The Fujfilm X30 offers a 2/3" X-Trans II CMOS sensor and a 28-112mm equivalent F2.0-2.8 lens - both of which are retained from the X20 that precedes it. New features include a larger, tilting 3" LCD, an XGA OLED electronic viewfinder, a control wheel around the lens, and greatly improved battery life. We've had access to a pre-production camera for a few days now, and we've been given permission to post some images. Click through for a link to our gallery.
Stories tagged with sample-gallery
The Fujifilm XF 18-135mm F3.5-5.6 is a weather-resistant lens designed as a companion to the weather-resistant Fujifilm X-T1. Covering a 27-200mm equivalent range, it claims to offer the world's most advanced image stabilization system, using gyro sensors for a gain of up to five stops. Is it the ideal pair for the X-T1? We took it out for a spin. See gallery
The Samsung NX3000 is a rangefinder-style mirrorless interchangeable lens camera that sports a 20.3MP APS-C CMOS sensor, a 3" flip-up LCD, 5 fps continuous shooting, and Wi-Fi with NFC. We took delivery of an NX3000 recently and we've been out shooting with it and the 16-50mm F3.5-5.6 power zoom lens to see how it performs in the real world. Click through for a link to our gallery.
You'd know just by looking at it that the Samsung NX Mini is the slimmest and lightest interchangeable lens camera on the market. Tucked inside is a 1"-type, 20MP CMOS sensor along with Wi-Fi with NFC and 1080/30p video. The aptly named Mini also introduces a new NX-M lens mount. We've updated our existing NX Mini samples gallery with images from the 17mm F1.8 prime. See gallery
The Sony SLT-A77 II is that company's latest DSLR using translucent mirror technology. With a 24MP CMOS sensor, it has a newly-designed 79-point AF system and offers 12fps continuous shooting with autofocus. That's all very impressive on paper, but what's it like in the real world? We've pulled together a sample gallery and added it to our a77 II First Impressions Review. See gallery
We've been out taking advantage of Seattle's sunny July days and have just published a gallery of real-world samples from Canon's new 10-18mm F4.5-5.6 IS STM lens. Smaller, lighter and cheaper than the 10-22mm zoom that precedes it in Canon's lineup, the 10-18mm gives a 16-29mm equivalent range on the APS-C bodies it's designed for. See gallery
We've updated our already healthy-sized gallery of real-world Leica T samples, bringing the grand total up to 97 images. The T (Typ 701) is a mirrorless interchangeable lens camera with autofocus, the first in the T-system. It offers a 16MP APS-C sensor and features a large touch screen complemented by two command dials. See how it performs in the real world. See gallery
The Olympus Stylus SP-100 EE is a superzoom camera with a built-in dot-sight that enables you to easily track moving subjects while the lens is zoomed in. The dot-sight pops up just above the high-resolution electronic viewfinder. To make long zoom focusing easier, the SP-100 also features a focus limiter, which lets the user choose what distances the camera searches. The SP-100 combines a 16MP BSI CMOS sensor with a 24-1200mm 50x optical zoom that captures 1080/60p HD video. We've been playing with it for a couple of weeks, to see how well it performs. See gallery
The Olympus Tough TG-3 is a slightly more enthusiast-focused rugged compact, offering a 25-100mm equiv. F2.0-4.9 lens, 16 megapixel sensor, built-in GPS and Wi-Fi. It's waterproof to 15m/50 ft, shockproof to 2.1m/7 ft and freezeproof to -10° C/14° F. Like its peers it records 1080p HD video. We put its waterproof claims to the test - find out how it did in the real-world. See gallery
The Ricoh WG-4 offers a 16 megapixel sensor and a 25-100mm equivalent F2.0-4.9 lens. Identical to its WG-4 GPS sibling in almost every way except for the obvious (one has GPS and a front-facing display, one doesn't) the WG-4 is waterproof to 14m/45 feet, freezeproof to -10° C/14° F and shockproof to 2m/6.6 feet. Take a look at our real-world samples. See gallery
Nikon's Coolpix AW120 features a 16 megapixel sensor and is waterproof to 18m/59 ft. It offers a 24-120mm equiv. lens, along with built-in Wi-Fi and GPS. The AW120 will withstand a drop from 2m/6.6 ft and is freezeproof to -10° C/ 14° F. Among nearly all of its peers it offers the widest lens, though at F2.8-4.9 not as fast at the wide end as the Olympus TG-3's or Ricoh WG-4's. Take a look at what the AW120 is capable of in the real-world. See gallery
Waterproof to 25m/82 ft, the Canon PowerShot D30 is capable of diving deeper than its current competitors. The 12.1 megapixel D30 also features a 28-140mm equiv. lens and built-in GPS. In addition to its impressive waterproof specification, it's coldproof to -10° C/14° F and shockproof to 2m/ 6.5 ft. See how it performs in the real world, both on land and under the waves. See gallery
As soon as it arrived we wasted no time getting out with the Sony Cyber-shot RX100 III, and in the past few days we've also added a lot to our first-impressions review, including a movie page, shooting experience and studio comparison images. This weekend presented an opportunity to update our gallery of real-world sample images too, bringing our gallery to 87 images, including a handful of raw conversions. See more.
