When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.
Stories tagged with panasonic
In this video from Photokina, Panasonic's Matt Frazer walks us through the features of the new Lumix DMC-LX100 compact camera. Matt also explains Panasonic's use of a multi-aspect four thirds sensor, discusses lens design and manufacture, and explains the camera's 4K video capabilities. See video
Panasonic has announced a smartphone with a 1 inch sensor. The Lumix DMC-CM1 comes with the largest imaging sensor we have seen on a smartphone - its 1-inch 20MP chip matching the sensors in premium compact cameras such as Sony's RX100 and Nikon's 1 series, being multiple times larger than the 1/3-inch sensors that are common on more conventional smartphones. The large sensor is coupled with an F2.8 Leica lens that offers an equivalent focal length of 28mm. Click through for more details.
Panasonic's LX-series of compact cameras have been favorites of both customers and reviewers alike for many years. Photographers who have been waiting for a more enthusiast-slanted LX can finally get out their wallets, because the Lumix DMC-LX100 is here. Find out what we thought about what sounds like the ultimate enthusiast compact camera in our First Impressions Review. Read on.
The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.
Panasonic has announced the latest member of its enthusiast compact LX-series, the Lumix DMC-LX100. Where its LX7 predecessor used a 1/1.7" sensor, the LX100 leapfrogs into the Four Thirds sensor class, with 16MP chip and a 24-75mm equiv. F1.7-2.8 lens. It supports 4K video recording at 30p, and also provides Wi-Fi with NFC for faster pairing with a mobile device. Read more
Panasonic introduces the second member of its diminutive GM-series: the Lumix DMC-GM5. The GM5 offers a 16MP Four Thirds sensor in a point-and-shoot sized camera body equipped with a Micro Four Thirds lens mount. Following on the consumer-focused Panasonic Lumix DMC-GM1, the GM5 provides some enthusiast touches like a built-in 1.2m dot equivalent EVF and hot shoe. Read more
Topping off its Photokina 2014 announcements, Panasonic announces two lenses designed to fit the dimensions and style of its GM-series cameras. The Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega O.I.S. is a truly compact telephoto zoom covering a range equivalent to 70-200mm. Also announced is the 14mm F2.5 II ASPH, a version of an existing lens but with revised graphics (equivalent to 28mm). Read more
Panasonic has announced a firmware update for the Lumix DMC-GH4, adding tethered shooting and modes to make it easier to take still images from 4K video. The update introduces 4K Photo Mode, which automatically sets shooting parameters optimized for stills. Read more
Panasonic has announced a firmware update for the Lumix DMC-FZ1000. Like its big sibling the Lumix GH4, the FZ1000 will gain a 4K Photo Mode, which automatically sets shooting parameters optimized for stills and allows 4K capture in a variety of aspect ratios. Read more
Our comparative review of the Panasonic GH4 and Sony Alpha 7S started with a look at their designs, handling and video spec. They've set new benchmarks for the sophistication of their video capabilities, but they're both potentially very capable stills cameras as well. That brings us to part two of our review, which adds six pages including analysis of image quality and dynamic range. We've also expanded our look at the video modes on each camera. Read more
With our comparative review underway, we've added studio test scene results from both the Panasonic Lumix DMC-GH4 and Sony Alpha 7S to our comparison tool. The 16MP Micro Four Thirds Panasonic GH4 and 12MP full-frame Sony a7S both shoot 4K video, and we spent some time in part one of our review taking a look at those features. Take a look now at the stills capabilities of both of these cameras by comparing them to each other and an ever-growing list of competing models in our studio test scene comparison tool. Read more
