The Associated Press and British Movietone have announced the addition of more than 1 million minutes of digitized historic footage to YouTube. The AP says that this project represents the largest ever upload of historic news content to YouTube, and will serve as a 'visual encyclopedia' for witnessing some of the biggest moments in recent world history. Read more
Stories tagged with video-news
Red has launched firmware version 6.0.23 for its cameras, a significant update over previous version 5.3.42 that brings some useful features for still photography. Included is a Motion + Stills mode that makes it possible to mark frames for still extraction while recording video. Read more
Video production tool maker Atomos has announced the release of AtomOS6.4, a significant firmware update for its Shogun video monitor and recorder. The update includes a number of useful features, including anamorphic de-squeezing that supports the Panasonic GH4's new anamorphic video mode. Read more
With a 2000mm equivalent zoom range, the Nikon Coolpix P900 leads the current ultrazoom class in terms of reach. While there's no question that the camera has an impressive zoom range, a nature photographer based in Germany has made it ever-so-obvious just how powerful this little ultrazoom is. His YouTube video of the moon shows that at 83x optical zoom the magnification is so powerful, the rotation of the Earth is easily seen as the subject drifts through the frame. Read more
Video accessories manufacturer Edelkrone has launched a new dolly for DSLRs that's designed to fold up and fit in your pocket. The PocketSkater 2 features three wheels and a tilting Flextilt head so photographers can shoot moving footage with the camera angled upwards or down. Read more
Swedish company TTRobotix has introduced the TTR-SB Seawolf, a remote controlled submarine that includes a forward-facing mount for the GoPro HERO3 and HERO4 cameras. Seawolf allows video footage and still images to be captured underwater in depths up to 8m/26ft while an operator remotely controls the vessel; live streaming is also available. Read more
GoPro has announced its acquisition of Kolor, makers of stitching software used for spherical 360-degree videos and panoramas. Demonstrating exactly what we can expect when the two companies combine forces, the above 360-degree video has been released today, recorded with three GoPro Heros and stitched together with Kolor software. Read more
Garmin has introduced two new action cameras, the VIRB X and the VIRB XE. Both cameras feature a new form factor that increases the number of mounting options available. Both feature a waterproof design, and the VIRB XE offers support for 1440/30p and 1080/60p video recording. In addition, the action cameras feature G-Metrix, which leverages integrated sensors and wireless tech to monitor 'action data' like speed, and display the information as animated data overlays. Read more
Tamron claims that its new SP 15-30mm F2.8 Di VC USD offers prime quality across its focal length range, paired with a fast maximum aperture and - uniquely in its class - optical vibration compensation. We've been impressed by how this wideangle zoom performs in our studio, but that's only half the story. Our latest video field test follows DPReview Deputy / Technical Editor Rishi Sanyal as he uses the Tamron 15-30mm to shoot architecture, cityscapes and waterfalls. Watch the video
Red has unveiled its latest camera body and announced its next-generation 8K sensor. The Weapon body will be produced in magnesium alloy or carbon fiber and is available as an upgrade for users with the 6K 'Dragon' sensor. Anyone making the upgrade to the Carbon Fiber version will then be able to pay extra to get the forthcoming 8K sensor. Read more
Panasonic has announced firmware v2.2 for the GH4 to make it easier to use anamorphic lenses with the camera. The new anamorphic mode allows the camera to capture video from a 4:3 aspect ratio chunk from the middle of the sensor to match the projection of specialist lenses, allowing genuine anamorphic capture, rather than digital simulation of the look.
Canon's new XC10 is the first product we've seen which is neither a stills camera with a video feature or a video camera that can capture stills. In terms of both specification and ergonomics it is a true 'convergence' product with the potential to shake up more than one market segment. We've been poring over the specifications for a while now - here's what you need to know
Canon has released its XC10 digital camcorder which combines advanced 4K video recording with capable still shooting features. The core features are a 12MP 1" CMOS sensor and a fixed F2.8-5.6 image stabilized lens equivalent to 27-270mm for videos and 24-240mm for stills. 4K UHD video is captured using the XF-AVC Intra codec (which offers bit rates up to 305MBps) and 8MP stills can be grabbed from 4K video. Other notable features include a rotating grip, tilting LCD, and built-in Wi-Fi. Read more.