Nikon's 1 V3 is the newest model in the company's enthusiast mirrorless interchangeable lens camera system. The V3 is built around an 18.4 MP CX-format sensor, and uses a hybrid contrast (171 points) and phase detect (105 points) AF system. The V3 boasts a continuous shooting speed that outpaces DSLRs at 20 fps with full autofocus. The camera is also capable of 1080/60p Full HD video. Click through to see how it performs.
As soon as it emerged from our studio we went straight out shooting with the RX100 III, to give an idea of the results it gives. We'll be adding video and more samples over the coming days but this initial gallery aims to show a range of the camera's capabilities. We set the camera's ND filter to Auto, so we could shoot at wide aperture in good light, and include a real-world shot from the wide and long en of the lens, shot this way. Click through to see more.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.
Samsung's NX Mini is the slimmest and lightest interchangeable lens camera on the market. It packs a 1"-type, 20MP CMOS sensor into its body, along with Wi-Fi with NFC and 1080/30p video. With the NX Mini, Samsung also introduced a new NX-M lens mount. We've been shooting with the 9mm F3.5 (24.3mm equivalent) prime on the camera and having some fun with the Mini's flip up LCD for the occasional 'selfie'. See gallery
The Fujifilm TCL-X100 is a screw-in teleconverter for the X100 and X100S which increases the effective focal length of their 23mm F2 lens to 50mm. We've been shooting with the TCL-X100 for a few days now, in a range of different situations and light levels to see how it performs in everyday use. Click through to read our first impressions, and see our sample images.
We've been shooting with the Fujinon XF 56mm F1.2 R - the fast 85mm equivalent prime lens for Fujifilm's X mount mirrorless cameras. Its F1.2 aperture means it gives similarly shallow depth-of-field to an 85mm F1.8 lens on a full frame body, making it an useful portrait or low light lens. We also spent time using the X-E2 with an advance version of firmware v2.0 while putting this gallery together. See gallery and read about our experience with the update
The Coolpix P340 is Nikon's latest pocket enthusiast camera, featuring a large 1/1.7", 12.2-megapixel BSI CMOS sensor, full manual controls (P, S, A, M) and Raw image capture. The P340 has a versatile 5x (24-120mm equivalent) wide-angle to telephoto zoom range plus 10x Dynamic Fine Zoom and a fast F1.8 maximum aperture lens with Lens Shift VR image stabilization. We've spent a few days shooting with it to see if these specs add up to impressive performance. See gallery
The Olympus Stylus SH-1 brings the manufacturer's well-regarded 5-axis image stabilization to a fixed lens compact for the first time. The SH-1 looks the part too with its Pen-inspired styling, and offers a substantial 25-600mm equivalent zoom. Who could resist taking it for a spin? That's exactly what we did, and we've come back with a gallery of real-world samples to prove it. See photos
The 50mm F1.4 DG HSM is Sigma's latest fast normal prime for full-frame cameras, and one of the most hotly-anticipated lenses of the year. But how does it perform in real-world use? We've been using the lens for a couple of days, and put together a gallery of samples. We've concentrated on large-aperture shots to show sharpness and bokeh, but have also included several taken at smaller apertures. See photos
Now that we have our hands on not one, but two PowerShot G1 X Mark IIs, we've running around out taking photos like crazy. This first installment of 24 photos - some of which may look familiar - should give you a taste of what the camera can do, and there are plenty of additional samples on the way. See gallery
The Samsung NX30 is a midrange mirrorless camera that features a 20.3MP CMOS sensor and the company's latest DRIMeIV processor. The NX30 has a Hybrid AF system that combines on-chip phase detection with more traditional contrast detection and photos can be composed on a fully articulating 3-inch AMOLED display or a unique pull-out, tilting electronic viewfinder. We've spent some time with a production sample to see how it performs out in the real world.
