The Panasonic Lumix DMC-G7 improves on its predecessor the G6 with a newer sensor, 2.36 million-dot electronic viewfinder and improved autofocus - plus this year's must-have feature: 4K video. Panasonic came to see us recently and dropped off a working pre-production sample for us to look at. Click through for our first impressions.
Stories tagged with hands-on
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The latest in Fujifilm's X-series lineup, the X-T10, offers most of the core specifications as its big brother the X-T1 but wraps them in a smaller, less-costly body. We've been using a pre-production X-T10 for a few days, and as well as real-world and studio samples we've also prepared some first impressions of its handling and performance. Click through for more
They've been on Olympus's roadmap for a while, but today the company officially announced two new wideangle 'Pro' lenses - the M.ZUIKO Digital ED 7-14mm f2.8 PRO and M.ZUIKO Digital ED 8mm Fisheye PRO. The 8mm fisheye is equivalent to a 16mm, while the 7-14mm covers an equivalent focal length range of 14-28mm. Both lenses are weather-sealed and are clearly intended for use with the company's high-end OM-D cameras. Click through for a closer look
The Pentax K-3 II is a modest update to its predecessor, but that doesn't mean that its new features are insignificant. While faster autofocus and more shake reduction is great, we're most excited about the Pixel Shift Resolution feature. While we can't share any samples photographs yet, we can give you an overview of what's new with the K-3 II. Read more
The Olympus Stylus SH-2 is a compact long-zoom camera that bears a remarkable resemblance to the company's PEN series of mirrorless cameras. While it shares the design and 5-axis image stabilization of some of the PEN models, the similarities end there, as the SH-2 is very much a point-and-shoot camera. Learn more about the SH-2 in our hands-on preview. Read more
Nikon's new D7200 is an evolutionary upgrade to the D7100, and fixes one of the few major complaints about that model with an increased buffer depth. Other improvements are more subtle, but the addition of -3EV sensitivity to the D7200's 51-point AF array will please low-light photographers. There's also Wi-Fi with NFC, 1080/60p video, and improved battery life. Click through for some hands-on images
We were intrigued by Tamron's stabilized SP 15-30mm F/2.8 Di VC USD when we first saw it in prototype form at Photokina in September last year. In tbe meantime, Tamron has confirmed pricing and availability for this fast ultra-wideangle zoom and is showing off the new lens at Japan's CP+ show in Yokohama. We're there, and headed straight to Tamron's booth on Saturday to get our hands on the new zoom. Click through for some images
The Pentax K-S2 doesn't replace the K-S1, but sits above it in Ricoh's Pentax lineup. And quite right too - it's a considerably more serious camera, even if we do miss the shiny disco lights on the handgrip. We're at the CP+ show in Yokohama Japan, where Ricoh is showing off its new 20MP APS-C DLSR, in all manner of color combinations. Click through for some hands-on images
Alongside new full-frame and Rebel-class DSLRs, Canon also announced a new mirrorless camera this week - the EOS M3. The third in Canon's M-series range of mirrorless interchangeable lens models, the M3 uses the same 24MP APS-C format sensor and Hybrid CMOS III AF system as the new Rebel T6s and T6i, and features a control dial and articulating rear screen. Click through for more information and some images
The Rebels are coming, and they're more powerful than ever. Alongside the new full-frame EOS 5Ds and 5Dr, Canon has announced two new Rebel-class DSLRs, the T6i and Tsi (EOS 760D and 750D in Europe) with new 24MP sensors, improved Hybrid CMOS AF III and a host of other refinements. We got our hands on the new models recently to see for ourselves how they operate. Click through for pictures
Canon's new 11-24mm F4 L wideangle zoom lens has been a long time coming. Canon's widest ever rectilinear zoom by some margin, the new 11-24mm may also challenge Nikon's venerable 14-24mm F2.8 as the tool of choice for landscape, property and architectural photographers. We got our hands on a prototype recently at Canon's US headquarters. Click through for a closer look
Samsung has just taken the wraps off a new mirrorless camera, which inherits most of the features from the company's flagship NX1. The NX500 takes a lot of the core features of the NX1 and wraps them up in a much smaller, rangefinder-style body at a lower cost. We got our hands on an NX1 recently, to get a feel for how this new camera feels and operates. Click through for some images
