The Lumix DMC-GM5 is the newest minuscule ILC from Panasonic. It joins its sibling (the Lumix GM1) by offering nearly all of the same imaging features, including a 16MP Four Thirds sensor, while adding enthusiast-friendly features like an EVF and additional controls. We've been looking at how it handles in the field compared to its predecessor. Take a look at our review-in-progress, complete with studio analysis and shooting experience. Read more
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Panasonic has announced that its DMC-CM1 'compact camera with smartphone technology' will be sold in the UK. Originally the company had marked out France and Germany as the only countries to get the device, but citing 'high demand' it has included a limited number of UK stores to stock it. Read more
Panasonic has announced another firmware update for the Lumix DMC-GH4, this one following closely after the update it pushed out in September enabling tethering and 4K photo mode. The software is scheduled to release on an unspecified day in December, and will bring with it changes revolving around video output options. Read more
Panasonic's Lumix DMC-LX100 turned a lot of heads when it was introduced at Photokina 2014. That might be because its spec sheet reads like an enthusiast's wish list of compact camera features - a 16MP Four Thirds sensor (albeit a multi-aspect design using 12.7MP), fast 24-75mm equiv. F1.7-2.8 lens, built-in EVF, 4K video recording and Wi-Fi with NFC. The large sensor zoom compact has become an intensely competitive field in recent year, read the review to see how the LX100 compares.
The Panasonic Lumix DMC-GM5 joins the Lumix DMC-GM1 in that company's line of extremely small interchangeable lens cameras. They use the same 16MP Four Thirds sensor in a compact camera-like body, but the GM5 adds enthusiast touches like an EVF and rear control dial that the beginner-focused GM1 doesn't have. We've taken it for a spin and put together a collection of real-world samples. See gallery
We've just added more detail to our Panasonic Lumix DMC-LX100 First Impressions Review including a summary of our shooting experience. Read our updated preview of Panasonic's latest enthusiast compact and find out how it fares in real-world shooting. Read more
The Panasonic Lumix DMC-GH4 puts together a solid stills shooting feature set, including a 16MP Four Thirds sensor, 2.36m dot viewfinder, fully articulating 3-inch LCD and 12 fps continuous shooting. But its headline specs are in the video category - Cinema 4K recording and a host of tools for video shooters like focus peaking and zebra settings. We put its capabilities in stills and video to the test. Read review
We've just added a trio of cameras to our studio comparison tool: the Canon PowerShot G7 X, Panasonic Lumix DMC-LX100 and the Sony Alpha a5100. The Canon G7 X and Panasonic LX100 were two of the most talked-about cameras to emerge from Photokina 2014, both managing to squeeze large sensors into compact camera bodies. Read more
UPDATED: The Panasonic Lumix LX100 topped our reader poll as the most interesting product to come out of Photokina 2014. Indeed, the LX100's combination of a Four Thirds sensor and 24-75mm equivalent F1.7-2.8 lens is big news. We've been testing out this intrepid compact for the past few days; take a look at a gallery of real-world samples and see what it can do. See gallery
What's so special about the Panasonic Lumix DMC-LX100? It uses the same sensor as the GX7 but is at a distinct disadvantage not being part of an interchangeable lens system. So why would anyone choose the Lumix LX100 with its expensive body over the flexibility of the only-slightly-bigger Lumix DMC-GX7? Has Panasonic shot itself in the foot? Click through to read more
When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.
In this video from Photokina, Panasonic's Matt Frazer walks us through the features of the new Lumix DMC-LX100 compact camera. Matt also explains Panasonic's use of a multi-aspect four thirds sensor, discusses lens design and manufacture, and explains the camera's 4K video capabilities. See video
Panasonic has announced a smartphone with a 1 inch sensor. The Lumix DMC-CM1 comes with the largest imaging sensor we have seen on a smartphone - its 1-inch 20MP chip matching the sensors in premium compact cameras such as Sony's RX100 and Nikon's 1 series, being multiple times larger than the 1/3-inch sensors that are common on more conventional smartphones. The large sensor is coupled with an F2.8 Leica lens that offers an equivalent focal length of 28mm. Click through for more details.
Panasonic's LX-series of compact cameras have been favorites of both customers and reviewers alike for many years. Photographers who have been waiting for a more enthusiast-slanted LX can finally get out their wallets, because the Lumix DMC-LX100 is here. Find out what we thought about what sounds like the ultimate enthusiast compact camera in our First Impressions Review. Read on.
The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.
