As Sony introduces the Alpha a5100 interchangeable lens camera, it officially leaves behind the NEX moniker its mirrorless line originated with. The a5100 picks up where the NEX-5 series leaves off, combining the 24.3 megapixel APS-C CMOS sensor of the a6000 and the more compact footprint of the NEX-5T. The a5100 also inherits many of the a6000's good qualities, including its impressive autofocus system. The a5100 also one-ups its big brother by offering 1080/60p video at 50Mbps. We took a hands-on, preliminary look at the a5100. Read more
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Nikon's new D810 consolidates the older D800 and D800E into a single body with no AA filter on its 36MP CMOS sensor. A few days ago we received a final production sample Nikon D810 and we've been shooting with it intensely ever since. As well as putting it through our initial studio testing, we've also taken a quick look at the effectiveness of the new electronic first-curtain shutter and created a gallery of real-world sample images to show what the camera can do. Click through for links.
It's not a surprise that Leica's first autofocus mirrorless system camera is a thing of beauty - nor that it's wildly expensive. The Leica T (Typ 701) uses a 16MP APS-C CMOS sensor, and its operation is almost entirely dependent on a couple of dials and a large touchscreen. It may be beautiful, but a camera can't get by on its looks alone. See how it fared in our field testing. Read more
Panasonic's latest superzoom camera, the Lumix DMC-FZ1000 offers a highly attractive feature set. Based around a 25-400mm equivalent zoom and a large 1"-type CMOS sensor the FZ1000 combines a very useful zoom range with excellent image quality in stills and video mode. We're working our way through a full review right now, and we've just added a shooting experience page to our detailed first-impressions review. Read more
When it was introduced last year, the Sony Cyber-shot DSC-RX10 was peerless. It was the first superzoom to offer a 1"-type sensor, much larger than the 1/2.3"-type chips commonly found in that class. It paired that with an impressive F2.8 constant 24-200mm equivalent zoom. Now the Panasonic Lumix DMC-FZ1000 has joined the RX10 in this newly-minted category, boasting almost certainly the same sensor and a 25-400mm equivalent F2.8-4 lens. They line up nicely for a head-to-head comparison - and that's exactly what we've done. Read more
The Nikon 1 V3 offers an 18.4 megapixel 1"-type CMOS sensor, a significant gain in resolution over its 14.2 megapixel V2 predecessor. It also offers impressive 20 fps burst shooting with continuous AF and a Hybrid AF system using 171 contrast-detect and 105 phase-detect points. The V3 might just be the most promising mirrorless camera Nikon has offered enthusiasts yet, and our full review is well underway. In the meantime, take a look at our first impressions and shooting experience. Read more
The Nikon D810 replaces both the D800 and D800E, and the changes that Nikon has made in the new DSLR are significant. There's no OLPF to get in the way of resolution, and as well as a lower base and higher maximum ISO sensitivity the D810 is 25% faster than its forebears, offers a slightly improved AF system and boasts 1080/60p video with built-in stereo recording. We had a chance to get our hands on a pre-production D810 recently, and we've prepared a detailed look at its key features. Click through to read our First Impressions Review
Kodak is arguably the most famous name of all in photography, but it ultimately failed to manage the transition from film to digital, and ended up exiting the consumer imaging business altogether in 2013. But now JK Imaging, which licenses the Kodak name, has created an interchangeable lens camera. The Pixpro S-1 is an entry-level model that's designed to attract budding photographers who are buying their first system camera. Click through to read our first impressions.
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Our first impressions review of the Sony Cyber-shot RX100 III just keeps growing. The latest aims to answer one of the most important questions potential owners ask about a camera - 'What's it like to use?' With promising specifications like a 20 megapixel 1"-type sensor, a fast 24-70mm equiv F1.8-2.8 Zeiss-branded lens and a pop-up EVF, the RX100 III looks excellent on paper. Does that hold up in real-world use? Read more
The Sony Cyber-shot RX100 III may have photographers drooling over its fast lens and pop-up electronic viewfinder, but it gains some serious video-related updates too. It now features full sensor readout for higher image quality (as previously seen on the RX10), and also supports the XAVC S codec which allows higher bit-rates. In the latest update to our First Impressions Review, we take a detailed look at its movie mode. Click through to read all about it.
