1.4 and shot with it around Seattle. It features a 9-blade circular aperture and a Direct Drive SSM focus system. Check out our samples gallery
Zeiss has announced its a Distagon T* 35mm F1.4 ZM lens for Leica M-mount bodies. The company describes the lens as being for professional reportage photography and points out that the wide maximum aperture 'ensures the photographer is independent from the ISO limitations of his camera.' The 35mm F1.4 ZM will be available in black or silver for a recommended price of €1679.84 or $2290 exc taxes.
Sony has announced the Vario-Tessar T* FE 16-35mm F4 ZA OSS for its E-mount interchangeable lens cameras, as well as the HVL-F32M flash and XLR-K2M XLR audio adaptor kit. The 16-35mm is the fifth full-frame zoom for Sony's Alpha 7 series. Read more
Zeiss has announced a new fast mid-telephoto prime to join last year's widely acclaimed 1.4/55 lens in the Otus range. Due out in the middle of this month in Canon EF (ZE) and Nikon F (ZF.2) mounts, the new Zeiss Otus 1.4/85 is a manual focus lens claimed to offer exceptional performance even when used wide open on full frame cameras. Read more
German optical manufacturer Zeiss has announced a new range of lenses called Loxia, designed for full frame cameras using the Sony E mount – essentially the Sony Alpha 7 series at the moment. The Loxia 2/35 and Loxia 2/50 are based on the company's existing 35mm f/2 Biogon and 50mm f/2 Planar lenses from the ZM range. Read more
Zeiss will have its new Compact Zoom CZ.2 15-30mm T2.9 lens on display at this year’s National Association of Broadcasters (NAB) show in Las Vegas, April 7-10. The new lens fills the wide-angle gap in Zeiss' cine-style zoom lineup, complementing the already available CZ.2 28-80mm T2.9 and CZ.2 70-200mm T2.9 lenses. Also at the show will be a new Arri/Zeiss Master Anamorphic MA 135mm T1.9 lens. Learn more
Zeiss has announced an addition to its Touit family of lenses, in the shape of a 50mm F2.8 Macro. The Touit 2.8/50M is designed for mirrorless cameras with APS-C sensors, and will come in Sony E and Fujifilm X mounts. With an angle of view equivalent to 75mm on full frame, it offers 1:1 magnification for close-up shooting. Like the other Touit lenses it includes autofocus, but no image stabilisation. It will go on sale in March 2014 with a recommended price of EUR 755 (excl. VAT.) or US$ 999 (excl. VAT).
Zeiss has announced the Otus 1.4/55, a premium manual focus 'normal' lens for full frame SLRs. It's the first in a new line of lenses aimed at 'uncompromising professional' photographers, with a price tag to match - €2,940 or US$3,999 (excl. VAT). According to Zeiss it's named Otus after 'a type of owl known for its excellent vision in darkness'. On the technical side, it employs a Distagon design that's unusually complex for this class of lens, to minimise aberrations even when shooting at maximum aperture.
Sony has announced three new E-mount lenses today for NEX system cameras: the Carl Zeiss Vario Tessar T* 16-70mm ZA F4, 18-105mm F4 G OSS power zoom, and a black version of its 50mm F1.8 OSS. All three feature Sony's Optical SteadyShot image stabilization. According to Sony, the 50mm F1.8 and 16-70mm F4 zoom will be ready to ship to consumers in September, with the 18-105mm F4 power zoom following in December. Click through for more details.
Zeiss has posted a blog article that talks about the inception and development of its latest line of lenses, led by the 55mm F1.4 that was first shown at Photokina last year. Titled 'No Compromise', it explains how the company is aiming to meet the demands of the latest high resolution sensors, to satisfy the needs of both professional photographers and ambitious hobbyists. Click through to read more, and the link to the original article.
Photographic pioneer Eadweard Muybridge was fascinated by motion, and today, scientists at the Locomotion Lab of the Friedrich Schiller University of Jena continue to use cameras to research how we walk. As well as looking at human and animal movements, they've also created 'walking robots', and are capturing their movement using high-speed cameras. According to Zeiss's blog, the researchers are using the Zeiss Makro-Planar T* 2/50 ZF.2 lens attached to Vosskühler HCC-1000 cameras, which are capable of 923 fps, at 1024 x 512 pixel resolution. Click through for more details.