Fujifilm has announced the X-A2, a new version of its X-A1 budget X-series mirrorless interchangeable lens camera, which incorporates mostly minor changes compared to its predecessor. Like the X-A1, the X-A2 uses a conventional Bayer-pattern CMOS sensor and offers virtually identical ergonomics but now comes with an LCD screen which tilts upwards to 175-degrees for selfies. Other improvements include the addition of Fujifilm's new 'Classic Chrome' film simulation mode. Click through for some images
It's been on Fujifilm's X-series roadmap for a while, but now it's real - the XF 16-55mm F2.8 R LM WR is a 24-83mm equivalent, weather-sealed standard zoom for Fujifilm's high-end X-series interchangeable lens cameras, which offers a fast maximum aperture of F2.8 throughout its zoom range. As CES gets started in Las Vegas, we grabbed a few minutes with the new zoom. Click through for some images
Nikon's D5500 is, on the face of it a pretty minor update to the D5300, but with the key addition of a touch-sensitive rear LCD screen and slightly altered ergonomics. In almost every other respect the D5500 is a compact, lightweight 24MP entry-level DSLR cut from almost exactly the same cloth as its predecessor. We're at the Consumer Electronics Show in Las Vegas, where we got our hands on a pre-production camera. Click through for some pictures
Five years is a long time in the camera world, but that's how long Canon's EOS 7D was on the market - buoyed by a midlife firmware update that kept it impressively competitive against APS-C offerings from other manufacturers. Canon has not been idle in the past few years, it seems, and the new EOS 7D Mark II is a huge upgrade over the original 7D, offering improvements to every aspect of its feature set. We got hands-on with a pre-production sample recently. Click through to see more.
When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.
Canon has been busy - its latest high-end compact, the PowerShot G7 X slots in beneath the G1 X Mark II, and offers a 20MP 1'-type sensor, 24-100mm equivalent F1.8-2.8 zoom lens and a host of other enthusiast-friendly features. We spoke to Canon recently and got access to a pre-production G7 X. Click through for a hands-on tour of the new camera.
Leica announced two new M-series rangefinders at this year's Photokina, in addition to the Digital M-P released last month. The German company also unveiled a new medium-format S, which as well as high-resolution stills can capture 4K video. Naturally, we headed over to the Leica booth to get our grubby hands all over the new cameras. Click through to see more.
Leica released two new X-series cameras at Photokina this year - the X and X-E. The X-E is an update to the X-2, and the 'X' is the flagship model. The Leica X features a 35mm equivalent F1.7 lens - answering the long-standing request from X-1 and X-2 owners for a faster lens. Click through to see (and learn) more.
We're here at Photokina in Germany, and one camera many people were eager to get their hands on was the the new Fujifilm X100T. As part of our tour of the company's stand (more like a ballroom), we got our mitts on Fujifilm's latest ultra-premium compact. Click through to see more.
The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.
The Pentax K-S1 is a unique-looking DSLR, with pulsing LED lights on the front and a backlit mode dial on the back. There's more to the K-S1 than just its looks, including a new sensor, image processor, and even a new font in the menus. As always, all of the features one would expect to see on a Pentax DSLR are here too. Learn more in our slideshow.
The Sony Alpha a5100 is a petite, compact mirrorless interchangeable lens camera with a lot to offer. We've had access to a pre-production sample for a few days, and as well as a full first impressions review we also got hands-on with Sony's latest Alpha. Click through for a tour of the a5100's major features.
Brief hands-on with the Olympus XZ-10. We look at the features of Olympus' latest little photographer's compact, including its 'Photo Story' feature.
We're at the Consumer Electronics Show in Las Vegas, Nevada, and one of the most interesting products announced at CES is the Samsung NX300 - a well-rounded replacement for the NX210. We made a beeline for the Samsung stand to get our hands on the newest NX, and here are our first impressions.
We had a chance to get our hands on Nikon's latest 1 Series mirrorless camera - the 1 V2. It gains a 14MP sensor, built-in flash and more conventional control points than its predecessor. Here we give our first impressions of Nikon's smallest 'serious' interchangeable lens camera.
We've had a chance to handle Nikon's AF-S Nikkor 70-200mm f/4G ED VR. The example we used is officially pre-production, so we weren't able to shoot samples, but it had the build and handling of a finished model, so here are some initial impressions of this long hoped-for F4 tele-zoom lens.
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