Canon has announced the EOS C300 Mark II Cinema EOS camera, updating its predecessor with a new 8.85 megapixel 35mm sensor allowing 4K shooting. Also new are Dual DIGIC DV5 processors bringing the ability to record 10-bit 4:2:2 4K (UHD or DCI) video internally thanks using the new XF-AVC Codec. Read more
DJI has launched its latest drone, the Inspire 1, equipped with a new camera unit capable of 12MP stills and 4K video recording. The latest addition to DJI’s arsenal also includes a newly developed gimbal that can be removed and potentially upgraded in the future. Read more
Canon has taken the wraps off its new 50-1000mm CN20x 50 IAS H E1/P1 cinema lens, expanding its cine-servo offerings with what the maker says is the first-ever lens boasting a combined 20x magnification, integrated 1.5x extender, and a removable servo drive. The lens is targeted specifically at nature and sports television productions, as evidenced by its far from enthusiast-friendly $78K price-tag. Click through for more details
The headline feature of the Panasonic GH4 is that it's a Micro Four Thirds camera that can shoot 4K video for under $2000, capturing either Quad HD (3840 x 2160) at up to 29.97p or 'Cinema 4K' (4096 x 2160) at up to 24p. Seattle-based photographer Erik Hecht recently took the new Panasonic GH4 for a spin to test the dynamic range and to see how well it takes color correction. See video
These days shots from a flying drone are a dime a dozen - when engagement shoots are being covered from a hovering photographic robot you know that the technology is ubiquitous. It's getting increasingly hard to impress someone with images or video from drones. So it's lucky that privately-owned SpaceX happens to own its own rockets because it gives them the ability to capture stunning video, like this launch and landing test of its Falcon 9 Reusable rocket. See video
Earlier this week Sony got a lot of attention with its Alpha 7S announcement - a 12MP full-frame mirrorless camera with 4k video capabilities and ISO expandable to 409,600 for stills and video. This sounds impressive, but how does it actually perform? See for yourself as Sony just released a video demonstrating the high ISO performance of the Alpha 7S. Watch video
Atomos has released the latest in its series of field video recorders, the Shogun, at the NAB show in Las Vegas. It's capable of 4K Apple ProRes and Raw recording in 24, 25 or 30p, and up to 120p in HD. The device features a 7-inch touchscreen for operation, and accepts two SSD or HDD drives. Additionally the Shogun offers wireless remote control to trigger recording. Learn more
Touted as 'the world's smallest broadcast camera with the world's largest viewfinder', Blackmagic Design has announced its new Studio Camera. The Studio Camera employs a 12.48mm x 7.02mm sensor and a Micro Four Thirds lens mount. It also has a 10-inch viewfinder and a four-hour built-in battery. Learn more
AJA has announced the Cion - a production camera featuring a 4K APS-C sized sensor - at NAB in Las Vegas, Nevada. This is AJA Video System's first camera, the company being known primarily as a manufacturer of video interface and conversion products. The camera accepts lenses with a PL mount and records to a single proprietary SSD drive. Learn more
Update: Consumer electronics maker JVC Kenwood has joined the Micro Four Thirds standard and said it will develop products for the system. The company is showing two prototype 4K-capable cameras, including a compact, handheld model at NAB in Las Vegas. We stopped by the JVC Kenwood booth and got a first glimpse of the cameras on display. Interestingly, the company says both cameras will have Super 35 sensors (around 21 x 12mm), which is wider than the original Four Thirds sensor format which the standard was designed around. Learn more
Blackmagic Design has unveiled its latest and most expensive camera to date, the URSA. The camera features a changeable sensor design, allowing the user to swap out the Canon EF lens mount and 4K Super 35 image sensor for a similar sensor with a PL mount. The URSA features touch screens for operator control - including a 10-inch flip-out screen. It also has another 5-inch screen showing timecode, histogram, and other indicators such as a spectrum scope for checking focus. Learn more
Canon has introduced its new compact XF205 and XF200 professional camcorders aimed at broadcast news and wedding videographers. They come equipped with a wide-angle 26.8 mm (35mm equivalent) 20x optical zoom lens and support two recording formats - MXF, a file format used by broadcast stations, and MP4. The XF205 and XF200 will be available in mid-July for $4,400 and $3,900 respectively. Learn more
Canon has announced its new Cine-Servo 17-120mm T2.95 zoom lens for shoulder-mounted application or as a traditional cinema lens. It has an ENG-style Digital Drive handgrip with zoom rocker switch and will be available in either PL- or EF-mount. Canon has also launched the HJ18ex7.6B portable HD zoom lens for broadcast news and documentary situations. Learn more
Panasonic has announced the HX-A500, a wearable video camera with ultra HD 4K at 30p capability. Along with Wi-Fi and NFC connectivity options, the HX-A500 can also shoot 1080p at 60fps, 720p at 120fps and 480p at 240fps. Panasonic's action camera is also dustproof and waterproof for up to 30 minutes down to 10 feet (3 meters). The HX-A500 has a separate body unit that has a 1.5-inch color LCD display and camera unit that is connected by a cable. Learn more
Using a similar model as Adobe’s Creative Cloud, video effects maker Red Giant - creators of Trapcode and Magic Bullet - is making their post-production tools and plugins available via subscription. Instead of buying individual software licenses, Red Giant's service called Universe allows you to pay monthly or yearly for access to their suite of products that work in popular video editing software such as Final Cut Pro or Adobe Premiere. Learn more
Blackmagic Design has announced it is shipping its 4K, global-shutter camera for $1000 less than originally suggested. The Blackmagic Production Camera 4K is built around a Super 35mm (roughly APS-C-sized) sensor and can shoot 4K and 1080p footage in Apple ProRes 422 (HQ) or Adobe CinemaDNG Raw formats, direct to SSD. The camera offers 4K at 30p, 25p, 24p and NTSC equivalents. It has a Canon EF-compatible lens mount, offering electronic aperture control with Canon and Zeiss lenses. It is available for $2,995.
