Sigma has announced the 24-35mm F2 DG HSM Art, a constant wide-aperture, wide-angle zoom for full frame cameras. Part of the company's high-end 'Art' range, Sigma suggests the lens can play the same role as a 24, 28 and 35mm set of prime lenses. The lens has a minimum focusing distance of 28cm, giving a maximum magnification ratio of 1:4.4. Click through for more details
Stories tagged with full-frame
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Zeiss has revealed two new full-frame lenses for Sony's E-mount system, the Batis 2/25 and 1.8/85. They offer autofocus, and are the first Zeiss-produced FE-style lenses to do so. Each lens barrel contains an OLED displaying focus distance and depth of field. A linear motor AF drive keeps operation quiet, and both lenses are sealed against dust and moisture. Read more
Three full-frame prime lenses on Sony's lens roadmap officially arrived today which, including the 24-240, brings the total number of FE lenses to eleven. The least expensive of the trio is the 28mm F2 lens, which also supports ultra-wide and fisheye adapters. Next is the long-awaited Zeiss 35mm F1.4 ZA, which is Sony's fastest FE lens to date. Close-up shooters will be interested in the new 90mm F2.8 Macro G OSS lens, which uses a Direct Drive SSM mechanism for ultra-precise focusing. More details here.
Another full-frame lens from Sony's roadmap that hit the market today is a consumer-friendly super zoom. This 24-240mm F3.5-6.3 FE lens features optical image stabilization, five aspherical elements and one ED element, and is sealed against dust and moisture. The lens will ship this month for around $1000.
An American start-up company is promising to bring a 20MP full frame digital rangefinder camera to market for early 2016. The Konost FF will be a 20-million-pixel metal bodied M-mount camera equipped with a 4" LCD. The company has said that the rangefinder system will operate not with mirrors and prisms, as most rangefinders do, but with twin imaging sensors that overlay their images to produce the same dual image effect in the viewfinder. Read more
We're at CP+ in Yokohama Japan, where Ricoh is showing off two new Pentax lenses designed for full-frame imaging. Although the company's upcoming full-frame DSLR is still in the mockup stage, the D FA* 70-200mm F2.8ED DC AW and D FA 150-450mm F4.5-5.6 ED DC AW are very real indeed. We snuck into the show early this morning before the crowds arrived, to take a look. Click through for more details and images.
After announcing the development of a full-frame DSLR recently, Ricoh is showing a very early mockup at the CP+ show in Yokohama Japan. Although details are extremely limited (limited, in fact, to the words 'Full-frame' in the press release and 'Pentax' written on the front) Ricoh's mockup does give some clues as to the camera's specification. Kind of. Click through for images and some - frankly - rampant speculation.
And so it was written that since the beginning of recorded time, Pentax shooters have predicted the release of a full-frame K-mount DSLR. Today, their prayers have been answered, as Ricoh has announced the development of exactly that. The company didn't share a whole lot of detail, other than to say that it will be compatible with DA lenses via a crop function and that it will be available by the end of 2015. Click through for (very little) additional information
Which high-end full-frame camera should I buy? This roundup contains the majority of current full-frame camera offerings available. Full-frame cameras have image sensors as large as a frame of 35mm film, and for good reason: larger sensors offer the potential for better image quality, low light performance, and dynamic range. If you want a drastic upgrade to the image quality of your phone, or portraits with superior subject to background separation, it’s hard to beat what full-frame offers.
Sony announced the Alpha 7 II last week relatively quietly, introducing a new member to its full-frame mirrorless family. The a7 II brings 5-axis in-body stabilization to a full-frame camera for the first time, claiming 4.5 stops in shake reduction. Other updates include improved ergonomics - you can see these for yourself in our hands-on overview of the a7 II. Here's what you need to know about Sony's newest Alpha camera. Read more
Sony Electronics has announced US pricing and availability for its recently announced Alpha 7 II camera. The a7 II is the world's first full-frame mirrorless camera with in-body image stabilization (5-axis, no less), and also offers improved controls, focusing performance, and video specs. It will be available on December 9th for $1700 body only and $2000 with the 28-70mm F3.5-5.6 FE lens. We'll be getting our hands on a beta version shortly and will post samples as soon as possible. Read more
Sony has announced its Alpha 7 II, which the company has managed to keep very close to its vest. The big story on this 24MP full-frame mirrorless is its 5-axis sensor-shift image stabilization - the first that we've seen in a full-frame camera. Sony claims that this IS system can reduce shake by 4.5 stops using the CIPA standard. The Hybrid AF system has also been improved upon, offering 30% faster speeds and a 1.5X improvement in tracking. The a7 II also sports a larger grip, new front dial, and sensibly relocated shutter release. Read more
As we work on our full review of the Nikon Df, we've been shooting with it extensively and have put together a gallery of real-world samples. We've tried to use a selection of lenses, including older Nikon glass as well as the recently-launched AF-S Nikkor 58mm f/1.4 G. Here are 40 images shot at a range of ISOs to show how the camera performs. See gallery
Having spent a little more time with a full production unit, we've updated our Nikon Df coverage with images from our studio test scene and some more handling impressions. Nikon's thoroughly retro full-frame Df uses the same 16MP chip first seen in the D4, and provides an unprecedented level of support for legacy lenses. The new scene shows its performance in both daylight and low light, with downloadable image files. As always, you can compare the Df to the increasing number of cameras in our test scene.