If the Sony Cyber-shot DSC-RX10 premium superzoom was a game-changer, the Panasonic Lumix DMC-FZ1000 changed the game yet again when it was introduced last month. With its 1"-type 20.1MP CMOS sensor and 25-400mm equiv. F2.8-4.0 lens it's an ideal candidate for travel, offering a larger-than-average sensor and generous zoom range. With 4K video recording and a lower MSRP, it gave the already-impressive RX10 a run for the money. Read more
Panasonic's latest superzoom camera, the Lumix DMC-FZ1000 offers a highly attractive feature set. Based around a 25-400mm equivalent zoom and a large 1"-type CMOS sensor the FZ1000 combines a very useful zoom range with excellent image quality in stills and video mode. We're working our way through a full review right now, and we've just added a shooting experience page to our detailed first-impressions review. Read more
When it was introduced last year, the Sony Cyber-shot DSC-RX10 was peerless. It was the first superzoom to offer a 1"-type sensor, much larger than the 1/2.3"-type chips commonly found in that class. It paired that with an impressive F2.8 constant 24-200mm equivalent zoom. Now the Panasonic Lumix DMC-FZ1000 has joined the RX10 in this newly-minted category, boasting almost certainly the same sensor and a 25-400mm equivalent F2.8-4 lens. They line up nicely for a head-to-head comparison - and that's exactly what we've done. Read more
Since its arrival in our office, the Panasonic Lumix FZ1000 has hardly had a moment's rest. The superzoom with a 25-400mm equivalent lens and 1"-type sensor is truly one-of-a-kind. We've put it through the paces of a first impressions review and taken it outside in some very un-Seattle-like weather for extensive shooting. In the process, we've assembled some hands-on photos of the camera so you can get better acquainted with the FZ1000. See slideshow
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Panasonic has announced its Lumix DMC-FZ1000 superzoom camera, which features a 1"-type CMOS sensor and F2.8-4.0, 25-400mm equivalent lens. The sensor is not only the same size as on Sony's Cyber-shot DSC-RX10 - it's also the same resolution (20.1MP). The FZ1000 features both a fully articulating LCD as well as a high resolution OLED viewfinder. The FZ1000 is also capable of recording 4K video at a bit rate of 100Mbps, from which 8MP stills can be grabbed. The camera will be priced at $899 / £749.99.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.
The headline feature of the Panasonic GH4 is that it's a Micro Four Thirds camera that can shoot 4K video for under $2000, capturing either Quad HD (3840 x 2160) at up to 29.97p or 'Cinema 4K' (4096 x 2160) at up to 24p. Seattle-based photographer Erik Hecht recently took the new Panasonic GH4 for a spin to test the dynamic range and to see how well it takes color correction. See video
Panasonic has announced the HX-A500, a wearable video camera with ultra HD 4K at 30p capability. Along with Wi-Fi and NFC connectivity options, the HX-A500 can also shoot 1080p at 60fps, 720p at 120fps and 480p at 240fps. Panasonic's action camera is also dustproof and waterproof for up to 30 minutes down to 10 feet (3 meters). The HX-A500 has a separate body unit that has a 1.5-inch color LCD display and camera unit that is connected by a cable. Learn more
Panasonic has officially announced the Leica DG Summilux 15mm F1.7 ASPH, a premium fast wideangle prime for Micro Four Thirds cameras. It offers an angle of view equivalent to 30mm on full frame, and features an aperture ring at the front of the barrel. It's also very small in diameter to match the tiny DMC-GM1 camera, with which it will be offered as a kit. It'll be available in black or silver from mid-June for $599/£549, with the GM1 kit costing £999.
