The Nikon D7200 improves over its predecessor in one important way, offering a greatly improved buffer. Other improvements are more subtle, but more sensitive AF and an improved video specification make the D7200 a more capable camera than the model which came before it. We've had a D7200 for a few days, and wasted no time pairing it with Sigma's excellent 18-35mm F1.8 A to get some real-world samples. Click through to see more
Stories tagged with samples
|Total: 50, showing: 1 – 50|
[UPDATED] We were curious to see how the new Canon 11-24 F4 performed on a high resolution sensor, so we've updated our gallery with some landscapes and aperture progressions taken on a 36MP Sony a7R with a Metabones adapter. Though performance at extremes of the frame may not be representative of that on a native body, the 11-24 doesn't disappoint. Have a look at the new shots in our gallery
The Panasonic Lumix DMC-ZS50 (TZ70 outside North America) earns its travel zoom designation with a 30x optical zoom range, equivalent to 24-720mm. It features a 12MP CMOS sensor, full manual controls, Raw shooting and a built-in 1.2M dot electronic viewfinder. Find out what it's capable of doing in the field. See gallery
A slight update to the D5300, the Nikon D5500 is a midrange DX-format that sports a 24MP CMOS sensor with no optical low-pass filter (OLPF) and the company's latest Expeed 4 processor. This combination offers an ISO range of 100-25600 and 5 fps burst shooting, while the 39-point AF system can track subjects in '3D'. Other features include a fully articulating 3.2" touchscreen LCD with 1.04M dots and 1080/60p video. We've been using it for a few days - click through to view our gallery of samples
The Tamron 16-300mm F/3.5-6.3 Di II VC PZD is a general purpose 'carry everywhere' zoom for users of APS-C format DSLRs. Covering an equivalent focal length range of 24-450mm, this lens should be a perfect camera for travel and day-to-day use, allowing you to frame a huge variety of different subjects without changing lenses. We've been using one for a while and we've prepared a gallery of samples. Click through to take a look
UPDATED: The Panasonic Lumix LX100 topped our reader poll as the most interesting product to come out of Photokina 2014. Indeed, the LX100's combination of a Four Thirds sensor and 24-75mm equivalent F1.7-2.8 lens is big news. We've been testing out this intrepid compact for the past few days; take a look at a gallery of real-world samples and see what it can do. See gallery
Fujifilm's new X100T is the latest evolution of its popular X-series of enthusiast compacts. Introduced with this model is an updated Hybrid Viewfinder that includes a new electronic rangefinder feature and automatic brightness controls. The X100T carries over the 16MP APS-C X-Trans CMOS II sensor seen in its predecessor as well as a fixed 23mm (35mm equiv) F2 lens. We've had access to a pre-production model for a few days - just time to prepare a small gallery of samples.
We got a chance to shoot with a pre-release beta of Canon's EOS 7D Mark II, so we grabbed it. We have prepared a 23 image gallery from a Canon event running at the Photokina show in Cologne. Although the image quality hasn't been entirely finalized, this should give some first impressions of what that camera can do. We've included a sequence of 10fps shooting. Click through for more details.
The Fujfilm X30 offers a 2/3" X-Trans II CMOS sensor and a 28-112mm equivalent F2.0-2.8 lens - both of which are retained from the X20 that precedes it. New features include a larger, tilting 3" LCD, an XGA OLED electronic viewfinder, a control wheel around the lens, and greatly improved battery life. We've had access to a pre-production camera for a few days now, and we've been given permission to post some images. Click through for a link to our gallery.
The Samsung NX3000 is a rangefinder-style mirrorless interchangeable lens camera that sports a 20.3MP APS-C CMOS sensor, a 3" flip-up LCD, 5 fps continuous shooting, and Wi-Fi with NFC. We took delivery of an NX3000 recently and we've been out shooting with it and the 16-50mm F3.5-5.6 power zoom lens to see how it performs in the real world. Click through for a link to our gallery.
Nikon's new D810 consolidates the older D800 and D800E into a single body with no AA filter on its 36MP CMOS sensor. A few days ago we received a final production sample Nikon D810 and we've been shooting with it intensely ever since. As well as putting it through our initial studio testing, we've also taken a quick look at the effectiveness of the new electronic first-curtain shutter and created a gallery of real-world sample images to show what the camera can do. Click through for links.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.