We've been shooting with Sony's Alpha 7 and Alpha 7R over the past few weeks to get insight into how the compact full-frame cameras behave. While the two models are twins, they're by no means identical, with each sibling very quickly showing its own, distinct personality. We'll be publishing more in the coming weeks as we move towards completing our review, but we wanted to share our perspective now that we've had some experience to inform our opinion.
The widely rumored and much-leaked Nikon Df is here. The Df is a 16MP, full-frame DSLR with the sensor from the flagship D4 and the 39-point AF system from the D610 packaged in a body inspired by film cameras from the 1970s. The Nikon Df can't shoot video, but it will accept 50 year-old non-Ai lenses. A lot of Nikon users have been asking for a 'digital FM2' for years. Is the Df that camera? Click through for our first-impressions.
Nikon has announced the Df, which combines the design and controls from its classic film cameras with the modern technology of a digital SLR. The Df's body resembles that of Nikon's F-series 35mm cameras, complete with dials for shutter speed, aperture, and exposure compensation. Inside, the Df borrows the full-frame CMOS sensor from the D4 and the AF system from the D610. One thing you won't find on the Df is a movie mode. Click the link for the press release, product photos, and pricing.
The rumored retro-styled full frame camera from Nikon looks to be coming. The latest teaser video from Nikon offers the clearest view of what the camera will look like, with close-up shots of the camera's side, back, and top-plate (including traditional shutter speed dial). The fifth of November looks like it could be memorable for more than just our UK audience. Watch video, see screen shots
The rumors of Nikon creating a stripped-down, film-era-style camera are exciting because it's something people have been calling for, for years. Nikon Rumors has been reporting possible specifications all week. Adding fuel to the flame, Nikon recently released a short teaser video and ad campaign for a "pure photography" camera. Watch the video
Sony's new A7 and A7R bring full-frame imaging to the company's mirrorless ILC lineup, using the established E-mount. While they're not quite the 'full-frame NEX' that some loyal Sony users might have been imagining, the 24MP A7 and 36MP A7R are impressive, innovative products that demand to be taken seriously (with a price-point to match). We've had the opportunity to use pre-production samples of both new models, and we've prepared a hands-on first impressions review covering off their key features, operation, and early indications of their performance. Click through to read more.
Sony has announced the A7 and A7R - the world's first consumer-oriented full-frame mirrorless interchangeable lens cameras. Externally, the two bodies are nearly identical and feature a pentaprism-like EVF housing, generous handgrip and plenty of manual controls. The differences are internal - sporting a 36 megapixel sensor, the A7R has no optical low-pass filter and is limited to contrast-detect autofocus, while the less expensive A7 has a 24 megapixel sensor with a low-pass filter and on-chip phase detection. Both bodies are designed around the Sony NEX E-mount, though new 'FE' lenses are needed to take advantage of the larger sensor. Click through for more details.
Sony has announced no fewer than five 'FE' full frame E-mount lenses to accompany the A7 and A7R. First up is the FE 28-70mm F3.5-5.6 OSS, an image-stabilised 'kit' zoom for the A7. There are three premium lenses with Zeiss badges: the FE 55mm F1.8 ZA Carl Zeiss Sonnar T*, the FE 35mm F2.8 ZA Carl Zeiss Sonnar T*, and the FE 24-70mm F4 Carl Zeiss Vario Tessar T*. The fifth lens is a 'G' class telezoom, the FE 70-200mm F4 G OSS. Sony has also updated its Alpha-mount fast telezoom to make the 70-200mm F2.8G SSM II.
Canon has released a short video produced with a unique full frame CMOS sensor. Announced in March, it's a sensor dedicated to extreme low light video recording with unusually large pixels. The test subject? A group of Yaeyama-hime fireflies on Japan's Ishigaki Island. Click through to read more.
Just posted: Sony Cyber-shot DSCRX1R hands-on preview. We've had a few days to try out Sony's new Cyber-shot DSC-RX1R, the sister camera to the RX1. The only difference between these two full-frame enthusiast cameras is that the RX1R's 24MP sensor lacks an anti-aliasing filter. We've created a hands-on preview of the RX1R, including a gallery of real-world samples and some preliminary studio tests, to give you an idea of how the new camera performs. Click through for our preview.