As we've been spending more time with the Sony RX100 III, we've published some of our initial thoughts on the Operation and Controls of this highly intriguing camera and expanded our impressions of the pop-up electronic viewfinder. We also shot a short video showing what's new so you can get a first-hand look at the 20MP compact with 1"-type sensor and faster, wider 24-70mm F1.8-2.8 lens. Learn more and see video
Few compact cameras have garnered as much attention as the Sony Cyber-shot RX100 and RX100 II. Sony had managed to squeeze a much bigger sensor into cameras only a little larger than the Canon S-series enthusiast compacts. The RX100 III continues the tradition by adding a wider, faster 24-70mm F1.8-2.8 lens and a built-in, pop-up EVF. Along with a 20MP 1"-type sensor, does the RX100 III remain the ultimate compact for enthusiasts? Learn more in our First Impressions Review
We've updated our first impressions review of the Nikon D4S with our JPEG Tone Curve and Dynamic Range measurements. Included are real-world examples of Nikon's Active D-Lighting modes, which can significantly help in dealing with scenes containing challenging ranges of (dark to bright) tones. Have a look and, as always, you can compare the D4S to any other camera in our database. Learn more
During pre-launch briefings for the T, Leica was very keen to stress the optical quality of the new lenses. Most interestingly, we were told they relied on optical corrections, rather than software to project the best possible image onto the sensor. So with this in mind, when processing some images from the Leica T, we were surprised by a notification that Adobe Camera Raw gave us. See our results
It may look the same as its predecessor, but the Sony SLT-A77 II's insides are quite a bit different. Featuring a new 24MP CMOS sensor and image processor, along with a dramatically improved AF system, this SLT could be one of the best subject-tracking cameras out there. While we've yet to test its performance, we did spend some brief time with the a77 II and have put together our first impressions.
Leica's new T (Typ 701) is the company's first mirrorless interchangeable lens camera with autofocus. While its 'guts' aren't much different than other cameras in its class, the hand-built body is all Leica. We've been able to spend some quality time with the German manufacturer's latest baby, and have put together our first impressions of it. Find out what we think of it thus far.
The Sony a6000 features a 24MP APS-C sensor that includes phase detection AF points across 92% of the frame and 11 fps continuous shooting with subject-tracking. It's the first E-mount camera of its style not to be branded 'NEX'. As we work toward a full review, read our shooting experience report and check out our real-world samples gallery to find out if the a6000 is more than a refreshed NEX-6 by another name. Learn more and see gallery
Canon's PowerShot G1 X Mark II is an intriguing update. It keeps the 1.5"-type sensor from its predecessor, but adds a faster processor, longer and brighter lens, tilting LCD, dual control rings and has Wi-Fi with NFC. The big change for 2014 is no more optical viewfinder. Our first impressions review covers the usual aspects of the camera (Controls, Body and Design, etc.), but also has our Shooting Experience report where we talk about it handles in the real-world. Learn more
It's hard to resist the opportunity to play with a new medium format DSLR, so we quickly took up Ricoh's offer to try out its 645Z. While it may look intimidating, the 645Z is surprisingly accessible, with an experience that feels strangely familiar to those who have handled Pentax cameras like the K-3. It's also a bargain by medium format standards, and not a huge step up from full-frame. Learn more about the 645Z.
