Panasonic's Lumix CM1 has the potential to break new ground in the territory between smartphones and cameras. It offers a 1-inch 20MP sensor, much larger than the typical smartphone camera chip. It also provides an F2.8 Leica-branded lens encircled by a control ring that can be used to adjust various exposure settings. We got out and about with it to see what its images look like. See gallery
Stories tagged with sample-gallery
The latest from Lensbaby, the Velvet 56mm f/1.6, is designed to bring soft, dream-like effects to portraiture. It also provides a minimum focus distance of 5 inches for macro work. It's by no means cheap for what it offers at $499.95, but for some photographers will offer the ability to capture soft focus effects in-camera rather than through processing. We took the Velvet 56 out for a spin. See gallery
In theory, Sony's FE 24-240mm f/3.5-6.3 OSS all-in-one zoom is an ideal candidate for travel photography with one of the company's a7-series. The stabilized lens provides Sony's full frame mirrorless cameras with a 10x zoom range, designed with five aspherical elements and one ED glass element. We put it to the test on landscapes, portraits, and lots of things in between. See gallery
The Nikon D7200 improves over its predecessor in one important way, offering a greatly improved buffer. Other improvements are more subtle, but more sensitive AF and an improved video specification make the D7200 a more capable camera than the model which came before it. We've had a D7200 for a few days, and wasted no time pairing it with Sigma's excellent 18-35mm F1.8 A to get some real-world samples. Click through to see more
[UPDATED] We were curious to see how the new Canon 11-24 F4 performed on a high resolution sensor, so we've updated our gallery with some landscapes and aperture progressions taken on a 36MP Sony a7R with a Metabones adapter. Though performance at extremes of the frame may not be representative of that on a native body, the 11-24 doesn't disappoint. Have a look at the new shots in our gallery
UPDATED: We just added several images to this gallery, converted from raw. The Samsung NX500 is essentially a scaled down version of Samsung's flagship NX1. It uses the same 28MP BSI-CMOS sensor, advanced hybrid AF system, and a version of the same DRIMe V processor. The main differences are the form factor (resembling a rangefinder rather than an SLR), burst mode (9 vs 15 fps), and viewfinder (none vs electronic). We've been using a production NX500 for a couple of days, and we've put together a gallery of real-world samples. Click through for the updated gallery
It hasn't even entered production yet, but Samsung's S 300mm f/2.8 ED OIS telephoto lens is certainly shaping up to be a very nice addition to the NX line. We were fortunate enough to be allowed access to a pre-production engineering sample of this new lens for a few hours. As a result we've put together a small gallery of images which should give some idea about the lens's likely performance once it becomes available. See gallery
After several iterations, Panasonic's GF- series compact mirrorless camera line has settled into a comfortable position: providing mass market point-and-shoot appeal while giving photographers the option to fully control settings. The latest camera in the series, the Lumix DMC-GF7, continues this trend. Check out our sample gallery
The Panasonic Lumix DMC-ZS50 (TZ70 outside North America) earns its travel zoom designation with a 30x optical zoom range, equivalent to 24-720mm. It features a 12MP CMOS sensor, full manual controls, Raw shooting and a built-in 1.2M dot electronic viewfinder. Find out what it's capable of doing in the field. See gallery
A slight update to the D5300, the Nikon D5500 is a midrange DX-format that sports a 24MP CMOS sensor with no optical low-pass filter (OLPF) and the company's latest Expeed 4 processor. This combination offers an ISO range of 100-25600 and 5 fps burst shooting, while the 39-point AF system can track subjects in '3D'. Other features include a fully articulating 3.2" touchscreen LCD with 1.04M dots and 1080/60p video. We've been using it for a few days - click through to view our gallery of samples
Sony announced three new FE primes yesterday, including a 28 f/2, a 35mm f/1.4 and a 90mm f/2.8 macro. We got our hands on the Zeiss Distagon T* FE 35mm f/1.4 and shot with it around Seattle. It features a 9-blade circular aperture and a Direct Drive SSM focus system. Check out our samples gallery
After handling a prototype at Photokina, we brought a final shipping sample of Tamron's new 15-30mm wideangle zoom back from CP+. The stabilized ultra-wideangle lens covers a full-frame sensor, offers a unique double lens hood design for added strength and boasts a very competitive $1200 price tag. We're impressed so far - check out our samples gallery
We were recently lucky enough to visit Sigma's factory in Aizu, Japan, where Sigma allowed us to shoot with a pre-production sample of the recently-announced 24mm F1.4 DG HSM Art lens. The wintry landscape of the Fukushima prefecture was a nice contrast to the CP+ convention center where we last gathered some samples with this lens, and our recent samples are more representative of lens performance on a native mount body (Canon 6D). Have a look
Fujifilm's XF 16-55mm F2.8 is a weather-sealed zoom covering a 24-83mm equivalent range. With a fast F2.8 constant aperture, manual aperture control and a new Nano-GI coating to reduce flare, it's a high-end lens to be sure. Take a look at how it performs in the real world. See gallery