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It's designed as a 'hybrid camera' that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional 'interface unit' adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
Accessory grip maker Richard Franiec has created a custom grip for the Panasonic Lumix DMC-GM1. The grip is made from anodized aluminium alloy and should improve handling when using the GM1 with larger Micro Four Thirds lens. It weighs about 20g and leaves the battery/card door and tripod socket unobstructed. It should be available later this month and cost $34.95 plus shipping. Learn more
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. We've just added 16 more images to our previously-published gallery, taken with the new lens attached to an Olympus OM-D E-M5. See gallery
CES 2014: Panasonic typically has a truly large presence at CES, and this year is no exception. Just beyond the acres of curvy 4K displays are some of the most interesting photo-related announcements at the show - the Leica Nocticron 42.5mm F1.2 with Power O.I.S., for example, along with some prototype lenses on display with the diminutive Lumix GM1. We also got some hands-on time with Lumix compacts announced for the show. Take a look at what's new for Panasonic at CES 2014
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. See gallery
CES 2014: Panasonic has formally announced the Leica DG Nocticron 42.5mm F1.2 ASPH OIS fast portrait prime for Micro Four Thirds. The lens, first revealed in prototype form back at the Photokina trade show in September 2012, offers an 85mm equivalent field of view, optical image stabilisation, and the brightest aperture of any autofocus lens on the system. It's The lens will be available during the first quarter of 2014 at suggested prices of $1,599/€1,499/£1,299.
CES 2014: Panasonic has introduced the Lumix DMC-ZS40 travel zoom, also known as DMC-TZ60 in some markets. Equipped with Wi-Fi and NFC, it provides a 30x zoom range (24-720mm equiv), an 18.1MP sensor, and a built-in electronic viewfinder. Its enthusiast-leaning feature set includes a control ring around the lens, Raw shooting, and focus peaking. Also introduced is a lower-cost model, the Panasonic Lumix DMC-ZS35 (TZ55), with Wi-Fi connectivity (though no NFC). The ZS35 covers a 28-560mm equivalent 20x zoom range, uses a 16MP sensor, and lacks a viewfinder.
CES 2014: Panasonic keeps the emphasis on zoom and connectivity with the introduction of the Lumix DMC-SZ8, a lower-end alternative to its ZS/TZ travel zooms. It covers a 24-288mm equivalent range and uses a 16 megapixel CCD sensor (a step down from the ZS-series' CMOS chips) and a top video resolution of 720/30p. Wi-Fi connectivity is included, as is a 3.0-inch 460k-dot LCD.
CES 2014: Panasonic has unveiled the Lumix DMC-LZ40, a budget superzoom with an F3.0-6.5 22-924mm equivalent zoom lens. It has a 20 megapixel CCD sensor, fixed 3-inch 460k dot LCD, and can record video at 720/30p. The LZ40 is also equipped with optical image stabilization, 13 filter effect modes, and a lithium-ion battery rated to 320 shots.
We've just posted our full review of the Panasonic Lumix DMC-GM1. It underscores the 'Micro' in Micro Four Thirds as the smallest model in that class, with a 16MP Four Thirds sensor and a collapsible 12-32mm F3.5-5.6 kit lens. It offers many features that its bigger Lumix GX7 sibling does, starting with the sensor, but in a much smaller package. See how it measures up. Read our full review
In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 2, Allison Johnson comments on her personal favorite - the Panasonic Lumix DMC-GM1.
We've just posted our full review of the Panasonic Lumix DMC-GX7. With a 16 megapixel Four Thirds sensor, in-body image stabilization, and built-in articulated EVF, the GX7 boasts a lot of refinements to tempt enthusiasts away from similar Olympus and Sony offerings. Panasonic engineers have thrown just about everything they've got into this mid-range mirrorless camera, will it find a loyal audience the way its GF1 predecessor did? Click through and read our review.
We've just updated our first impressions review of the Panasonic Lumix GM1 with a gallery of real-world sample images. Panasonic's latest G-series camera underscores the 'Micro' in Micro Four Thirds as one of the smallest interchangeable lens cameras ever brought to market. Despite its size, it still offers a 16 megapixel Four Thirds sensor, 3.0-inch touch screen, and full suite of manual exposure controls. Does its image quality in the field measure up? Click through and see for yourself.
We've updated our first impressions review of the Panasonic Lumix DMC-GM1 with our studio test scene showing image quality for both JPEG and Raw files. The new scene also offers downloadable Raw samples of both daylight and low light scenes. As always, you can compare the GM1 to a number of other cameras.