Sigma's 18-200mm F3.5-6.3 DC Macro OS HSM | C is the latest version of its popular stabilized superzoom lens for APS-C / DX format SLRs. It's smaller and lighter than the previous model (the 18-200mm F3.5-6.3 II DC OS HSM from 2011), but offers an updated optical design with improved close-focusing abilities. Sigma shipped us a sample a few days ago so we could try it out and we've been running around (in typically unpredictable Seattle weather) getting some real-world samples. Click through to see the shots.
The Nikon D3300 continues on the path of its entry-level DSLR predecessors, with plenty of built-in shooting and retouch modes, a small footprint, and beginner-friendly user interface. It has a 24.2 megapixel CMOS sensor with no optical low-pass filter, as well as an Expeed 4 image processor. The camera's ISO range tops out at 25,600 and with continuous shooting up to 5 fps. We've been out and about with the D3300, shooting everyday situations and family life. See gallery
We've just returned from the CP+ show in Japan, where Fujifilm was kind enough to loan us a beta sample of its new 10-24mm zoom lens for the X-series interchangeable lens cameras. Although this is a beta (not final) sample, Fujifilm is confident enough about its performance to allow us to post images. We've prepared a gallery of sample images taken in various conditions at various ISO sensitivity settings on the X-T1 for you to take a look at. See gallery
Nikon's new collapsible kit zoom, the 18-55mm f/3.5-5.6G VR II rolled into our office Friday afternoon and we took it for a spin over the weekend. Like similar designs used in mirrorless kit lenses, the 18-55mm VR II twists to expand when you're ready to shoot, and contracts into a more compact 'at rest' state. It's a natural companion for Nikon's consumer-level bodies including the D5300. While we put the finishing touches to our D5300 review, we used that camera to put together a gallery of real-world samples. See gallery
A factory-fresh Fujifilm X-T1 arrived in our office last week, and editor Barnaby Britton spent the weekend trying it out, taking a range of sample images in different environments, with several lenses. Highlights of the X-T1's specification include a 16MP X-Trans CMOS II sensor with on-chip phase detection, high-resolution EVF and 8 fps continuous shooting with AF tracking. See our gallery and detailed first-impressions review
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. We've just added 16 more images to our previously-published gallery, taken with the new lens attached to an Olympus OM-D E-M5. See gallery
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Fujifilm X-A1 again in case you missed it the first time around. The X-A1 is nearly identical to the X-M1 except for one key detail - it uses a 16MP sensor with a conventional, Bayer color filter array, rather than the X-Trans design that's been used in other bodies. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Pentax K-50 again in case you missed it the first time around. The Pentax K-50 is the follow up to the K-30 and is similar in appearance and spec to the K-500. The camera can also be custom ordered in 120 possible color combinations. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Nikon D5300 again in case you missed it the first time around since we're working toward a full review in 2014. The D5300 is Nikon's latest evolution of the D5200 by removing the optical low-pass filter (OLPF) and adding a handful of other features. See gallery
The following real-world gallery and test scene shots were first published in our 2013 Camera Roundups, but we're highlighting the Samsung NX300 again in case you missed it the first time around. The NX300 looks a lot like the NX200 and 210, but includes updates that show signs of ever-greater integration between the company's cameras and its smartphones. See gallery
As we work on our full review of the Nikon Df, we've been shooting with it extensively and have put together a gallery of real-world samples. We've tried to use a selection of lenses, including older Nikon glass as well as the recently-launched AF-S Nikkor 58mm f/1.4 G. Here are 40 images shot at a range of ISOs to show how the camera performs. See gallery
We've been shooting for a while with Fujifilm's latest X-system lens, the XF 23mm F1.4R, and have prepared a gallery of real-world samples. They cover variety of subjects and lighting conditions, and were all shot on the X-E2. We've also quickly summarised our impressions of the lens's handling and image quality. Click through to find out more.