UPDATED: Our initial samples gallery from the Sony a7 II saw the camera tested in a variety of real-world conditions, and now we've followed it up with even more samples from the mirrorless full-frame camera. Better yet, we tested it out in what is arguably one of the most photogenic places on Earth. And while it's nothing compared to actually taking a Hawaiian vacation, browsing through these samples is at least a small reprieve from the winter blues. See gallery
The Tamron 14-150mm f/3.5-5.8 Di III is a superzoom lens for Micro Four Thirds cameras. It offers a 28-300mm equivalent range and uses a stepper motor for silent autofocus (including during video recording). Because it does not include any form of image stabilization, we used it on an Olympus camera, specifically the OM-D E-M1, which has 5-axis sensor-based IS. See gallery
The Fujifilm X100T is the third iteration of the company's enthusiast-level fixed-lens compact, and we've followed up our initial real-world gallery from the camera with even more samples. The majority of the images that follow were shot as JPEGs in the Classic Chrome film mode, a new film simulation not included in previous iterations of the camera. See gallery
The Tamron 16-300mm F/3.5-6.3 Di II VC PZD is a general purpose 'carry everywhere' zoom for users of APS-C format DSLRs. Covering an equivalent focal length range of 24-450mm, this lens should be a perfect camera for travel and day-to-day use, allowing you to frame a huge variety of different subjects without changing lenses. We've been using one for a while and we've prepared a gallery of samples. Click through to take a look
A production-ready Sony Alpha 7 II just landed in our office and we wasted no time getting together some real-world samples. Sony's follow-up to the a7 comes with a 24MP full-frame CMOS sensor with 5-axis sensor-shift image stabilization. Its Hybrid AF system claims to be 30% faster and 1.5x better at tracking compared to its predecessor, and boasts a number of design refinements. See gallery
Samsung's NX1 is the first serious attempt by the Korean manufacturer to target high-end enthusiast and semi-pro photographers. Featuring a 28MP sensor, 15fps shooting capability, 4K video mode and an advanced AF system, the NX1 has features to spare. We've been shooting with a pre-production camera for a few days, in combination with the NX 16-50mm F2.0-2.8 S ED OIS and new 50-150mm F2.8 S. Click through for some sample images
The Panasonic Lumix DMC-GM5 joins the Lumix DMC-GM1 in that company's line of extremely small interchangeable lens cameras. They use the same 16MP Four Thirds sensor in a compact camera-like body, but the GM5 adds enthusiast touches like an EVF and rear control dial that the beginner-focused GM1 doesn't have. We've taken it for a spin and put together a collection of real-world samples. See gallery
The Canon EOS 7D Mark II is the long-awaited replacement to the 7D, which was launched in 2009. It features a 20.2MP APS-C CMOS sensor and dual DIGIC 6 image processors. It has a new 65-point, all cross-type autofocus system as well as an updated version of Canon's Dual Pixel CMOS AF system. We've just been provided with an early build of ACR 8.7 and we've taken the opportunity to add seven Raw conversions to our previously-published gallery of real-world samples. Click through to take a look
Nikon's newest full frame camera, the D750, made its debut at Photokina this year. It borrows features from the D810 and combines them with a 24MP sensor, boasting a comprehensive video and still photo feature set. We've had access to a full production unit long enough to put together a gallery of real world sample images. See gallery
There's a lot of excitement surrounding Canon's recently announced PowerShot G7 X. This compact camera features a 1" BSI-CMOS sensor and fast 24-100mm F1.8-2.8 lens. We've been using a production G7 X for a few days and ahead of our usual round of studio tests and hands-on assessment, we've created a quick gallery of real-world photos. See gallery
UPDATED: The Panasonic Lumix LX100 topped our reader poll as the most interesting product to come out of Photokina 2014. Indeed, the LX100's combination of a Four Thirds sensor and 24-75mm equivalent F1.7-2.8 lens is big news. We've been testing out this intrepid compact for the past few days; take a look at a gallery of real-world samples and see what it can do. See gallery
The Canon EOS 7D Mark II is the long-awaited replacement to the 7D, which was launched in 2009. It features a 20.2MP APS-C CMOS sensor and dual DIGIC 6 image processors. It has a new 65-point, all cross-type autofocus system as well as an updated version of Canon's Dual Pixel CMOS AF system that provides continuous phase detect focusing during video recording. We've been using a pre-production camera for a couple of days - just long enough to prepare a quick sample gallery. Click through to take a look
Fujifilm's new X100T is the latest evolution of its popular X-series of enthusiast compacts. Introduced with this model is an updated Hybrid Viewfinder that includes a new electronic rangefinder feature and automatic brightness controls. The X100T carries over the 16MP APS-C X-Trans CMOS II sensor seen in its predecessor as well as a fixed 23mm (35mm equiv) F2 lens. We've had access to a pre-production model for a few days - just time to prepare a small gallery of samples.
