The Droid Turbo 2 is Motorola's latest high-end model for US carrier Verizon, and in terms of specification ranks even above Motorola's current flagship Moto X Style. With the Sony 1/2.4-inch 21MP IMX230 sensor and an F2.0 aperture, the camera specification is pretty much identical but the Droid Turbo 2 offers improved performance in a few key areas. We got our hands on the Turbo 2 before launch - check out our impressions sample images. Read more
We've been toting around the Sony RX10 II for a little while now, testing its ability to capture 4K video, high speed stills and super slow motion video clips. And while a superzoom may not be DPReview writer Dan Bracaglia's first choice for his favored rock-and-roll and street subjects, he ultimately came around to the impressive capabilities of this camera. Read more
We got a chance to get our hands on Panasonic's Lumix DMC-GX8 recently, and have prepared a slideshow running through its features. It's the first Micro Four Thirds camera to gain a 20MP sensor and it wraps a whole host of cleverness, including a Dual IS system, into its substantial magnesium alloy body. Read more
With its 25-600mm equivalent F2.8 lens and solid image quality, the Panasonic Lumix DMC-FZ200 was one of our favorite cameras in 2012. With its FZ300, Panasonic has kept the lens and sensor but has improved just about everything else, from its image processor to video specs. We recently had some hands-on time with the FZ300 and have plenty of highlights to share. Read more
Our Sony Cyber-shot RX100 IV first impressions continues to grow as we've added a variety of video samples to the preview. The RX100 IV is Sony's latest enthusiast compact, and its 20MP 1"-type stacked CMOS sensor is capable of 4K video and slow-motion clips ranging from 120-960 fps, all with virtually no rolling shutter. We put a number of these modes to the test. Read more
The fourth iteration of Sony's Cyber-shot RX100 series brings a host of high-speed features from super slow-mo movies to 4K video with virtually no rolling shutter. It all stems from the RX100 IV's 20MP stacked CMOS sensor and the additional room for high speed circuitry that the design allows. Our full review is well under way; for now take a look at the first installment. Read more
Though it has much in common with the X-T1 in terms of image quality, starting with its 16MP X-Trans APS-C sensor and EXR Processor II, the X-T10 presents a very different shooting experience. We've updated our Fujifilm X-T10 first impressions with some thoughts on using the camera in the field. Read more
We've updated our Canon EOS 5DS/5DS R First Impressions to include studio test samples from final production versions of the cameras. The 5DS and 5DS R share a 50MP full-frame CMOS sensor and are identical in every way except for one: the 5DS contains an anti-aliasing filter, while the 5DS R has a self-canceling filter. While we've previously tested a beta version of the 5DS R, we've finally been able to put final production versions of the two cameras through our studio. Read more
Leica's new Monochrom M camera brings the black-and-white-only concept up to date with the technological advantages of the latest M (Typ 240) and M-P cameras. The main changes are a switch from CCD to CMOS sensors, and thus the introduction of live view and a jump to 24MP, along with a much better rear screen. We went hands-on with the new black-and-white beauty. Read more
We've finished putting the Canon EOS Rebel T6s and T6i (760D and 750D) through our battery of image quality tests, and have updated our First Impressions Review with these results, along with explanations of what you might expect out of Canon's latest 24.2MP APS-C sensors. Curious about their dynamic range? Read our updated First Impressions to learn more
The Panasonic Lumix DMC-G7 improves on its predecessor the G6 with a newer sensor, 2.36 million-dot electronic viewfinder and improved autofocus - plus this year's must-have feature: 4K video. Panasonic came to see us recently and dropped off a working pre-production sample for us to look at. Click through for our first impressions.