When Ricoh's Pentax K-3 was announced we were intrigued by the 'anti-aliasing simulator' feature, a first for a DSLR. The K-3 allows you to engage its low-pass filtering at the push of a button. We recently shot some real-world samples taken in a range of conditions to see how it stacks up against the current K-5 models. Our gallery was shot on with the anti-aliasing filter set to off (the default setting). See gallery
We've just updated our first impressions review of the Panasonic Lumix GM1 with a gallery of real-world sample images. Panasonic's latest G-series camera underscores the 'Micro' in Micro Four Thirds as one of the smallest interchangeable lens cameras ever brought to market. Despite its size, it still offers a 16 megapixel Four Thirds sensor, 3.0-inch touch screen, and full suite of manual exposure controls. Does its image quality in the field measure up? Click through and see for yourself.
The Alpha 7 is Sony's latest full-frame E-mount mirrorless camera. It's identical to the A7R in almost every respect. The key difference: a 24 megapixel CMOS sensor with on-chip phase detection. We recently got our hands on a production model Alpha 7 and shot some real-world samples using the Sony FE 24-70mm F3.5-5.6 OSS, 35mm F2.8 ZA and FE 55mm F1.8 ZA lenses. See gallery
The Sony RX10 is a 20MP zoom compact camera with a 1"-type sensor and a 24-200mm (equivalent) constant-aperture F2.8 lens. We were impressed by its features and handling when we used it recently, and this week we've been using a production-quality sample, in an effort to get a feel for what it can do. Click through for a gallery of real-world samples shot on the RX10 in a range of different environments and lighting conditions.
Updated with a large selection of night shots: We've been able to get our hands on the highly anticipated full-frame Sony Alpha 7R again, and have posted a gallery of real-world samples using a final production camera. We've put together a preliminary gallery using the Sony FE 35mm F2.8 ZA and FE 55mm F1.8 ZA primes. Follow the link for some shots taken in the Volunteer State: Tennessee.
We're still working on our review of the Nikon D610, but recently shot some real-world samples to see if the most recent update still retains the same top-notch photo quality found in last year's D600. Click through for a link to our real-world gallery taken in a range of different environments and our test scene images.
We've been taking plenty of photos while working on our upcoming review of the Panasonic Lumix DMC-GX7. Our samples gallery has been updated with an additional fifteen photos to tide you over until the review is posted. Follow the link to see glass sculptures, a beautiful sunset, and a defunct nuclear plant.
Canon's new 12MP PowerShot S120 arrived in our Seattle office a few days ago and we've created a small gallery of samples, taken in a range of different conditions to show off what the camera can do. The PowerShot S120 features a 24-120mm (equivalent) zoom lens which starts at F1.8 at the wide end. We've just added more images to the gallery, to show off the S120's abilities in low light. Click through for a link.
Nikon's new Coolpix P7800 arrived in our Seattle office a few days ago and we've been doing our best to get as many sample images as possible on it, despite the unpredictable autumn weather. We've managed to create a small gallery of samples, taken in a range of different conditions to show off what the camera can do. There's more on the way, but for now, check out our gallery of pictures from Nikon's newest zoom compact flagship.
The X-M1 may be the cheapest model in Fujifilm's X-mount lineup, yet it retains the same 16 megapixel X-Trans CMOS sensor as its more expensive siblings. We were impressed with the image quality from the X-Pro1 and X-E1, and if you want to see if the X-M1 fared just as well, click below to head to our 37-shot real world photo gallery.
The Fujinon XF 55-200mm F3.5-4.8 R LM OIS is the first telephoto zoom for Fujifilm's X system cameras, and offers an 83-300mm equivalent angle of view. It has built-in optical image stabilization with 4.5 stops claimed benefit, and uses linear stepper motors for silent autofocus. The lens features an (unmarked) aperture control ring, and offers high quality all-metal barrel construction. Click through for a link to our gallery of real-world samples taken in a range of different environments.
The Pentax K-500 is a stripped-down version of the K-50, lacking the weather-sealed body and electronic level of that model, but offering the same 16MP sensor and basic ergonomics. It's an attractive entry-level option, and as soon as a production-quality sample arrived in our office we started shooting with it. Click through for a link to our gallery of real-world samples taken in a range of different environments.