Samsung's NX Mini is the slimmest and lightest interchangeable lens camera on the market. It packs a 1"-type, 20MP CMOS sensor into its body, along with Wi-Fi with NFC and 1080/30p video. With the NX Mini, Samsung also introduced a new NX-M lens mount. We've been shooting with the 9mm F3.5 (24.3mm equivalent) prime on the camera and having some fun with the Mini's flip up LCD for the occasional 'selfie'. See gallery
The Fujifilm TCL-X100 is a screw-in teleconverter for the X100 and X100S which increases the effective focal length of their 23mm F2 lens to 50mm. We've been shooting with the TCL-X100 for a few days now, in a range of different situations and light levels to see how it performs in everyday use. Click through to read our first impressions, and see our sample images.
We've been shooting with the Fujinon XF 56mm F1.2 R - the fast 85mm equivalent prime lens for Fujifilm's X mount mirrorless cameras. Its F1.2 aperture means it gives similarly shallow depth-of-field to an 85mm F1.8 lens on a full frame body, making it an useful portrait or low light lens. We also spent time using the X-E2 with an advance version of firmware v2.0 while putting this gallery together. See gallery and read about our experience with the update
The Sony a6000 features a 24MP APS-C sensor that includes phase detection AF points across 92% of the frame and 11 fps continuous shooting with subject-tracking. It's the first E-mount camera of its style not to be branded 'NEX'. As we work toward a full review, read our shooting experience report and check out our real-world samples gallery to find out if the a6000 is more than a refreshed NEX-6 by another name. Learn more and see gallery
The Coolpix P340 is Nikon's latest pocket enthusiast camera, featuring a large 1/1.7", 12.2-megapixel BSI CMOS sensor, full manual controls (P, S, A, M) and Raw image capture. The P340 has a versatile 5x (24-120mm equivalent) wide-angle to telephoto zoom range plus 10x Dynamic Fine Zoom and a fast F1.8 maximum aperture lens with Lens Shift VR image stabilization. We've spent a few days shooting with it to see if these specs add up to impressive performance. See gallery
The Olympus Stylus SH-1 brings the manufacturer's well-regarded 5-axis image stabilization to a fixed lens compact for the first time. The SH-1 looks the part too with its Pen-inspired styling, and offers a substantial 25-600mm equivalent zoom. Who could resist taking it for a spin? That's exactly what we did, and we've come back with a gallery of real-world samples to prove it. See photos
The 50mm F1.4 DG HSM is Sigma's latest fast normal prime for full-frame cameras, and one of the most hotly-anticipated lenses of the year. But how does it perform in real-world use? We've been using the lens for a couple of days, and put together a gallery of samples. We've concentrated on large-aperture shots to show sharpness and bokeh, but have also included several taken at smaller apertures. See photos
The Samsung NX30 is a midrange mirrorless camera that features a 20.3MP CMOS sensor and the company's latest DRIMeIV processor. The NX30 has a Hybrid AF system that combines on-chip phase detection with more traditional contrast detection and photos can be composed on a fully articulating 3-inch AMOLED display or a unique pull-out, tilting electronic viewfinder. We've spent some time with a production sample to see how it performs out in the real world.
The Nikon D3300 continues on the path of its entry-level DSLR predecessors, with plenty of built-in shooting and retouch modes, a small footprint, and beginner-friendly user interface. It has a 24.2 megapixel CMOS sensor with no optical low-pass filter, as well as an Expeed 4 image processor. The camera's ISO range tops out at 25,600 and with continuous shooting up to 5 fps. We've been out and about with the D3300, shooting everyday situations and family life. See gallery
Nikon's new collapsible kit zoom, the 18-55mm f/3.5-5.6G VR II rolled into our office Friday afternoon and we took it for a spin over the weekend. Like similar designs used in mirrorless kit lenses, the 18-55mm VR II twists to expand when you're ready to shoot, and contracts into a more compact 'at rest' state. It's a natural companion for Nikon's consumer-level bodies including the D5300. While we put the finishing touches to our D5300 review, we used that camera to put together a gallery of real-world samples. See gallery
A factory-fresh Fujifilm X-T1 arrived in our office last week, and editor Barnaby Britton spent the weekend trying it out, taking a range of sample images in different environments, with several lenses. Highlights of the X-T1's specification include a 16MP X-Trans CMOS II sensor with on-chip phase detection, high-resolution EVF and 8 fps continuous shooting with AF tracking. See our gallery and detailed first-impressions review
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Fujifilm X-A1 again in case you missed it the first time around. The X-A1 is nearly identical to the X-M1 except for one key detail - it uses a 16MP sensor with a conventional, Bayer color filter array, rather than the X-Trans design that's been used in other bodies. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Pentax K-50 again in case you missed it the first time around. The Pentax K-50 is the follow up to the K-30 and is similar in appearance and spec to the K-500. The camera can also be custom ordered in 120 possible color combinations. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Nikon D5300 again in case you missed it the first time around since we're working toward a full review in 2014. The D5300 is Nikon's latest evolution of the D5200 by removing the optical low-pass filter (OLPF) and adding a handful of other features. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Samsung NX300 again in case you missed it the first time around. The NX300 looks a lot like the NX200 and 210, but includes updates that show signs of ever-greater integration between the company's cameras and its smartphones. See gallery