Sony has introduced the new Cyber-shot RX1R full-frame premium compact camera. In terms of operation and functionality the RX1R is exactly the same as the RX1 that's been on sale since last Fall, the only difference being that it has no anti-aliasing (AA) filter. In theory, this means that you'll get even better resolution than the original RX1, with the trade-off of increased moiré. Everything else remains the same as before, which means that the RX1R sports an F2, 35mm lens, 24MP CMOS sensor, 1080/60p movie recording, and much more. Click through for more details.
Canon has posted a firmware update for its EOS-1D Mark IV and EOS-1Ds Mark III full-frame DSLRs to allow them to work correctly with the new EF 200-400mm F4 L IS 1.4x lens. Firmware versions 1.1.3 (1D Mark IV) and 1.2.2 (1Ds Mark III) allow the cameras' central AF points to achieve focus with the lens when it is used with an extender, where the combined aperture is F8. Both updates are available for immediate download.
Canon has posted a firmware update for its EOS 6D Wi-Fi capable full frame digital SLR for enthusiast photographers. Version 1.1.3 of the firmware fixes a bug related to date and time settings of the camera. The firmware is available for immediate download from Canon's support website. Click through for the download link.
Canon has developed a 35mm full-frame CMOS image sensor designed for low-light video capture. The 16:9 sensor features a 1920x1080 pixel array, meaning each pixel measures a huge 19 microns along each edge - 7.5 times larger than the ones in the EOS-1D X. The large pixels and low readout-noise circuitry allow the sensor to capture light around 10 times less bright than current CCDs used for astronomy. The sensor will first be shown in public at a security show in Japan.
Just Posted: Full-size, real world samples from the Sony A99. We've been shooting with Sony's latest full-frame flagship camera down in San Francisco and Monterey, California as part of a Sony press trip - our first opportunity to get hold of a production-standard camera. We've put together a samples gallery taken in a variety of lighting conditions and at a range of apertures and featuring multiple subjects. Click through to see how the 24MP camera performs.
The Manfrotto Solo VI DSLR holster bag is designed to house a full-frame DSLR with 100-400mm lens attached. The Solo VI excels in the style department and is well made, but will it suit the needs of the average holster-bearing photographer? Read on to find out.
Photokina 2012: Leica has announced its latest M series rangefinder - the 24MP CMOS Leica M. The company says all future M models will also simply be called the 'M'. The latest model (referred to as 'Typ 240') becomes the first of its rangefinders to feature live view, and offers a choice of magnified view or focus peaking for precise through-the-lens focusing, allowing Leica to promise compatibilty with R-mount lenses. It also becomes the first M capable of movie shooting - capturing 1080p footage at 25 or 24 frames per second. It includes a 920k dot LCD with smartphone-style Gorilla Glass cover, and accepts the same plug-in EVF as used by the X2. Availability is scheduled for early 2013 with a retail price of $6,950 in the US and £5100 in the UK.
Photokina 2012: Leica has announced a more affordable rangefinder: the Leica M-E. Built around the familiar full-frame 18MP CCD, the company describes the M-E as being a stripped-back camera, offering just the basics required for photography. Its core specifications are essentially the same as the M9's, including an ISO range of 160-2500, 0.68x magnification viewfinder, and the same 230k dot 2.5" screen. It'll be available from Leica dealers later this month with a retail price of $5,450 in the US and £3900 in the UK.
Just Posted: Our hands-on preview of Canon's enthusiast-grade full frame DSLR, the EOS 6D. The 6D features a newly-developed 20.2MP CMOS sensor and a magnesium alloy body. To distinguish it from the more expensive 5D Mark III, the 6D features a simpler, 11-point AF system with a single cross-type focus sensor. It also features a smaller, 97% coverage viewfinder. What do these, and a handful of other, omissions mean for the 6D and how to it match up to Nikon's D600? Read our hands-on preview to find out.
Photokina 2012: Canon has announced the EOS 6D, a smaller, lighter and more affordable full frame DSLR for enthusiast photographers. The 20.2MP camera uses a newly-developed sensor and features an 11-point autofocus system with a single cross-type sensor. Canon says it will focus in lower light than any of its previous cameras. The 6D becomes the company's first EOS model to include GPS and Wi-Fi, to make sharing images easier. It uses its large sensor to offer a native ISO range of 100-25,600, expandable to 50-102,400.