The Fujifilm X-T10 shares a similar relationship to the X-T1 that the OM-D E-M10 shares with its siblings - advanced features borrowed from a higher-spec model in a compact body. The X-T10 uses the X-T1's 16MP APS-C X-Trans sensor but offers slightly downgraded hardware and lacks weather-sealing. We've had the X-T10 in our hands long enough to get familiar with it and put together some first impressions. Read more
Canon's EOS 5DS R tops anything we've seen in its class for resolution, but that's only part of the image quality equation. We put its 50MP sensor to the test in our Raw dynamic range studio and real-world tests. Take a look at the kind of performance you might expect from the 5DS R's (enormous) Raw files. Read more
Our Nikon D7200 First Impressions Review gets a significant update today with dynamic range test results, studio scene analysis and a detailed breakdown of the camera's controls and menus. The D7200 is Nikon's flagship crop-sensor DSLR, with a 24MP sensor, updated 51-point AF system and much-improved continuous shooting buffer depth. We're hard at work on the full review - take a look at how the D7200 has performed so far in our testing. Read more
The Pentax K-3 II is a modest update to its predecessor, but that doesn't mean that its new features are insignificant. While faster autofocus and more shake reduction is great, we're most excited about the Pixel Shift Resolution feature. While we can't share any samples photographs yet, we can give you an overview of what's new with the K-3 II. Read more
At a glance the Olympus OM-D E-M5 II appears relatively unchanged from its predecessor, so you have to look a little closer to see how much work Olympus has put into the new model. The E-M5 II uses a redesigned 16MP Four Thirds sensor and offers a 40MP high-resolution shot mode powered by its 5-axis image stabilization. See its high-resolution mode in action and learn more about the subtle improvements included in the E-M5 II in our First Impressions Review. Read more
The Lumix DMC-GM5 is the newest minuscule ILC from Panasonic. It joins its sibling (the Lumix GM1) by offering nearly all of the same imaging features, including a 16MP Four Thirds sensor, while adding enthusiast-friendly features like an EVF and additional controls. We've been looking at how it handles in the field compared to its predecessor. Take a look at our review-in-progress, complete with studio analysis and shooting experience. Read more
The Nikon D750 is a full-frame DSLR that mates features from the D810 with a 24MP sensor, providing a faster frame-rate than any non-pro full-frame Nikon DSLR since the D700. Its comprehensive still and video photography specifications are aimed directly at enthusiasts and full-frame upgraders. We've made a significant update to our D750 first impressions review including a shooting experience and studio scene analysis. Read more
Canon's successor to the EOS 7D was a long time coming, but the 7D Mark II appears to have all the makings of a DSLR worth the wait. Offering a 20.2MP APS-C CMOS sensor, Dual Pixel AF with 65 phase-detect points and more robust weather-resistance, the 7D II is a formidable follow-up indeed. Our full review is well underway and we've just updated our first impressions with a detailed shooting experience. Read more
We've just added more detail to our Panasonic Lumix DMC-LX100 First Impressions Review including a summary of our shooting experience. Read our updated preview of Panasonic's latest enthusiast compact and find out how it fares in real-world shooting. Read more
From the outside, Canon's PowerShot G7 X enthusiast compact looks like the S-series models that came before it, but inside it's an entirely different story. The G7 X offers a 20MP 1"-type BSI CMOS sensor, a 24-100mm equiv. F1.8-2.8 lens and built-in Wi-Fi with NFC. We've made a substantial update to our First Impressions Review of the G7 X including a writeup of our shooting experience and performance tests. Read more
We've just updated our Fujifilm X100T overview with a detailed analysis of the camera's controls and operation. With access to a beta X100T, we've taken it for a spin and assembled a real-world samples gallery. In the process we've got to know the camera a bit better and have addressed questions about the viewfinder, e-shutter and Auto ISO behavior. Read more
If posts to our news articles and forums are any indication, one of the most exciting announcements from Photokina is the Canon G7 X, a genuinely pocketable camera with a large 1”-type sensor. In this video DPReview’s Richard Butler takes us through a preview of the G7 X and gives us an idea of what to expect from it.
Enthusiast photographers have been waiting in agony for a replacement to the Canon EOS 7D for five years. Their wishes have finally been granted - and in a big way - with the arrival of the EOS 7D Mark II. With a new sensor, improved AF system, faster image processor, and Full HD video, we think that it was worth the wait. For a lot more on the 7D II, read our detailed First Impressions Review.
Panasonic's LX-series of compact cameras have been favorites of both customers and reviewers alike for many years. Photographers who have been waiting for a more enthusiast-slanted LX can finally get out their wallets, because the Lumix DMC-LX100 is here. Find out what we thought about what sounds like the ultimate enthusiast compact camera in our First Impressions Review. Read on.
For the last two years, the only enthusiast compact with a large sensor you could buy says 'Sony' on the front. Finally, at Photokina 2014, we get some competition from Canon. The PowerShot G7 X uses what is likely the same 20MP sensor as the Sony RX100 III but offers a longer lens, flip-up touchscreen LCD, and arguably better controls. For all the details on this exciting new camera, head on over to our First Impressions Review.