As we're racing to complete our full review of the Nikon Df, we've added the Nikon D4 and Canon EOS 6D to our studio comparison tool. The studio test scene shows image quality for both JPEG and Raw files. It offers downloadable Raw samples and is designed to simulate real-world daylight and low-light shooting. As always, you can compare the D4 and EOS 6D to a number of other cameras, including the Df. See test scene
As we work on our full review of the Nikon Df, we've been shooting with it extensively and have put together a gallery of real-world samples. We've tried to use a selection of lenses, including older Nikon glass as well as the recently-launched AF-S Nikkor 58mm f/1.4 G. Here are 40 images shot at a range of ISOs to show how the camera performs. See gallery
Having spent a little more time with a full production unit, we've updated our Nikon Df coverage with images from our studio test scene and some more handling impressions. Nikon's thoroughly retro full-frame Df uses the same 16MP chip first seen in the D4, and provides an unprecedented level of support for legacy lenses. The new scene shows its performance in both daylight and low light, with downloadable image files. As always, you can compare the Df to the increasing number of cameras in our test scene.
We've updated our first impressions review of the Sony Alpha 7 with our studio test scene showing image quality for both JPEG and Raw files, making it easier to see the differences between it and its sister model, the Alpha 7R. The new scene also offers downloadable Raw samples of both daylight and low light scenes. As always, you can compare the A7 to the increasing number of cameras in our test scene.
When Ricoh's Pentax K-3 was announced we were intrigued by the 'anti-aliasing simulator' feature, a first for a DSLR. The K-3 allows you to engage its low-pass filtering at the push of a button. We recently shot some real-world samples taken in a range of conditions to see how it stacks up against the current K-5 models. Our gallery was shot on with the anti-aliasing filter set to off (the default setting). See gallery
We've just updated our first impressions review of the Panasonic Lumix GM1 with a gallery of real-world sample images. Panasonic's latest G-series camera underscores the 'Micro' in Micro Four Thirds as one of the smallest interchangeable lens cameras ever brought to market. Despite its size, it still offers a 16 megapixel Four Thirds sensor, 3.0-inch touch screen, and full suite of manual exposure controls. Does its image quality in the field measure up? Click through and see for yourself.
Updated with a large selection of night shots: We've been able to get our hands on the highly anticipated full-frame Sony Alpha 7R again, and have posted a gallery of real-world samples using a final production camera. We've put together a preliminary gallery using the Sony FE 35mm F2.8 ZA and FE 55mm F1.8 ZA primes. Follow the link for some shots taken in the Volunteer State: Tennessee.
We've been taking plenty of photos while working on our upcoming review of the Panasonic Lumix DMC-GX7. Our samples gallery has been updated with an additional fifteen photos to tide you over until the review is posted. Follow the link to see glass sculptures, a beautiful sunset, and a defunct nuclear plant.
We've been shooting with the Olympus PEN E-P5 for the past few weeks, in preparation for our review. Using a selection of lenses, we've put together a real-world samples gallery showing what the latest big PEN can do. In addition to shooting at the default settings, we've also tried adjusting the noise reduction and sharpening settings, and have included both out-of-camera JPEGs and Adobe Camera Raw conversions to give an idea for the choices you're offered. Click through for a link to the gallery.
We've just published our first impressions of shooting with the Sigma 18-35mm F1.8 DC HSM | Art lens. We've tried to express just why we're so excited about this lens, which offers APS-C DSLR users access to some of the depth-of-field and low-light capabilities that full-frame shooters get from their F2.8 zooms. We're hoping to hear about pricing and availability soon so, in the meantime and in the light of our first impressions, what would you expect to pay for this lens? Click through for a link to the article and for your chance to comment.
We've been lucky enough to get our hands on an early pre-production sample of one of the most anticipated lenses of the year, the Sigma 18-35mm F1.8 DC HSM, and bring you a gallery of full-resolution sample images shot with it. This lens is the fastest zoom ever made for SLRs and, in principle, should provide the depth-of-field control and low-light image quality on an APS-C DSLR that you'd get using an F2.8 zoom on 35mm full-frame. We've shot a samples gallery including a variety of subjects, using a range of apertures, focal lengths and subject distances, to try to give an initial flavor of how the lens performs.