The Fujfilm X30 offers a 2/3" X-Trans II CMOS sensor and a 28-112mm equivalent F2.0-2.8 lens - both of which are retained from the X20 that precedes it. New features include a larger, tilting 3" LCD, an XGA OLED electronic viewfinder, a control wheel around the lens, and greatly improved battery life. We've had access to a pre-production camera for a few days now, and we've been given permission to post some images. Click through for a link to our gallery.
The Fujifilm XF 18-135mm F3.5-5.6 is a weather-resistant lens designed as a companion to the weather-resistant Fujifilm X-T1. Covering a 27-200mm equivalent range, it claims to offer the world's most advanced image stabilization system, using gyro sensors for a gain of up to five stops. Is it the ideal pair for the X-T1? We took it out for a spin. See gallery
The Samsung NX3000 is a rangefinder-style mirrorless interchangeable lens camera that sports a 20.3MP APS-C CMOS sensor, a 3" flip-up LCD, 5 fps continuous shooting, and Wi-Fi with NFC. We took delivery of an NX3000 recently and we've been out shooting with it and the 16-50mm F3.5-5.6 power zoom lens to see how it performs in the real world. Click through for a link to our gallery.
You'd know just by looking at it that the Samsung NX Mini is the slimmest and lightest interchangeable lens camera on the market. Tucked inside is a 1"-type, 20MP CMOS sensor along with Wi-Fi with NFC and 1080/30p video. The aptly named Mini also introduces a new NX-M lens mount. We've updated our existing NX Mini samples gallery with images from the 17mm F1.8 prime. See gallery
The Sony SLT-A77 II is that company's latest DSLR using translucent mirror technology. With a 24MP CMOS sensor, it has a newly-designed 79-point AF system and offers 12fps continuous shooting with autofocus. That's all very impressive on paper, but what's it like in the real world? We've pulled together a sample gallery and added it to our a77 II First Impressions Review. See gallery
We've been out taking advantage of Seattle's sunny July days and have just published a gallery of real-world samples from Canon's new 10-18mm F4.5-5.6 IS STM lens. Smaller, lighter and cheaper than the 10-22mm zoom that precedes it in Canon's lineup, the 10-18mm gives a 16-29mm equivalent range on the APS-C bodies it's designed for. See gallery
We've updated our already healthy-sized gallery of real-world Leica T samples, bringing the grand total up to 97 images. The T (Typ 701) is a mirrorless interchangeable lens camera with autofocus, the first in the T-system. It offers a 16MP APS-C sensor and features a large touch screen complemented by two command dials. See how it performs in the real world. See gallery
The Olympus Stylus SP-100 EE is a superzoom camera with a built-in dot-sight that enables you to easily track moving subjects while the lens is zoomed in. The dot-sight pops up just above the high-resolution electronic viewfinder. To make long zoom focusing easier, the SP-100 also features a focus limiter, which lets the user choose what distances the camera searches. The SP-100 combines a 16MP BSI CMOS sensor with a 24-1200mm 50x optical zoom that captures 1080/60p HD video. We've been playing with it for a couple of weeks, to see how well it performs. See gallery
The Olympus Tough TG-3 is a slightly more enthusiast-focused rugged compact, offering a 25-100mm equiv. F2.0-4.9 lens, 16 megapixel sensor, built-in GPS and Wi-Fi. It's waterproof to 15m/50 ft, shockproof to 2.1m/7 ft and freezeproof to -10° C/14° F. Like its peers it records 1080p HD video. We put its waterproof claims to the test - find out how it did in the real-world. See gallery
The Ricoh WG-4 offers a 16 megapixel sensor and a 25-100mm equivalent F2.0-4.9 lens. Identical to its WG-4 GPS sibling in almost every way except for the obvious (one has GPS and a front-facing display, one doesn't) the WG-4 is waterproof to 14m/45 feet, freezeproof to -10° C/14° F and shockproof to 2m/6.6 feet. Take a look at our real-world samples. See gallery