Panasonic has announced the latest member of its enthusiast compact LX-series, the Lumix DMC-LX100. Where its LX7 predecessor used a 1/1.7" sensor, the LX100 leapfrogs into the Four Thirds sensor class, with 16MP chip and a 24-75mm equiv. F1.7-2.8 lens. It supports 4K video recording at 30p, and also provides Wi-Fi with NFC for faster pairing with a mobile device. Read more
Panasonic introduces the second member of its diminutive GM-series: the Lumix DMC-GM5. The GM5 offers a 16MP Four Thirds sensor in a point-and-shoot sized camera body equipped with a Micro Four Thirds lens mount. Following on the consumer-focused Panasonic Lumix DMC-GM1, the GM5 provides some enthusiast touches like a built-in 1.2m dot equivalent EVF and hot shoe. Read more
Topping off its Photokina 2014 announcements, Panasonic announces two lenses designed to fit the dimensions and style of its GM-series cameras. The Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega O.I.S. is a truly compact telephoto zoom covering a range equivalent to 70-200mm. Also announced is the 14mm F2.5 II ASPH, a version of an existing lens but with revised graphics (equivalent to 28mm). Read more
Panasonic has announced a firmware update for the Lumix DMC-GH4, adding tethered shooting and modes to make it easier to take still images from 4K video. The update introduces 4K Photo Mode, which automatically sets shooting parameters optimized for stills. Read more
Panasonic has announced a firmware update for the Lumix DMC-FZ1000. Like its big sibling the Lumix GH4, the FZ1000 will gain a 4K Photo Mode, which automatically sets shooting parameters optimized for stills and allows 4K capture in a variety of aspect ratios. Read more
Our comparative review of the Panasonic GH4 and Sony Alpha 7S started with a look at their designs, handling and video spec. They've set new benchmarks for the sophistication of their video capabilities, but they're both potentially very capable stills cameras as well. That brings us to part two of our review, which adds six pages including analysis of image quality and dynamic range. We've also expanded our look at the video modes on each camera. Read more
With our comparative review underway, we've added studio test scene results from both the Panasonic Lumix DMC-GH4 and Sony Alpha 7S to our comparison tool. The 16MP Micro Four Thirds Panasonic GH4 and 12MP full-frame Sony a7S both shoot 4K video, and we spent some time in part one of our review taking a look at those features. Take a look now at the stills capabilities of both of these cameras by comparing them to each other and an ever-growing list of competing models in our studio test scene comparison tool. Read more
If the Sony Cyber-shot DSC-RX10 premium superzoom was a game-changer, the Panasonic Lumix DMC-FZ1000 changed the game yet again when it was introduced last month. With its 1"-type 20.1MP CMOS sensor and 25-400mm equiv. F2.8-4.0 lens it's an ideal candidate for travel, offering a larger-than-average sensor and generous zoom range. With 4K video recording and a lower MSRP, it gave the already-impressive RX10 a run for the money. Read more
Panasonic's latest superzoom camera, the Lumix DMC-FZ1000 offers a highly attractive feature set. Based around a 25-400mm equivalent zoom and a large 1"-type CMOS sensor the FZ1000 combines a very useful zoom range with excellent image quality in stills and video mode. We're working our way through a full review right now, and we've just added a shooting experience page to our detailed first-impressions review. Read more
When it was introduced last year, the Sony Cyber-shot DSC-RX10 was peerless. It was the first superzoom to offer a 1"-type sensor, much larger than the 1/2.3"-type chips commonly found in that class. It paired that with an impressive F2.8 constant 24-200mm equivalent zoom. Now the Panasonic Lumix DMC-FZ1000 has joined the RX10 in this newly-minted category, boasting almost certainly the same sensor and a 25-400mm equivalent F2.8-4 lens. They line up nicely for a head-to-head comparison - and that's exactly what we've done. Read more
Since its arrival in our office, the Panasonic Lumix FZ1000 has hardly had a moment's rest. The superzoom with a 25-400mm equivalent lens and 1"-type sensor is truly one-of-a-kind. We've put it through the paces of a first impressions review and taken it outside in some very un-Seattle-like weather for extensive shooting. In the process, we've assembled some hands-on photos of the camera so you can get better acquainted with the FZ1000. See slideshow
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Panasonic has announced its Lumix DMC-FZ1000 superzoom camera, which features a 1"-type CMOS sensor and F2.8-4.0, 25-400mm equivalent lens. The sensor is not only the same size as on Sony's Cyber-shot DSC-RX10 - it's also the same resolution (20.1MP). The FZ1000 features both a fully articulating LCD as well as a high resolution OLED viewfinder. The FZ1000 is also capable of recording 4K video at a bit rate of 100Mbps, from which 8MP stills can be grabbed. The camera will be priced at $899 / £749.99.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.
The headline feature of the Panasonic GH4 is that it's a Micro Four Thirds camera that can shoot 4K video for under $2000, capturing either Quad HD (3840 x 2160) at up to 29.97p or 'Cinema 4K' (4096 x 2160) at up to 24p. Seattle-based photographer Erik Hecht recently took the new Panasonic GH4 for a spin to test the dynamic range and to see how well it takes color correction. See video
Panasonic has announced the HX-A500, a wearable video camera with ultra HD 4K at 30p capability. Along with Wi-Fi and NFC connectivity options, the HX-A500 can also shoot 1080p at 60fps, 720p at 120fps and 480p at 240fps. Panasonic's action camera is also dustproof and waterproof for up to 30 minutes down to 10 feet (3 meters). The HX-A500 has a separate body unit that has a 1.5-inch color LCD display and camera unit that is connected by a cable. Learn more
Panasonic has officially announced the Leica DG Summilux 15mm F1.7 ASPH, a premium fast wideangle prime for Micro Four Thirds cameras. It offers an angle of view equivalent to 30mm on full frame, and features an aperture ring at the front of the barrel. It's also very small in diameter to match the tiny DMC-GM1 camera, with which it will be offered as a kit. It'll be available in black or silver from mid-June for $599/£549, with the GM1 kit costing £999.