We've had a chance to take another look at an 'initial production' Olympus PEN E-P5, and have updated our preview with some more first impressions and image samples. Olympus has only allowed us to publish downsampled images, but we've still been able to get more of an idea of how well the camera works. We hope to get our hands on a production E-P5 that we can use to shoot full size images towards the middle of June, but until then click through for our updated preview to whet your appetite.
We've just posted our 20-page review of the Nikon D5200. Nikon's 'advanced beginner' APS-C DSLR offers several features that should also appeal to enthusiasts, such as a 24MP CMOS sensor, a 39-point AF system inherited from the D7000 and an Auto ISO system linked to the focal length of the lens. Add an articulated rear LCD and the ability to output uncompressed video and you've got the makings of a very promising camera. Does the D5200 live up to its potential in real-world use? Click through to read our in-depth review.
We've just posted a gallery of real-world samples from the MX-1 - Pentax's flagship compact camera. Announced earlier this year the MX-1 offers a 12MP backlit CMOS sensor, and a fast F1.8-2.5 lens which spans an equivalent focal range of 28-112mm. We wrote a detailed hands-on preview back in January and we're working on putting the camera through our usual gamut of studio and real-world testing. For now, we hope you enjoy this small gallery of samples which - if nothing else - proves that the sun does occasionally come out in Seattle.
Just posted: Our samples gallery shot using a production Canon EOS 100D and EF-S 18-55mm f/3.5-5.6 IS STM. In this gallery we're aiming to give an idea of the image quality possible from Canon's latest miniature SLR with its new, silent-focusing kit zoom. We've also quicky tested its refocusing ability during movie recording. Click through to see the sample images and movies.
Just posted: Our Canon EOS 100D (Rebel SL1) preview samples gallery. We've been lucky enough to get our hands on a pre-production sample of Canon's latest miniaturised SLR, and have assembled a quick samples gallery to give an idea of how it performs. We've shot using the EF-S 18-135mm f/3.5-5.6 IS STM and EF 40mm f/2.8 STM pancake lenses, and aimed to cover a variety of subjects and lighting conditions. The pre-production camera used offers 'Beta' standard image quality, so may not fully reflect the final image quality (although it's unlikely to be radically different).
We've just added a 39-image sample gallery to our preview of the Fujifilm X100S. The X100S is the sucessor to the X100, one of our favorite cameras of the past couple of years, but one that was not without its share of quirks. The X100S features a new 16MP X-Trans sensor, a hybrid AF system with on-sensor phase-detection autofocus and numerous operational improvements. We previewed the new camera earlier this year and we'll be adding more content to that as we work towards a full review but for now, click through for a link to our gallery of real-world samples.
We've just added more pages of content to our hands-on preview of the 16MP Panasonic GH3, Panasonic's flagship GH-series Micro Four Thirds camera. These pages represent our progress so far towards the completion of a full review. We've added our full complement of studio tests, including resolution, noise and dynamic range, a small gallery of 'real world' samples and updated first impressions. Click through for a link to the 12-page preview.
We've just added ten pages of content to our hands-on preview of the 24MP Nikon D5200, representing our progress so far towards the completion of a full review. As well as a complete breakdown of the options available in the camera's menu system we've added our full complement of studio tests, including resolution, noise and dynamic range, and a small gallery of 'real world' samples. Click through for a link to the 16-page preview.
The AF-S Nikkor 70-200mm F4 ED VR arrived in our Seattle office a few days ago and since then we've been shooting with it as much as possible. We've put together a gallery of 34 images, shot with the new lens mounted on the 36MP Nikon D800. As well as straight-from-the-camera JPEGs, we've also converted several Raw files, and have made 'to taste' adjustments to give a clearer picture of how the lens is performing. Click through for a link to the gallery.
We've just posted a gallery of shots from Sigma's new 35mm F1.4 DG HSM prime lens, showing off its capabilities in a range of different environments, across its aperture range. We were very excited to start using this lens, and so far, it doesn't disappoint. Our gallery contains 23 photographs taken using the Canon EOS-1D X and 5D Mark III, and includes several images converted from Raw. A full review is on its way before the end of the year, but for now, we hope you enjoy our gallery of initial images. Click through for a link to the gallery.
We've added a gallery of real-world and studio images to our Canon EOS 6D preview. The EOS 6D won't be available until at least December but we've been able to borrow a pre-production model for which we've been allowed to post samples. We've shot with the camera in a series of lighting conditions, using a variety of lenses, including the EF 24-70mm f/2.8L II USM and the EF 70-300mm f/4-5.6L IS USM. We've also shot an ISO sequence under challenging low-color-temperature artificial light. Click here to see how Canon's latest full-frame challenger performs.
|Total: 50, showing: 1 – 50|