We've all been there - your friend Carl is over by the fridge, getting some ice, and there you are with an expensive new Carl Zeiss lens, and you're describing it to someone, and Carl keeps saying 'What? What did you say? Do you want ice?' It's confusing. No wonder then that German lens manufacturer Carl Zeiss has decided to officially drop the 'Carl' and will henceforth be known simply as ZEISS. According to the manufacturer's blog, the decision was taken to 'create consistency' across its brand communications. Click through for more details (and no more terrible Carl puns, we promise).
Now that he has his own copies of the new Zeiss Touit lenses, Roger Cicala of Lensrentals decided to crack into the Planar 32mm F1.8 lens. His mission was to see if the renowned build quality of Zeiss optics was compromised to make the lenses more affordable. His teardown detailed the Touit's polymer construction and its use of a DC motor. Click through to see what he thought.
Roger Cicala of Lensrentals has published a blog post in which he gives his first impressions of the new Carl Zeiss 32mm F1.8 'Touit' lens, in Sony E-mount. Unlike Roger's normal approach, where he exhaustively tests multiple samples of the same lens, he was only able to look at a single example of the 32mm F1.8 on the Sony NEX-7. Click through for some details of his findings, and a link to the full article at the lensrentals blog.
Zeiss has announced that its first two Touit lenses for mirrorless cameras are now available for sale. The 12mm F2.8 wideangle has been designed according to the 'Distagon optical concept', and has an RRP of €920 / US$1,250 excluding VAT. Meanwhile the Planar-type 32mm F1.8 normal lens will cost €670 / US$900 excluding VAT. The lenses will be available to fit Sony NEX and Fujifilm X-system cameras, and include autofocus but lack optical stabilisation. The X-mount versions also feature aperture rings with 1/3 stop detents. The next model in the line, a 50mm F2.8 Macro, is expected to appear at the end of the year.
Zeiss has announced more detail on two forthcoming lenses for Sony NEX and Fujifilm X-mount APS-C cameras - the 12mm F2.8 and 32mm F1.8 lenses it unveiled at Photokina last year. The announcement came via the Zeiss blog, which went into detail on how they came to the name for the new series, 'Touit.' Pronounced like the English 'do it,' the new lenses are named after a Latin American band-tailed parrot, which Zeiss describes as 'small and agile,' much like mirrorless cameras are meant to be. Click for more on the new lenses.
LensRentals' Roger Cicala has published an interesting comparison of the Zeiss ZE 135mm F2 APO-Sonnar and the Canon EF 135mm f/2L USM lens, with both optics mounted on a Canon EOS 5D Mark II. While you'd expect nothing less than excellent results from the Zeiss optic, just what advantages can the heavier and much more expensive lens offer compared to Canon's well-regarded prime lens? Click through to read Cicala's findings.
Carl Zeiss has announced its annual photo contest for images shot with one of its lenses. Any Zeiss lens is considered valid, from Nokia smartphones through Sony compacts, such as the RX100, to the company's high-end interchangeable lenses. This year's theme is 'The moment that knows no limits' and first prize is one of the company's manual focus SLR and rangefinder lenses, with a variety of other Zeiss-branded prizes for runners-up. The contest runs on Flickr until January 15th.
Photokina 2012: Sony has officially announced the Cyber-shot DSC-RX1, a full-frame compact camera with a fixed 35mm F2 lens. The camera features a 36x24mm CMOS sensor and a leaf shutter for near-silent operation. It includes a manual aperture ring and dedicated exposure compensation dial for direct manual control. It can also capture video at frame rates of up to 1080p60 and includes a series of video-friendly features. As rumored, the camera will retail for around $2,800.
Photokina 2012: Carl Zeiss will show prototypes of a 55mm F1.4 Distagon prime lens for DSLRs and the first lenses for mirrorless system cameras. The lenses for mirrorless cameras will be autofocus designs and will become available in mid 2013. The prototypes on show will include a wide-angle prime, a standard prime and a macro lens. No details are given for which systems will be supported. The manual focus Distagon* 1.4/55 will be available in the second half of 2013 for Canon and Nikon mounts.
