Commercial Photographer and camera blogger Ming Thein has shot with almost as many mirrorless cameras as we have, and has put together a list of all the things they get wrong or, at least, all the things he thinks they should all do. It's a fairly comprehensive list that we very much agree with. Thein echoes a lot of our own concerns about camera handling, behavior and operation, as he works through camera design point-by-point. Read more
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Canon recently announced an update to the wildly popular 35mm F1.4L lens, originally released in 1998 and undoubtedly designed back in the day for film. The original was always a favorite of our technical editor Rishi Sanyal, so join him as he takes a stroll down memory lane and recounts his favorite aspects of that lens, and what he looks forward to in the update. Read more
One of the common ways landscape photographers seek to set themselves apart from others is to shoot from hard-to-reach locations. The notion that a 'good' photographer is one that pushes his or her physical boundaries - hikes farther, climbs higher, endures pain - all to get a unique shot. In this opinion piece, photographer Erez Marom calls this idea into question. Read more
The Sony a7R II is the company's newest addition to the popular full-frame mirrorless line, and caused quite a stir with its introduction earlier this month. In this opinion piece technical editor Rishi Sanyal explains exactly why he thinks this camera is potentially groundbreaking in many ways. Read more
Despite some sales growth, mirrorless isn't taking over photography. Equally, DSLRs aren't flying off the shelves the way they used to. But if you've found yourself arguing about whether mirrorless is the future, you've probably been addressing the wrong question. DPReview's Richard Butler argues that convergence is coming and that it's not the mirrors that matter. Read more
The Leica Q offers classic M-series styling in combination with a thoroughly modern feature set including a full-frame 24MP sensor and a 28mm F1.7 lens. After a bruising experience with previous digital Leicas, DPReview's Editor Barnaby Britton has been very impressed by the Q. Click through to read why
Before the popularization of color film, most cameras shot exclusively in black and white. Leica's M Monochrom (Typ 246) and its predecessor, the M Monochrom, are remarkable not only because they shoot in black and white, but because they offer no option for recording in color. Is the black-and-white-only digital camera a radical concept, or a costly novelty? We ponder its existence. Read more
There are more people taking pictures now than ever before, and as a consequence, some of the world's most beautiful views have been photographed to death. In this article, nature and landscape photographer Erez Marom explains the value of shooting 'changing' landscapes, which offer different perspectives every time you visit - or even from day to day, or minute to minute. Click through to read his article
One of the most talked about subjects for photographers using Macs to process and archive their photos is the loss of Apple Aperture and its replacement, simply known as Photos. This new software strongly resembles the iOS software of the same name and while it still offers some of the features from the enthusiast-grade Aperture, quite a few things are missing. Learn more about Photos - both what it offers and doesn't - in this opinion piece from senior writer Jeff Keller. Read more
Today Canon released the XC10, a camera that for all practical purposes is equal part a stills and a video camera. It promises to deliver not only both types of media, but an appropriate user experience for either type of shooting. It may be the first true 'convergence' camera. Learn more about this camera and why it's a significant milestone of technology. Read more
In the new EOS Digital Rebel T6s and T6i (EOS 760D and EOS 750D in Europe) Canon has produced beginner and enthusiast versions of what is essentially the same camera. Is this really necessary, why has the company done it and who will notice the difference? Damien Demolder gives his opinion. Read more
The Canon EOS M3 has 24 million pixels, an APS-C sensor, DSLR features and it looks like a camera. So, does this mean Canon is now taking the mirrorless market seriously? Senior DPR contributor Damien Demolder weighs in. Read more
What's so special about the Panasonic Lumix DMC-LX100? It uses the same sensor as the GX7 but is at a distinct disadvantage not being part of an interchangeable lens system. So why would anyone choose the Lumix LX100 with its expensive body over the flexibility of the only-slightly-bigger Lumix DMC-GX7? Has Panasonic shot itself in the foot? Click through to read more
This year's Photokina felt a little quiet, but it might have been the most significant in recent years. As well as major new DSLRs from Canon and Nikon, we also saw a slew of new large-sensor compact cameras and a smartphone - Panasonic's Lumix DMC-CM1. Meanwhile, RED's Epic Dragon pointed the way to the future with its 19MP Raw still images from 6K video footage. Click through for our take on the world's biggest photographic tradeshow
With the camera industry moved on somewhat since the birth of the Fuji X series compact, is there still room for a 12 million pixel compact in a less-than compact body? In this opinion piece, senior contributing writer Damien Demolder ponders the very existence of Fujifim's newest X-series camera. Read more
The Nikon D810 might seem like an incremental update to the older D800 and D800E but under the hood there are some significant new features. In this article, contributing writer Damien Demolder tells us why the numerous small changes that Nikon has made in the D810 add up to a big difference in the final product. Click through to read his opinion piece.
In this series of short articles, DPReview staff are highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software.
In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 4, Richard Butler discusses the Sigma 18-35mm F1.8 DC HSM and what it means for APS-C shooters.
In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. This week, editor Barnaby Britton takes us through his personal favorite - the Fujifilm X100S.
The new AF-S Nikkor 80-400mm F4.5-5.6 G ED VR, announced today, will come as very welcome news for a lot of Nikon DSLR owners. Here's Reviews Editor Barnaby Britton's take on the new lens.
In my last blog post, I rambled on about the challenges rendered by, and insight that comes from, having to become familiar with the interfaces and operating systems of all the different manufacturers. It's a learning process that makes you realise that, while some are more awkward than others, most of them are in need of some work.
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