Earlier this year, Panasonic announced that its hybrid smartphone/compact would be coming to the US sometime this summer. That time is now - the Panasonic Lumix DMC-CM1 is currently on sale in the US to the tune of $1000 unlocked for GSM networks. Read more
Stories tagged with panasonic
Using a video feed to capture stills isn't a new idea - Nikon's first electronic camera, the QV-1000C, did it in the late 1980s - but the resolution of 4K makes it more useful. Panasonic has recognized this way of working and has introduced 4K Photo mode to its 4K cameras, to make things easier for the user. We took the feature for a test drive. Read more
Our first foray out and about with the Panasonic Lumix DMC-G7 took us to the Indianapolis Motor Speedway. We've followed up with an update to that gallery featuring some low light samples and stills from the camera's 4K Photo Mode. Take another look at the G7's capabilities. See gallery
Over the holiday weekend we spent some time shooting with Panasonic's newest mirrorless camera, the Lumix DMC-G7. We put its new 16MP sensor to the test along with an improved AF system at the racetrack - the Indianapolis Motor Speedway, to be precise. We'll be updating this gallery with many more images in the coming days. See gallery
The Panasonic Lumix DMC-G7 improves on its predecessor the G6 with a newer sensor, 2.36 million-dot electronic viewfinder and improved autofocus - plus this year's must-have feature: 4K video. Panasonic came to see us recently and dropped off a working pre-production sample for us to look at. Click through for our first impressions.
Panasonic has announced the Lumix DMC-G7, updating its mid-range mirrorless line with 4K (30p/24p) video and still recording and some slight spec upgrades across the board. It offers a built-in 2,360k-dot OLED viewfinder, fully articulated 3" 1,040k-dot LCD, improved autofocus speeds, 8 fps burst shooting (6 fps with continuous AF) as well as Wi-Fi connectivity. Read more
Panasonic's Lumix CM1 has the potential to break new ground in the territory between smartphones and cameras. It offers a 1-inch 20MP sensor, much larger than the typical smartphone camera chip. It also provides an F2.8 Leica-branded lens encircled by a control ring that can be used to adjust various exposure settings. We got out and about with it to see what its images look like. See gallery
Panasonic has announced firmware v2.2 for the GH4 to make it easier to use anamorphic lenses with the camera. The new anamorphic mode allows the camera to capture video from a 4:3 aspect ratio chunk from the middle of the sensor to match the projection of specialist lenses, allowing genuine anamorphic capture, rather than digital simulation of the look.
It's not often that a smartphone being added to our studio test scene warrants a mention on our homepage, but it's not everyday we see the likes of the Panasonic Lumix DMC-CM1. It's a photo-centric mobile device with a 1-inch 20MP sensor and an F2.8 28mm equiv. lens, capable of 4K video and Raw image output. See how it performs in our studio scene. Read more
After several iterations, Panasonic's GF- series compact mirrorless camera line has settled into a comfortable position: providing mass market point-and-shoot appeal while giving photographers the option to fully control settings. The latest camera in the series, the Lumix DMC-GF7, continues this trend. Check out our sample gallery
The Panasonic Lumix DMC-ZS50 (TZ70 outside North America) earns its travel zoom designation with a 30x optical zoom range, equivalent to 24-720mm. It features a 12MP CMOS sensor, full manual controls, Raw shooting and a built-in 1.2M dot electronic viewfinder. Find out what it's capable of doing in the field. See gallery
Panasonic has announced two new additions to its Micro Four Thirds lens lineup, a 30mm F2.8 macro and 42.5mm F1.7 portrait lens. The company had previously hinted that the 30mm was in the works, and as promised it offers Mega O.I.S stabilization along with 240 fps drive AF. The 42.5mm F1.7 isn't quite as fast (or presumably as expensive) as the existing Leica Nocticron 42.5mm F1.2. Both lenses will be available in May. Read more
The Panasonic Lumix GM5 is an almost unthinkably small Micro Four Thirds camera with a 16MP sensor, 3" 921k-dot touch screen, 1080/60p HD video and built-in Wi-Fi. It follows in the already tiny footsteps of the GM1, adding a built-in EVF and more external controls to that camera's point-and-shoot approach. Does it stand tall in a competitive enthusiast mirrorless class? Read more
The GF7 is the newest member of Panasonic's entry-level line of compact mirrorless cameras, this time with a heavy emphasis on social media. It takes many of its design cues from the Panasonic's stylish GM camera bodies, bringing fresh lines for a look that will appeal to photo purists. How does the new design influence the GF user experience? Read our preview to find out.