Filming fire has come a long way since the 1991 movie Backdraft. Emerging Director Brendan Bellomo and DP Greg Wilson shot a slow motion short using the Phantom Flex4K camera, which shoots 1,000 FPS in full 4K resolution. The results are riveting. See video
Metabones has introduced two new versions of its Nikon-F to Micro Four Thirds mount Speed Booster adapters. This time they are designed specifically for the Blackmagic Cinema and Pocket Cinema cameras. The new 0.64x Speed Booster reduces the full-frame crop factor of the Blackmagic Cinema Camera from 2.39x to 1.53x. The 0.58x Speed Booster reduces the crop factor of the Blackmagic Pocket Cinema Camera from 2.88x to 1.75x. Learn more
Blackmagic Design has announced its Camera 1.5 software update which adds new 12-bit Log CinemaDNG RAW recording to the Pocket Cinema Camera. The CinemaDNG Raw lossless compression works like a ZIP file where the Raw files are compressed during 1080p recording without the loss of any part of the image. This allows videographers to capture files with wider dynamic range for increased flexibility during color correction.
As of now there are not many consumer products, aside from a from a few smartphones (and the GoPro HERO3+ Black Edition), that can shoot 4k video. However the SD Association's announcement of new Ultra High Speed Class 3 (U3) card labeling anticipates it becoming more common. The U3 designation guarantees a 30 MB/s constant minimum write speed, making it easier for buyers to know which cards are '4k ready.'
Canon is offering owners of its Cinema EOS C100 the chance to add Dual Pixel AF to this video-centric camera. This will enable continuous autofocus during recording with all Canon EF lenses, and double one-shot AF speed with 104 fully-supported lenses. Interestingly the upgrade doesn't involve a change of sensor, but instead enables a hitherto-unused hardware capability. However it will require the camera to be sent to a Canon service centre, and isn't free (in the US it will cost $500).
Sony has announced a consumer 4K camcorder, the FDR-AX1 Handycam, which gives enthusiast videographers a way to capture four times the resolution of a Full HD camera. The AX1 is able to save the massive amounts of data gathered by a 4K, 60fps camera thanks to its XQD memory card. Its G lens covers a 20x zoom range equivalent to a 31.5 - 630mm, and includes Optical Steady Shot. Click through for more.
Sony has updated its Action Cam with a new name, a lighter waterproof housing, and GPS. The Action Cam HDR-AS30V can capture an 11.9-megapixel still image on its back-illuminated Exmor R CMOS sensor as well as Full HD footage. Its new waterproof housing is smaller and lighter than its predecessor, and also a little less rugged. Built-in Wi-Fi offers easy connectivity to a smartphone, as well as the new Live View Remote wristwatch. Click through for more details of this, and also the new 'Music Video Recorder' announced at the same time.
Back in April we posted about the GSS C520 - a five-axis gyro stabilized 4K cinema system being used by Teton Gravity Research to shoot a feature film about skiing. If the preview footage is any indication, it'll be pretty intense, putting the 4K rig to work in some impressive locations. The trailer is available online now - click through to see the preview footage in all its high-definition glory.
Garmin has taken a leap into the rugged action camera market with the Garmin VIRB and VIRB Elite, designed to capture video and stills in extreme conditions. In a market segment currently dominated by GoPro, the VIRB steps into the ring with a 1.4-inch display, 1080p video capture, integrated weatherproof housing and ANT+ connectivity. The VIRB Elite is a step-up model with built-in Wi-Fi and GPS. Both are capable of 16 megapixel still images, as well as time-lapse photography. Click through for the full press release and pricing.
Magic Lantern has been enhancing the features of Canon EOS digital SLRs for some time now, most recently giving the EOS 5D Mark III a significant increase in dynamic range. One feature found in the second alpha version of their EOS 7D software adds the ability to capture Raw video, albeit at a relatively low 1736 x 1156 resolution. A 7D owner named Florian has put this feature to the test, by combining a series of DNG files into a 33 second video which looks fantastic. See the video for yourself after the break.