The Samsung NX30's launch got rather drowned-out by the other launches around CES. We've been shooting with it over the past few weeks and have written about our experiences. The NX series boasts a strong range of lenses, one of the more advanced Wi-Fi systems and the innovative i-Function system. What impact do these have on how we used the camera? Learn more
Samsung has announced the NX mini, the world's slimmest interchangeable lens camera. It boasts a 1-inch, 20MP sensor and provides all of the wireless connectivity we've come to expect from Samsung's cameras. We spent a little bit of time with a pre-production unit getting to know it, photographing it, and pondering its existence. Take a look at some hands-on photos and read our first impressions of Samsung's latest (and littlest) connected, mirrorless camera.
The Olympus OM-D E-M10 was announced about a month ago, the third addition to the digital revival of the OM line. It lacks the weather sealing of its siblings but inherits a number of excellent features from the existing OM-D models. Sound enticing? We've gotten familiar with the E-M10 over the past few weeks. The full review is on the way but for now, read our shooter's report, and compare the E-M10 to a growing list of cameras in our new studio test scene.
We first laid our hands on the Fujifilm X-T1 about a month ago when it was announced. Now that we've had some time to shoot with it, we've gathered our thoughts on using Fujifilm's latest X-Series camera. The X-T1 offers much of what the X-E2 does, including a 16 megapixel APS-C sensor with on-chip phase detection, but more than that, it offers an SLR-style sculpted handgrip and weather-resistant sealing. Find out what the X-T1 is like to use in the field.
Nikon's latest flagship body, the D4s, gets an updated 16 megapixel full-frame sensor, Expeed 4-level processing, 1080/60p video recording and can now autofocus at up to 11fps. Beyond that it boasts a laundry list of small (but potentially meaningful) improvements over its predecessor. After spending some brief time with the camera, we've prepared some first impressions of the pro-level body. For a detailed analysis of what's new in Nikon's top-of-the-line, take a look at our first impressions review.
The a6000 sits in the middle of Sony's range of mirrorless cameras, just above the a5000 and aging NEX-7. The feature that makes it stand out from the crowd (and not just among Sony cameras) is its Hybrid AF system, which has phase detect points across 92% of the frame. To learn what that means to photographers, and learn more about the a6000 in general, then have a look at our a6000 First Impressions Review.
As part of our forthcoming review, we've been shooting extensively with the Fujifilm X-E2. Dpreview's Richard Butler used the camera on his recent vacation and has written about his experience living with it during that time. It's a small camera that offers a high level of direct control, but does that make it the perfect traveling companion? Read our Fujifilm X-E2 shooting experience to find out
The Olympus E-M10 wraps much of the E-M5's feature set into a smaller, more compact body. It retains core OM-D features like twin dials, a built-in EVF and a 16 megapixel Four Thirds sensor, but manages to fit them into a body that's more Stylus 1 than ILC. It sits below its E-M5 and E-M1 siblings in terms of both price and specifications, but with features borrowed from two very strong predecessors it's potentially a very impressive camera in its own right. Take a look at our first impressions and sample gallery.
The Fujifilm X-T1 has a lot in common with its X-series siblings - bearing an important distinction: it's weatherproof. It does in fact offer many of the same inner workings as the X-E2, including its 16MP X-Trans CMOS II sensor with on-chip phase detection. On top of that it adds a revamped EVF, an OLED panel boasting a claimed lag time of 0.005 seconds. Consider also that it shoots 8 fps with subject tracking and it all adds up to a very well specified package. Read our first impressions review
The Samsung NX30 puts the NX300's 20 megapixel APS-C sensor and Hybrid AF in a DSLR-like body. It also features a tilting electronic viewfinder and a fully articulated 3-inch AMOLED display, along with Samsung's familiar suite of connectivity features. Built-in Wi-Fi is available, as is NFC to mediate faster connections with compatible smart devices. We spent a little time getting acquainted with a pre-production model, and have put together some quick first impressions.