Panasonic has taken the wraps off the Lumix DMC-GF7, a retro-styled 16MP mirrorless camera with a 180-degree upward-tilting screen ready for - you guessed it - selfies. Internally, it shares much of the GM1/GM5's components including built-in Wi-Fi with NFC and a sensor it also shares with the Lumix GX7 offering 1080/60p HD video. Read more
Introduced at Photokina 2014, the Panasonic Lumix CM1 Android smartphone boasts a 20MP 1-inch type sensor with an f/2.8 lens. Originally only available in France and Germany, it has been announced at CES 2015 that Panasonic's smartphone creation will be making it to American shores later this year. Read more
Panasonic also announced a trio of compact superzoom cameras, covering all price ranges. The base model is the Lumix DMC-SZ10, which has a 16MP CCD, 24-228 mm equiv. lens, and flip-up 2.7" LCD. Stepping up to the DMC-ZS45 (TZ57 outside of US) gives you a 16MP CMOS sensor, 24-480mm lens, 1080p video, Wi-Fi with NFC, and a larger/sharper LCD. The top model is the ZS50 (TZ70) that has a 12MP sensor, 24-720mm lens, 60p video, and a 1.2M dot EVF. More details
Panasonic has released a pair of rugged cameras that have very small changes compared to their predecessors. The top-end model is the Lumix DMC-TS6 (FT6 outside of the US), which offers minor cosmetic changes versus the TS5. The budget-friendly DMC-TS30 (FT30) can dive a meter deeper than the TS20 that came before it and also has more onboard memory. Dive in for more
The Lumix DMC-GM5 is the newest minuscule ILC from Panasonic. It joins its sibling (the Lumix GM1) by offering nearly all of the same imaging features, including a 16MP Four Thirds sensor, while adding enthusiast-friendly features like an EVF and additional controls. We've been looking at how it handles in the field compared to its predecessor. Take a look at our review-in-progress, complete with studio analysis and shooting experience. Read more
Panasonic has announced that its DMC-CM1 'compact camera with smartphone technology' will be sold in the UK. Originally the company had marked out France and Germany as the only countries to get the device, but citing 'high demand' it has included a limited number of UK stores to stock it. Read more
Panasonic has announced another firmware update for the Lumix DMC-GH4, this one following closely after the update it pushed out in September enabling tethering and 4K photo mode. The software is scheduled to release on an unspecified day in December, and will bring with it changes revolving around video output options. Read more
Panasonic's Lumix DMC-LX100 turned a lot of heads when it was introduced at Photokina 2014. That might be because its spec sheet reads like an enthusiast's wish list of compact camera features - a 16MP Four Thirds sensor (albeit a multi-aspect design using 12.7MP), fast 24-75mm equiv. F1.7-2.8 lens, built-in EVF, 4K video recording and Wi-Fi with NFC. The large sensor zoom compact has become an intensely competitive field in recent year, read the review to see how the LX100 compares.
The Panasonic Lumix DMC-GM5 joins the Lumix DMC-GM1 in that company's line of extremely small interchangeable lens cameras. They use the same 16MP Four Thirds sensor in a compact camera-like body, but the GM5 adds enthusiast touches like an EVF and rear control dial that the beginner-focused GM1 doesn't have. We've taken it for a spin and put together a collection of real-world samples. See gallery
We've just added more detail to our Panasonic Lumix DMC-LX100 First Impressions Review including a summary of our shooting experience. Read our updated preview of Panasonic's latest enthusiast compact and find out how it fares in real-world shooting. Read more
The Panasonic Lumix DMC-GH4 puts together a solid stills shooting feature set, including a 16MP Four Thirds sensor, 2.36m dot viewfinder, fully articulating 3-inch LCD and 12 fps continuous shooting. But its headline specs are in the video category - Cinema 4K recording and a host of tools for video shooters like focus peaking and zebra settings. We put its capabilities in stills and video to the test. Read review
We've just added a trio of cameras to our studio comparison tool: the Canon PowerShot G7 X, Panasonic Lumix DMC-LX100 and the Sony Alpha a5100. The Canon G7 X and Panasonic LX100 were two of the most talked-about cameras to emerge from Photokina 2014, both managing to squeeze large sensors into compact camera bodies. Read more
UPDATED: The Panasonic Lumix LX100 topped our reader poll as the most interesting product to come out of Photokina 2014. Indeed, the LX100's combination of a Four Thirds sensor and 24-75mm equivalent F1.7-2.8 lens is big news. We've been testing out this intrepid compact for the past few days; take a look at a gallery of real-world samples and see what it can do. See gallery
What's so special about the Panasonic Lumix DMC-LX100? It uses the same sensor as the GX7 but is at a distinct disadvantage not being part of an interchangeable lens system. So why would anyone choose the Lumix LX100 with its expensive body over the flexibility of the only-slightly-bigger Lumix DMC-GX7? Has Panasonic shot itself in the foot? Click through to read more
When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.
In this video from Photokina, Panasonic's Matt Frazer walks us through the features of the new Lumix DMC-LX100 compact camera. Matt also explains Panasonic's use of a multi-aspect four thirds sensor, discusses lens design and manufacture, and explains the camera's 4K video capabilities. See video
Panasonic has announced a smartphone with a 1 inch sensor. The Lumix DMC-CM1 comes with the largest imaging sensor we have seen on a smartphone - its 1-inch 20MP chip matching the sensors in premium compact cameras such as Sony's RX100 and Nikon's 1 series, being multiple times larger than the 1/3-inch sensors that are common on more conventional smartphones. The large sensor is coupled with an F2.8 Leica lens that offers an equivalent focal length of 28mm. Click through for more details.