Carl Zeiss has announced the Apo Sonnar T* 2/135 telephoto lens, which it will be showing at the Photokina trade show in Cologne later this month. This premium manual focus optic uses a floating focus system to maintain high image quality at all distances down to 0.8m. It uses anomalous partial dispersion glass elements to minimize chromatic aberrations, resulting in an apochromatic design. It will be available in mounts for Canon and Nikon SLRs from December 2012, at a recommended retail price of approximately €1600 / $2000 (excluding VAT).
Carl Zeiss has announced the Compact Prime CP.2 25/T2.1 cinema lens. It's a replacement for the existing CP.2 25/T2.9, offering a whole stop greater light-gathering ability. The CP.2 25/T2.1 uses the company's interchangeable lens mount system, with Arri PL, Canon EF, Nikon F, Micro Four Thirds and Sony E options all available. It will start shipping on October 1st, 2012, with an expected retail price of €3,300 (excl. VAT) or $4,500 (excl. VAT).
Carl Zeiss is displaying a 28-80mm T2.9 cinema zoom lens at the IBC trade show in Amsterdam, that will complement the 70-200mm T2.9 optic it announced earlier this year. Designed for use on 35mm full-frame format video-capable SLRs, as well as HD video cameras and professional cine cameras, the Compact Zoom CZ.2 28-80/T2.9 will be available in Canon EF, Nikon F, Micro Four Thirds, Sony E and Arri PL mounts. It will be available in the second quarter of 2013 for €14,900 or US$19,900 (excluding VAT).
Carl Zeiss has launched the CZ.2 70-200/T2.9 cine lens at the NAB show in Las Vegas. The company says it allows movie makers to only use one lens to cover the short to long tele range. With a weight of only 2.8kg the lens is also a good addition to smaller and lighter HD video and cine cameras and ideal for hand-held operation. The Compact Zoom CZ.2 70-200/T2.9 will be available in the fourth quarter of 2012, for a recommended retail price of US$19,900/€14,900 (excluding VAT).
Carl Zeiss has announced two videography-orientated lenses to add to its CP.2 Compact Prime range, a 15mm and a 135mm. The lenses, to be unveiled at the NAB broadcast industry trade show in Las Vegas, are the CP.2 15mm T/2.9 and CP.2 135mm T/2.1. Both lenses are color-matched to allow consistency in footage shot with different lenses, and feature interchangeable mounts, allowing use with PL, EF, F, MFT and E mounts. The two lenses will be available in the fourth quarter of 2012 at an MSRP of €4,200 / US$5,700 (excluding VAT).
Carl Zeiss has announced the Distagon T* 2,8/15, a super-wide-angle lens for Canon EF and Nikon F mounts. The lens can focus from just 25cm (10") and offers a 110° field of view when mounted on a full-frame camera. It uses aspherical elements and abnormal partial dispersion glass in order to control distortion and chromatic aberration. It features an integrated lens hood and accepts 95mm threaded filters. It will be available from May for an MSRP of €2,148 or US $2,948.
Carl Zeiss has introduced a set of cine prime and zoom lenses that offer interchangeable mounts for use with video enabled DSLRs. With a choice of Canon EF, Nikon F and Arri PL mount for professional cine cameras, the CP.2 compact primes offer a choice of 18mm to 85mm focal lengths with maximum apertures ranging from T2.1 to T3.6 and can be used on full frame cameras such as Canon 5D Mark II. The LWZ.2 lightweight zoom lenses cover the 'ANSI Super 35' image area (24.9 x 18.7mm) that is a fraction larger than APS-C sensors (24 x 16mm). The lenses will be available from June 2010.
Carl Zeiss is celebrating 120 years of camera lens production this month. The German company started off in 1846 manufacturing microscopes before moving onto lenses in 1890. A press release from the company stresses milestones in its history, including its lenses being used in man's first lunar expedition and Hollywood movies such as Barry Lyndon (which famously used an f/0.7 Zeiss lens to shoot scenes by candlelight). Along the way, Carl Zeiss's notable technical achievements have included the Planar and Tessar lens designs, its T* anti-reflective coatings and the development of MTF testing to measure lens quality.