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It's designed as a 'hybrid camera' that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional 'interface unit' adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
Accessory grip maker Richard Franiec has created a custom grip for the Panasonic Lumix DMC-GM1. The grip is made from anodized aluminium alloy and should improve handling when using the GM1 with larger Micro Four Thirds lens. It weighs about 20g and leaves the battery/card door and tripod socket unobstructed. It should be available later this month and cost $34.95 plus shipping. Learn more
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. We've just added 16 more images to our previously-published gallery, taken with the new lens attached to an Olympus OM-D E-M5. See gallery
CES 2014: Panasonic typically has a truly large presence at CES, and this year is no exception. Just beyond the acres of curvy 4K displays are some of the most interesting photo-related announcements at the show - the Leica Nocticron 42.5mm F1.2 with Power O.I.S., for example, along with some prototype lenses on display with the diminutive Lumix GM1. We also got some hands-on time with Lumix compacts announced for the show. Take a look at what's new for Panasonic at CES 2014
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. See gallery
CES 2014: Panasonic has formally announced the Leica DG Nocticron 42.5mm F1.2 ASPH OIS fast portrait prime for Micro Four Thirds. The lens, first revealed in prototype form back at the Photokina trade show in September 2012, offers an 85mm equivalent field of view, optical image stabilisation, and the brightest aperture of any autofocus lens on the system. It's The lens will be available during the first quarter of 2014 at suggested prices of $1,599/€1,499/£1,299.
CES 2014: Panasonic has introduced the Lumix DMC-ZS40 travel zoom, also known as DMC-TZ60 in some markets. Equipped with Wi-Fi and NFC, it provides a 30x zoom range (24-720mm equiv), an 18.1MP sensor, and a built-in electronic viewfinder. Its enthusiast-leaning feature set includes a control ring around the lens, Raw shooting, and focus peaking. Also introduced is a lower-cost model, the Panasonic Lumix DMC-ZS35 (TZ55), with Wi-Fi connectivity (though no NFC). The ZS35 covers a 28-560mm equivalent 20x zoom range, uses a 16MP sensor, and lacks a viewfinder.
CES 2014: Panasonic keeps the emphasis on zoom and connectivity with the introduction of the Lumix DMC-SZ8, a lower-end alternative to its ZS/TZ travel zooms. It covers a 24-288mm equivalent range and uses a 16 megapixel CCD sensor (a step down from the ZS-series' CMOS chips) and a top video resolution of 720/30p. Wi-Fi connectivity is included, as is a 3.0-inch 460k-dot LCD.
CES 2014: Panasonic has unveiled the Lumix DMC-LZ40, a budget superzoom with an F3.0-6.5 22-924mm equivalent zoom lens. It has a 20 megapixel CCD sensor, fixed 3-inch 460k dot LCD, and can record video at 720/30p. The LZ40 is also equipped with optical image stabilization, 13 filter effect modes, and a lithium-ion battery rated to 320 shots.
We've just posted our full review of the Panasonic Lumix DMC-GM1. It underscores the 'Micro' in Micro Four Thirds as the smallest model in that class, with a 16MP Four Thirds sensor and a collapsible 12-32mm F3.5-5.6 kit lens. It offers many features that its bigger Lumix GX7 sibling does, starting with the sensor, but in a much smaller package. See how it measures up. Read our full review
In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 2, Allison Johnson comments on her personal favorite - the Panasonic Lumix DMC-GM1.
We've just posted our full review of the Panasonic Lumix DMC-GX7. With a 16 megapixel Four Thirds sensor, in-body image stabilization, and built-in articulated EVF, the GX7 boasts a lot of refinements to tempt enthusiasts away from similar Olympus and Sony offerings. Panasonic engineers have thrown just about everything they've got into this mid-range mirrorless camera, will it find a loyal audience the way its GF1 predecessor did? Click through and read our review.
We've just updated our first impressions review of the Panasonic Lumix GM1 with a gallery of real-world sample images. Panasonic's latest G-series camera underscores the 'Micro' in Micro Four Thirds as one of the smallest interchangeable lens cameras ever brought to market. Despite its size, it still offers a 16 megapixel Four Thirds sensor, 3.0-inch touch screen, and full suite of manual exposure controls. Does its image quality in the field measure up? Click through and see for yourself.
We've updated our first impressions review of the Panasonic Lumix DMC-GM1 with our studio test scene showing image quality for both JPEG and Raw files. The new scene also offers downloadable Raw samples of both daylight and low light scenes. As always, you can compare the GM1 to a number of other cameras.