Panasonic's LX-series of compact cameras have been favorites of both customers and reviewers alike for many years. Photographers who have been waiting for a more enthusiast-slanted LX can finally get out their wallets, because the Lumix DMC-LX100 is here. Find out what we thought about what sounds like the ultimate enthusiast compact camera in our First Impressions Review. Read on.
The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.
Panasonic has announced the latest member of its enthusiast compact LX-series, the Lumix DMC-LX100. Where its LX7 predecessor used a 1/1.7" sensor, the LX100 leapfrogs into the Four Thirds sensor class, with 16MP chip and a 24-75mm equiv. F1.7-2.8 lens. It supports 4K video recording at 30p, and also provides Wi-Fi with NFC for faster pairing with a mobile device. Read more
Panasonic introduces the second member of its diminutive GM-series: the Lumix DMC-GM5. The GM5 offers a 16MP Four Thirds sensor in a point-and-shoot sized camera body equipped with a Micro Four Thirds lens mount. Following on the consumer-focused Panasonic Lumix DMC-GM1, the GM5 provides some enthusiast touches like a built-in 1.2m dot equivalent EVF and hot shoe. Read more
Topping off its Photokina 2014 announcements, Panasonic announces two lenses designed to fit the dimensions and style of its GM-series cameras. The Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega O.I.S. is a truly compact telephoto zoom covering a range equivalent to 70-200mm. Also announced is the 14mm F2.5 II ASPH, a version of an existing lens but with revised graphics (equivalent to 28mm). Read more
Panasonic has announced a firmware update for the Lumix DMC-GH4, adding tethered shooting and modes to make it easier to take still images from 4K video. The update introduces 4K Photo Mode, which automatically sets shooting parameters optimized for stills. Read more
Panasonic has announced a firmware update for the Lumix DMC-FZ1000. Like its big sibling the Lumix GH4, the FZ1000 will gain a 4K Photo Mode, which automatically sets shooting parameters optimized for stills and allows 4K capture in a variety of aspect ratios. Read more
Our comparative review of the Panasonic GH4 and Sony Alpha 7S started with a look at their designs, handling and video spec. They've set new benchmarks for the sophistication of their video capabilities, but they're both potentially very capable stills cameras as well. That brings us to part two of our review, which adds six pages including analysis of image quality and dynamic range. We've also expanded our look at the video modes on each camera. Read more
With our comparative review underway, we've added studio test scene results from both the Panasonic Lumix DMC-GH4 and Sony Alpha 7S to our comparison tool. The 16MP Micro Four Thirds Panasonic GH4 and 12MP full-frame Sony a7S both shoot 4K video, and we spent some time in part one of our review taking a look at those features. Take a look now at the stills capabilities of both of these cameras by comparing them to each other and an ever-growing list of competing models in our studio test scene comparison tool. Read more
If the Sony Cyber-shot DSC-RX10 premium superzoom was a game-changer, the Panasonic Lumix DMC-FZ1000 changed the game yet again when it was introduced last month. With its 1"-type 20.1MP CMOS sensor and 25-400mm equiv. F2.8-4.0 lens it's an ideal candidate for travel, offering a larger-than-average sensor and generous zoom range. With 4K video recording and a lower MSRP, it gave the already-impressive RX10 a run for the money. Read more
Panasonic's latest superzoom camera, the Lumix DMC-FZ1000 offers a highly attractive feature set. Based around a 25-400mm equivalent zoom and a large 1"-type CMOS sensor the FZ1000 combines a very useful zoom range with excellent image quality in stills and video mode. We're working our way through a full review right now, and we've just added a shooting experience page to our detailed first-impressions review. Read more
When it was introduced last year, the Sony Cyber-shot DSC-RX10 was peerless. It was the first superzoom to offer a 1"-type sensor, much larger than the 1/2.3"-type chips commonly found in that class. It paired that with an impressive F2.8 constant 24-200mm equivalent zoom. Now the Panasonic Lumix DMC-FZ1000 has joined the RX10 in this newly-minted category, boasting almost certainly the same sensor and a 25-400mm equivalent F2.8-4 lens. They line up nicely for a head-to-head comparison - and that's exactly what we've done. Read more
Since its arrival in our office, the Panasonic Lumix FZ1000 has hardly had a moment's rest. The superzoom with a 25-400mm equivalent lens and 1"-type sensor is truly one-of-a-kind. We've put it through the paces of a first impressions review and taken it outside in some very un-Seattle-like weather for extensive shooting. In the process, we've assembled some hands-on photos of the camera so you can get better acquainted with the FZ1000. See slideshow
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Panasonic has announced its Lumix DMC-FZ1000 superzoom camera, which features a 1"-type CMOS sensor and F2.8-4.0, 25-400mm equivalent lens. The sensor is not only the same size as on Sony's Cyber-shot DSC-RX10 - it's also the same resolution (20.1MP). The FZ1000 features both a fully articulating LCD as well as a high resolution OLED viewfinder. The FZ1000 is also capable of recording 4K video at a bit rate of 100Mbps, from which 8MP stills can be grabbed. The camera will be priced at $899 / £749.99.
The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.