Nikon's Coolpix AW120 features a 16 megapixel sensor and is waterproof to 18m/59 ft. It offers a 24-120mm equiv. lens, along with built-in Wi-Fi and GPS. The AW120 will withstand a drop from 2m/6.6 ft and is freezeproof to -10° C/ 14° F. Among nearly all of its peers it offers the widest lens, though at F2.8-4.9 not as fast at the wide end as the Olympus TG-3's or Ricoh WG-4's. Take a look at what the AW120 is capable of in the real-world. See gallery
Waterproof to 25m/82 ft, the Canon PowerShot D30 is capable of diving deeper than its current competitors. The 12.1 megapixel D30 also features a 28-140mm equiv. lens and built-in GPS. In addition to its impressive waterproof specification, it's coldproof to -10° C/14° F and shockproof to 2m/ 6.5 ft. See how it performs in the real world, both on land and under the waves. See gallery
As soon as it arrived we wasted no time getting out with the Sony Cyber-shot RX100 III, and in the past few days we've also added a lot to our first-impressions review, including a movie page, shooting experience and studio comparison images. This weekend presented an opportunity to update our gallery of real-world sample images too, bringing our gallery to 87 images, including a handful of raw conversions. See more.
Nikon's 1 V3 is the newest model in the company's enthusiast mirrorless interchangeable lens camera system. The V3 is built around an 18.4 MP CX-format sensor, and uses a hybrid contrast (171 points) and phase detect (105 points) AF system. The V3 boasts a continuous shooting speed that outpaces DSLRs at 20 fps with full autofocus. The camera is also capable of 1080/60p Full HD video. Click through to see how it performs.
As soon as it emerged from our studio we went straight out shooting with the RX100 III, to give an idea of the results it gives. We'll be adding video and more samples over the coming days but this initial gallery aims to show a range of the camera's capabilities. We set the camera's ND filter to Auto, so we could shoot at wide aperture in good light, and include a real-world shot from the wide and long en of the lens, shot this way. Click through to see more.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.
Samsung's NX Mini is the slimmest and lightest interchangeable lens camera on the market. It packs a 1"-type, 20MP CMOS sensor into its body, along with Wi-Fi with NFC and 1080/30p video. With the NX Mini, Samsung also introduced a new NX-M lens mount. We've been shooting with the 9mm F3.5 (24.3mm equivalent) prime on the camera and having some fun with the Mini's flip up LCD for the occasional 'selfie'. See gallery
The Fujifilm TCL-X100 is a screw-in teleconverter for the X100 and X100S which increases the effective focal length of their 23mm F2 lens to 50mm. We've been shooting with the TCL-X100 for a few days now, in a range of different situations and light levels to see how it performs in everyday use. Click through to read our first impressions, and see our sample images.
We've been shooting with the Fujinon XF 56mm F1.2 R - the fast 85mm equivalent prime lens for Fujifilm's X mount mirrorless cameras. Its F1.2 aperture means it gives similarly shallow depth-of-field to an 85mm F1.8 lens on a full frame body, making it an useful portrait or low light lens. We also spent time using the X-E2 with an advance version of firmware v2.0 while putting this gallery together. See gallery and read about our experience with the update
The Coolpix P340 is Nikon's latest pocket enthusiast camera, featuring a large 1/1.7", 12.2-megapixel BSI CMOS sensor, full manual controls (P, S, A, M) and Raw image capture. The P340 has a versatile 5x (24-120mm equivalent) wide-angle to telephoto zoom range plus 10x Dynamic Fine Zoom and a fast F1.8 maximum aperture lens with Lens Shift VR image stabilization. We've spent a few days shooting with it to see if these specs add up to impressive performance. See gallery
The Olympus Stylus SH-1 brings the manufacturer's well-regarded 5-axis image stabilization to a fixed lens compact for the first time. The SH-1 looks the part too with its Pen-inspired styling, and offers a substantial 25-600mm equivalent zoom. Who could resist taking it for a spin? That's exactly what we did, and we've come back with a gallery of real-world samples to prove it. See photos