The widely rumored and much-leaked Nikon Df is here. The Df is a 16MP, full-frame DSLR with the sensor from the flagship D4 and the 39-point AF system from the D610 packaged in a body inspired by film cameras from the 1970s. The Nikon Df can't shoot video, but it will accept 50 year-old non-Ai lenses. A lot of Nikon users have been asking for a 'digital FM2' for years. Is the Df that camera? Click through for our first-impressions.
Up until recently, the only 'real' premium superzoom camera was the Panasonic DMC-FZ200. Two weeks ago Sony made a big splash with their pricey Cyber-shot RX10, which features a 1"-type sensor. The Olympus Stylus 1 slots in nicely somewhere between the two, offering a 1/1.7"-type sensor and constant F2.8, 28-300mm equivalent lens in an OM-D-style body. If that sounds appealing, then follow the link to read our First Impressions Review of the Stylus 1.
The X-E2 represents the start of Fujifilm's refresh of its X-series mirrorless interchangeable lens cameras. It features a 16MP X-Trans CMOS II sensor that gains on-sensor phase detection over the one used in previous models. This and a 1.04m dot LCD are the major hardware changes - the X-E2 is mainly about handling and operations tweaks. We've got to grips with the camera's handling to see how it's changed, compared to the X-E1. Click through to find out more.
The Fujifilm XQ1 - the follow up to the stylish XF1 - is the company's latest attempt to make a splash in the high-end compact camera segment. The big change on the XQ1 is its use of the X-Trans II sensor with on-chip phase detection, which promises higher photo quality and snappy focusing. If that sounds intriguing, then read our initial thoughts in our first impressions review of the Fuji XQ1.
It's not every day when you see a mirrorless interchangeable lens camera that can fit in the palm of your hand. That's why we jumped at the chance to take a look at Panasonic's new Lumix DMC-GM1, which offers many of the features of its larger siblings, in a much smaller package. Read our first impressions review after the link.
Nikon's latest consumer DSLR, the D5300, evolves the design of its predecessor but raises the feature bar, bringing it closer to the D7100. In fact, it's likely that the 24MP D5300 even uses the sensor of its big brother since it also lacks an AA filter. The D5300's larger LCD and viewfinder serve to further close the gap, while built-in Wi-Fi, GPS, and 1080/60p video recording go beyond what the D7100 offers. We've had some time with a pre-production D5300, and you can click through to read our first impressions review.
Sony's new A7 and A7R bring full-frame imaging to the company's mirrorless ILC lineup, using the established E-mount. While they're not quite the 'full-frame NEX' that some loyal Sony users might have been imagining, the 24MP A7 and 36MP A7R are impressive, innovative products that demand to be taken seriously (with a price-point to match). We've had the opportunity to use pre-production samples of both new models, and we've prepared a hands-on first impressions review covering off their key features, operation, and early indications of their performance. Click through to read more.
Sony's Cyber-shot RX10 marries the 20MP 1"-type BSI-CMOS sensor from the RX100 II with a 24-200mm Zeiss Vario-Sonnar zoom lens, with a constant maximum aperture of F2.8. On paper it's an impressively versatile package for both still and video capture, and we've spent a few days with a pre-production sample to get a feel for how Sony's most powerful Cyber-shot yet performs. Click through to link to our first impressions review.
Canon's latest enthusiast digital SLR sports a radical new sensor-based autofocus system, where nearly every pixel is dedicated to phase-detect autofocus. As we come close to completing our review of the Canon EOS 70D, we've run the new AF system through a battery of tests to see what, if anything, it means for the enthusiast shooter. Click through for the whole nine yards, as well as new information about the camera's movie autofocus and Wi-Fi functions.
The 24MP D610 is Nikon's latest enthusiast-targeted full-frame DSLR. Coming fairly hot on the heels of the D600, the 610 gains a new shutter mechanism, which is responsible for two out of the camera's three new features. We've had the chance to handle the D610 and have prepared a first impressions review of the refreshed enthusiast full framer.