We're at Photo Plus Expo in New York, having meetings and learning about all the new products that have recently been announced (and some which are still under wraps). Panasonic's new GM1 is one of the hottest new cameras at this year's show, inheriting a lot of technology from the GX7, and yesterday afternoon we stopped by the stand to get our hands on the gear. Click through for a quick tour of three of Panasonic's latest cameras.
Panasonic quietly announced the development of a Leica DG SUMMILUX 15mm (30mm equiv.) F1.7 lens, which the company says will be an ideal companion to the DMC-GM1 also released today. Details are scarce at this point, but the lens will have a manual aperture ring and will ship sometime next year. Also coming in 2014 are a Leica DG NOCTICRON 42.5mm F1.2 lens, as well as a budget-friendly Lumix G 35-100mm.
It's not every day when you see a mirrorless interchangeable lens camera that can fit in the palm of your hand. That's why we jumped at the chance to take a look at Panasonic's new Lumix DMC-GM1, which offers many of the features of its larger siblings, in a much smaller package. Read our first impressions review after the link.
One of the original promises of the Micro Four Thirds system was to permit the design of small mirrorless cameras. Today Panasonic released its Lumix DMC-GM1, a tiny camera which can literally fit in the palm of your hand. Don't be fooled, though: it shares the same 16 megapixel sensor as the GX7 and also offers silent shooting at shutter speeds as high as 1/16000 sec, Wi-Fi, and 1080/60i video recording. It's bundled with a new 12-32mm F3.5-5.6 lens (also available separately) that rivals a pancake lens for compactness when 'collapsed'.
We've been taking plenty of photos while working on our upcoming review of the Panasonic Lumix DMC-GX7. Our samples gallery has been updated with an additional fifteen photos to tide you over until the review is posted. Follow the link to see glass sculptures, a beautiful sunset, and a defunct nuclear plant.
We've been working on a brand-new studio comparison scene for some time, and we've decided to give you a sneak peek, using images from the Panasonic Lumix DMC-GX7. We'll be speaking more about this new scene (and the new interface that goes with it) very soon, but for now we wanted to let you have a look, try it, play around and tell us what you think. As well as the new scene, you'll find two new options - 'daylight' and 'low light' simulation modes and the option to 'normalize' resolution to simulate print and web output, as well as 100%. Click through for more.
We've just published a gallery of real-world samples shot using the Panasonic Lumix DMC-GX7. The GX7 is Panasonic's latest Micro Four Thirds interchangeable lens camera, and one of the company's most interesting models yet. It features a new 16MP sensor, tiltable EVF and LCD, and offers several enthusiast-friendly features including highlight and shadow tone adjustment, an electronic (entirely silent) shutter and in-body image stabilization - a first for Panasonic. Click through for a link to our gallery of real-world shots.
We've just posted a 39-image gallery of real-world samples shot on the Panasonic Lumix DMC-FZ70 zoom compact. Spanning the equivalent of 20-1200mm the FZ70's lens is the largest zoom available in a consumer compact, and we've spent a few days testing it out in a variety of situations, to see what this new superzoom can do. Click through for a link to our gallery of real-world samples.
Panasonic has announced the Lumix DMC-GX7 - the follow-up to the DMC-GX1 - which is its first mirrorless interchangeable lens camera to include in-body image stabilization. This 16MP, rangefinder-style camera also includes a high-resolution, widescreen EVF that can be tilted upwards 90 degrees. Panasonic claims that their newly designed Live MOS sensor improves both detail and color saturation by 10%. Other features of note include a tilting LCD, a 'silent shooting' mode, focus peaking, 1080/60p videos, and Wi-Fi with NFC capability.
Alongside the enthusiast-oriented DMC-GX7, Panasonic has announced the Leica DG Nocticron 42.5mm F1.2 - the fastest autofocus lens ever created for the Micro Four Thirds system. If you're getting a sense of deja vu that's because Panasonic actually announced this lens already (sort of) at last year's Photokina tradeshow in Cologne, Germany. But what was then a dummy lens behind glass now appears to be a real product, albeit one without any firm availability date or pricing information.