Samsung is no stranger to trying something new, and it's really swung for the fences with the NX1 enthusiast mirrorless camera. With a DSLR-style body, a revolutionary sensor, exciting AF system, and more bells and whistles than one could ever need, the NX1 looks like a serious contender. We spent some time with the NX1 and have some first impressions to share. Read'em.
The D750 is Nikon's latest FX format camera, which borrows features from the D810 and marries them with a 24MP sensor, offering a faster frame-rate than any non-professional full-frame Nikon DSLR. Aimed squarely at enthusiasts and full-frame upgraders the D750 boasts a comprehensive video and still photography specification which includes a tilting rear LCD screen and (on paper) an improved version of the 51-point AF system found in the D810. We've been using a pre-production camera for a few days - click through for our first impressions.
If there's one thing you can say about Fujifilm, it's that the company has shown a desire to continuously improve its cameras. In the case of the X100T, Fujifilm has taken the already refined X100S and redesigned the viewfinder, added more exposure controls, and included an electronic shutter. We've spent some time with an early production X100T and have put together an overview that covers the key points. Have a read
Panasonic's latest superzoom camera, the Lumix DMC-FZ1000 offers a highly attractive feature set. Based around a 25-400mm equivalent zoom and a large 1"-type CMOS sensor the FZ1000 combines a very useful zoom range with excellent image quality in stills and video mode. We're working our way through a full review right now, and we've just added a shooting experience page to our detailed first-impressions review. Read more
When it was introduced last year, the Sony Cyber-shot DSC-RX10 was peerless. It was the first superzoom to offer a 1"-type sensor, much larger than the 1/2.3"-type chips commonly found in that class. It paired that with an impressive F2.8 constant 24-200mm equivalent zoom. Now the Panasonic Lumix DMC-FZ1000 has joined the RX10 in this newly-minted category, boasting almost certainly the same sensor and a 25-400mm equivalent F2.8-4 lens. They line up nicely for a head-to-head comparison - and that's exactly what we've done. Read more
The Nikon 1 V3 offers an 18.4 megapixel 1"-type CMOS sensor, a significant gain in resolution over its 14.2 megapixel V2 predecessor. It also offers impressive 20 fps burst shooting with continuous AF and a Hybrid AF system using 171 contrast-detect and 105 phase-detect points. The V3 might just be the most promising mirrorless camera Nikon has offered enthusiasts yet, and our full review is well underway. In the meantime, take a look at our first impressions and shooting experience. Read more
The Nikon D810 replaces both the D800 and D800E, and the changes that Nikon has made in the new DSLR are significant. There's no OLPF to get in the way of resolution, and as well as a lower base and higher maximum ISO sensitivity the D810 is 25% faster than its forebears, offers a slightly improved AF system and boasts 1080/60p video with built-in stereo recording. We had a chance to get our hands on a pre-production D810 recently, and we've prepared a detailed look at its key features. Click through to read our First Impressions Review
Kodak is arguably the most famous name of all in photography, but it ultimately failed to manage the transition from film to digital, and ended up exiting the consumer imaging business altogether in 2013. But now JK Imaging, which licenses the Kodak name, has created an interchangeable lens camera. The Pixpro S-1 is an entry-level model that's designed to attract budding photographers who are buying their first system camera. Click through to read our first impressions.
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Our first impressions review of the Sony Cyber-shot RX100 III just keeps growing. The latest aims to answer one of the most important questions potential owners ask about a camera - 'What's it like to use?' With promising specifications like a 20 megapixel 1"-type sensor, a fast 24-70mm equiv F1.8-2.8 Zeiss-branded lens and a pop-up EVF, the RX100 III looks excellent on paper. Does that hold up in real-world use? Read more
The Sony Cyber-shot RX100 III may have photographers drooling over its fast lens and pop-up electronic viewfinder, but it gains some serious video-related updates too. It now features full sensor readout for higher image quality (as previously seen on the RX10), and also supports the XAVC S codec which allows higher bit-rates. In the latest update to our First Impressions Review, we take a detailed look at its movie mode. Click through to read all about it.