Blackmagic Designs has announced it is shipping its Raw-video-shooting Pocket Cinema Camera and is reducing the price of its original, larger Cinema Camera. The Pocket Cinema Camera is built around a 'Super 16mm' sized sensor (12.5 x 7mm) and can shoot Apple ProRes 422 (HQ) or lossless compressed CinemaDNG 1080 footage at 23.99, 24, 25, 29.97 or 30p. Meanwhile the company has knocked $1,000 off the price of its original, 2.5K resolution Raw-shooting Cinema Camera model.
Looking more like a projector than a camera, the Canon Vixia Mini made its debut today, its aim to serve bloggers, youtubers and apparently guitarists. Its 16.8mm equivalent fisheye lens is designed to capture video and stills with a unique perspective, and users can switch from wide to close-up mode while recording for an interesting live 'cut' effect, while maintaining Full HD video recording. Its built-in touch-sensitive LCD flips to face forward or backward, and a tripod mount can hold the device firmly in place. Click through for more information, and images.
The folks at Magic Lantern are no stranger to adding new features to Canon DSLRs, courtesy of their EOS Camera Tool software. Their latest creation, Dual ISO, increases the dynamic range of the 5D Mark III and EOS 7D by four stops, bringing the total dynamic range to 14EV. This allows you to pull detail out of the shadows with a lot less noise than with the 'stock' firmware. Click through for more details.
Camera feature modifier Magic Lantern has piqued interest in the five-year-old Canon EOS 50D by enabling video recording on this previously stills-only camera. The development work is still in early stages, but a user has posted raw video footage at 1592 x 720 resolution at 24p. Click through to see why videographers are excited about this newly added feature. (via EOSHD.com)
Camera feature modifier Magic Lantern has developed a version of its software enabling 24fps Raw video output from the Canon EOS 5D Mark III. This news has grabbed videographers' attention as it allows for individual frames of 14 bit output, yielding a much wider dynamic range than you'd get from standard 8 bit video files. EOSHD's Andrew Reid has had his hands on the latest version and discusses its implications. Click through for his accounts of this potentially game-changing capability.
High speed camera maker Vision Research has put together its first footage with the forthcoming Phantom Flex4K video camera. Capable of capturing up to 1000 fps at 4K resolution, the Flex4K features a 10MP Super-35 sensor, records either RAW or compressed footage and will come in PL, Canon EF and Nikon F/G mounts. For this video, NYC-based cinematographer Greg Wilson and director Brendan Bellomo captured the Hebron and Glastonbury Connecticut Fire Departments in action, highlighting the camera's slow motion capabilities. Click through to watch the video.
Blackmagic Design has announced the Production Camera 4K, a Super-35 format, 4K-capable camera with global shutter for smooth panning and image motion. The company says it will cost $3995. It can capture footage in Apple ProRes 422 HQ or losslessly compressed CinemaDNG Raw - promising 12-stops of dynamic range. The camera is built around a Canon EF mount and an internal SSD recorder to cope with the data rates. Blackmagic says it will be available from July 2013.
Digital video site www.newsshooter.com is at this year's NAB show in Las Vegas, and has been taking a look at the Pocket Cinema Camera from Blackmagic. The Pocket Cinema Camera is a small, 1080 video camera with a Micro Four Thirds lensmount and an eye-opening MSRP of $995. Click through to see newsshooter's video, straight from the floor at NAB.
Blackmagic Design has announced a pocket-sized 1080p movie camera capable of 422 ProRes capture with promises of lossless CinemaDNG to be added via firmware. The Blackmagic Pocket Cinema Camera uses a Super 16 imaging area (around 12.5 x 7.4mm - slightly smaller than a 1" sensor), and an 'active' Micro Four Thirds lens mount, giving full aperture control of native lenses. The camera can capture footage in Apple's 10-bit 4:2:2 ProRes format Blackmagic promising to add the open, lossless CinemaDNG Raw standard later. The company has said this will cost just $995 and be available from July.
Action sports video production company Teton Gravity Research (TGR) has posted the first video shot with the GSS C520, a five-axis gyro-stabilized 4K cinema system by GSS (Gyro-Stabilized Systems). The C520 is compatible with the RED Epic, Arri Alexa M and Sony F55/HDC-2500 video cameras. For this video, the system was fitted with a RED Epic video camera and mounted on a helicopter to capture 4K stabilized footage of San Francisco, California. (via FStoppers)
Sony has introduced two 4K-capable modular cameras, including the PMW-F55 which has a Super 35-sized sensor with a global shutter. The specifications of the two cameras are pretty overwhelming - 16-bit Raw recording, parallel 2K and 4K recording, but the biggest news is the global shutter - the ability to capture all pixels simultaneously, rather than one line at a time - totally eliminating rolling shutter effect. (via EOS HD)