Ricoh's Pentax K-3 is the first DSLR we've encountered that allows you to totally disengage its low-pass filtering - letting you choose between maximum detail and moire suppression - it's also the first to wear the new parent company's branding. The more we looked at the K-3 the more we found it offers over the existing K-5 models. Read our First Impressions Review to examine the fine changes with no false detail.
The Nikon 1 System has been around for a couple of years now, but the emergence of the AW1 signals a radical departure from what has been the norm. Functionally very similar to the 14MP J3 which Nikon announced earlier this year, the AW1 is waterproof to 15m (49ft), shockproof from 2m (6.6 ft), and freezeproof. It's being announced alongside two equally rugged lenses, and a range of colorful silicone skins for underwater and wet weather use. We had the opportunity to use the new camera recently, and we've put together a first impressions review covering its design, operation and key features. Click through for a link.
We've had more time to shoot with the Olympus E-M1 and have extended our coverage of its AF performance. In addition to incorporating real-world Continuous Autofocus examples and commentary, we've also spent more time shooting with it alongside an E-5, to see exactly how the two compare, and amended our impressions accordingly.
The O-MD E-M1 has just been announced and takes its place as both Olympus' flagship Micro Four Thirds camera and the successor to the E-5 DSLR. We've been spending some time with a production unit, taking the new 16.3 megapixel Live MOS sensor for a spin in a variety of conditions. Follow the link to learn more about this high-end mirrorless interchangeable lens camera.
The Sony A3000 is essentially a 20.1MP mirrorless camera that uses the same E-mount as the Sony NEX, yet which has the look and feel of a traditional SLR. Though not the first manufacturer to take this approach, Sony is the first to achieve the low starting price point of $399 for body and lens. It's a bold move; click through to read our first impressions review to see what we think in more detail.
Following last week's update to the Canon EOS 70D preview, we've been spending a little more time with the camera to get a feel for its new Dual Pixel CMOS phase-detect autofocus system. What we've seen so far has impressed us: in live view the camera offers very responsive AF, eliminating the annoying focus seek we’ve seen in past models. We have a complete rundown, with samples, on how the Dual Pixel AF performs in both live view and movie mode, as well as a brief studio and low light analysis. Click through to read our review-in-progress.
One of the hottest cameras of the year so far, the Canon EOS 70D won't be in stores for a few more weeks but we've got hold of an early beta sample, and Canon has let us post pictures from it. Not wanting to waste any time, we've been busily shooting with it for the past few days both in the studio and out in the real world, and we've added a lot to our previously-published preview. Click through for a link to the expanded preview, now including studio comparison pages and a large gallery of sample images.
We've just updated our preview of the Sigma 18-35mm F1.8 DC HSM with lens test data, courtesy of DxOMark. This lens has generated a lot of excitement as the fastest zoom ever made for SLRs, but the big question is whether its speed comes at the cost of optical quality. We've looked into this by comparing the 18-35mm to some current benchmark designs - and the results may surprise you. Click through to read all about it.
We've been shooting with the Olympus PEN E-P5 for the past few weeks, in preparation for our review. Using a selection of lenses, we've put together a real-world samples gallery showing what the latest big PEN can do. In addition to shooting at the default settings, we've also tried adjusting the noise reduction and sharpening settings, and have included both out-of-camera JPEGs and Adobe Camera Raw conversions to give an idea for the choices you're offered. Click through for a link to the gallery.
Just posted: Our hands-on preview of Canon's latest mid-range SLR, the EOS 70D. From the outside it looks very similar to the EOS 60D, but on the inside it sports a brand-new 'Dual Pixel CMOS AF' sensor that promises much-improved focusing in live view and movie mode. It also borrows most of the best bits of Canon's existing SLRs, including the AF module from the EOS 7D, the articulated touchscreen from the EOS 700D, and built-in Wi-Fi from the EOS 6D. In our detailed preview we take a closer look, and try to get to grips with its innovative sensor technology. Click through to read all about it.