As we've been spending more time with the Sony RX100 III, we've published some of our initial thoughts on the Operation and Controls of this highly intriguing camera and expanded our impressions of the pop-up electronic viewfinder. We also shot a short video showing what's new so you can get a first-hand look at the 20MP compact with 1"-type sensor and faster, wider 24-70mm F1.8-2.8 lens. Learn more and see video
Few compact cameras have garnered as much attention as the Sony Cyber-shot RX100 and RX100 II. Sony had managed to squeeze a much bigger sensor into cameras only a little larger than the Canon S-series enthusiast compacts. The RX100 III continues the tradition by adding a wider, faster 24-70mm F1.8-2.8 lens and a built-in, pop-up EVF. Along with a 20MP 1"-type sensor, does the RX100 III remain the ultimate compact for enthusiasts? Learn more in our First Impressions Review
We've updated our first impressions review of the Nikon D4S with our JPEG Tone Curve and Dynamic Range measurements. Included are real-world examples of Nikon's Active D-Lighting modes, which can significantly help in dealing with scenes containing challenging ranges of (dark to bright) tones. Have a look and, as always, you can compare the D4S to any other camera in our database. Learn more
During pre-launch briefings for the T, Leica was very keen to stress the optical quality of the new lenses. Most interestingly, we were told they relied on optical corrections, rather than software to project the best possible image onto the sensor. So with this in mind, when processing some images from the Leica T, we were surprised by a notification that Adobe Camera Raw gave us. See our results
It may look the same as its predecessor, but the Sony SLT-A77 II's insides are quite a bit different. Featuring a new 24MP CMOS sensor and image processor, along with a dramatically improved AF system, this SLT could be one of the best subject-tracking cameras out there. While we've yet to test its performance, we did spend some brief time with the a77 II and have put together our first impressions.
The Sony a6000 features a 24MP APS-C sensor that includes phase detection AF points across 92% of the frame and 11 fps continuous shooting with subject-tracking. It's the first E-mount camera of its style not to be branded 'NEX'. As we work toward a full review, read our shooting experience report and check out our real-world samples gallery to find out if the a6000 is more than a refreshed NEX-6 by another name. Learn more and see gallery
Canon's PowerShot G1 X Mark II is an intriguing update. It keeps the 1.5"-type sensor from its predecessor, but adds a faster processor, longer and brighter lens, tilting LCD, dual control rings and has Wi-Fi with NFC. The big change for 2014 is no more optical viewfinder. Our first impressions review covers the usual aspects of the camera (Controls, Body and Design, etc.), but also has our Shooting Experience report where we talk about it handles in the real-world. Learn more
It's hard to resist the opportunity to play with a new medium format DSLR, so we quickly took up Ricoh's offer to try out its 645Z. While it may look intimidating, the 645Z is surprisingly accessible, with an experience that feels strangely familiar to those who have handled Pentax cameras like the K-3. It's also a bargain by medium format standards, and not a huge step up from full-frame. Learn more about the 645Z.
The Samsung NX30's launch got rather drowned-out by the other launches around CES. We've been shooting with it over the past few weeks and have written about our experiences. The NX series boasts a strong range of lenses, one of the more advanced Wi-Fi systems and the innovative i-Function system. What impact do these have on how we used the camera? Learn more
Samsung has announced the NX mini, the world's slimmest interchangeable lens camera. It boasts a 1-inch, 20MP sensor and provides all of the wireless connectivity we've come to expect from Samsung's cameras. We spent a little bit of time with a pre-production unit getting to know it, photographing it, and pondering its existence. Take a look at some hands-on photos and read our first impressions of Samsung's latest (and littlest) connected, mirrorless camera.
The Olympus OM-D E-M10 was announced about a month ago, the third addition to the digital revival of the OM line. It lacks the weather sealing of its siblings but inherits a number of excellent features from the existing OM-D models. Sound enticing? We've gotten familiar with the E-M10 over the past few weeks. The full review is on the way but for now, read our shooter's report, and compare the E-M10 to a growing list of cameras in our new studio test scene.
We first laid our hands on the Fujifilm X-T1 about a month ago when it was announced. Now that we've had some time to shoot with it, we've gathered our thoughts on using Fujifilm's latest X-Series camera. The X-T1 offers much of what the X-E2 does, including a 16 megapixel APS-C sensor with on-chip phase detection, but more than that, it offers an SLR-style sculpted handgrip and weather-resistant sealing. Find out what the X-T1 is like to use in the field.
The a6000 sits in the middle of Sony's range of mirrorless cameras, just above the a5000 and aging NEX-7. The feature that makes it stand out from the crowd (and not just among Sony cameras) is its Hybrid AF system, which has phase detect points across 92% of the frame. To learn what that means to photographers, and learn more about the a6000 in general, then have a look at our a6000 First Impressions Review.