Just Posted: Our hands-on Nikon D600 preview. The D600 is the much-rumored, long-awaited and much-in-demand enthusiast-level full-frame DSLR. The D600 combines a 24MP full-frame sensor with a feature set that seems to build from the familiar and well-regarded technologies on the D7000. It also gains a dash of D800, for substantially less money. We've been getting-to-grips with the D600 for a while and have prepared a hands-on preview article, looking at exactly what the D600 offers for $2100/£1955/€2149.
Photokina 2012: Nikon has announced the D600, the smallest, least expensive full frame DSLR on the market, aimed directly at enthusiast photographers. The D600 is built around a 24MP, 36x24mm, CMOS sensor and crams many of the features of the more expensive D800 into a distinctly D7000-esque body. It features a 100% coverage viewfinder and 39-point autofocus system, nine of which are cross-type points. It can capture 1080p HD video at 30, 25 or 24 frames per second and can stream uncompressed footage out over its HDMI port. There's also an optional Wi-Fi unit allowing the camera to be controlled remotely from an Android or iOS device. The D600 will have a list price of $2,099 body only, or $2,699 with the 24-85mm F3.5-5.6 lens and will be available from September 18th.
Just Posted: Our hands-on Sony Cyber-shot DSC-RX1 preview article with video preview. You may well have already heard about Sony's full frame compact camera with a fixed 35mm F2 Carl Zeiss Sonnar T* lens. We've had a chance to play with a pre-production RX1, delve through the menus and discuss its technologies with Sony. We've prepared a four-page preview detailing the RX1's features and capabilities and discussing whether we think the world is ready for a $2800 full frame, fixed-lens camera.
Just Posted: Our hands-on Sony SLT-A99 preview article and video. The A99 is the company's flagship full-frame interchangeable lens camera, offering a 24MP CMOS sensor with on-sensor phase-detection autofocus. This combines with the dedicated conventional phase-detection sensor to offer a series of never-before-seen features. We look at these and several of the A99's other key stills and movie shooting capabilities in our hands-on preview.
Photokina 2012: Sony has announced the NEX-VG900, a full-frame NEX camcorder along with the VG30 APS-C model and an 18-200mm powerzoom lens for APS-C E-mount cameras. The VG900 is built around the company's 24MP sensor that also appears in the SLT A99 and RX1 and confirms the theory that the E-mount can accommodate a 36x24mm sensor. The lack of full-frame E-mount lenses means the VG900 must be used with an adapter such as the LA-EA3 which allows the use of full-frame A-mount lenses. The SELP-18200 E PZ 18-200mm F3.5-6.3 adds a third 18-200mm lens to the NEX system, this time with a lever-controlled powered zoom for video work. The VG900 will sell for around $3,300 with A-mount adapter, the VG30 will cost $2,700 with 18-200mm or $1,800 body-only.
Photokina 2012: Sony has officially announced the Cyber-shot DSC-RX1, a full-frame compact camera with a fixed 35mm F2 lens. The camera features a 36x24mm CMOS sensor and a leaf shutter for near-silent operation. It includes a manual aperture ring and dedicated exposure compensation dial for direct manual control. It can also capture video at frame rates of up to 1080p60 and includes a series of video-friendly features. As rumored, the camera will retail for around $2,800.
Photokina 2012: Sony has announced the SLT A99, its flagship full frame interchangeable lens camera. The A99 features a 24MP 36x24mm CMOS sensor that features on-sensor phase detection, creating a dual AF system that promises improved focus tracking and focus precision. It also includes the Quick Navi interactive status panel and a host of features for video shooters, including a 'silent' control dial, mic and headphone sockets and focus peaking, to make the most of its 1080p60 HD capability.
Nikon has announced the AF-S Nikkor 24-85mm F3.5-4.5G ED VR, a comparatively affordable, stabilized, variable aperture standard zoom lens for full frame cameras. It comes as Nikon celebrates the sale of the 70 millionth Nikkor lens since 1933, and the 30 millionth silent-wave motor lens since the system's introduction in 1996. It's hard not to interpret the announcement as lending weight to the rumors of an affordable full-frame body, since it's hard to imagine large numbers of D800 owners using such a lens (with its recommended price of $599) as their everyday lens.
Canon has announced the Canon EOS 5D Mark III, the latest in its enthusiast full-frame 5D series and successor to the popular EOS 5D Mark II. Based around a 22MP full-frame sensor, it can shoot 6 frames per second and features a 61-point AF system much like the EOS-1D X. It can capture 1080p movies at 24, 25 or 30 fps and offers high quality intraframe (All-I) video compression amongst a host of movie-related improvements. It will be available from the end of March with an MSRP of $3499 / €3299 / £2999.99.
Sony has confirmed it will be making a full-frame replacement for its flagship A900 DSLR. No further details were given during a round-table discussion at the CP+ show in Japan, but we find it hard to believe the result will step away from the SLT technology the company has invested so heavily in. The company has also finally announced the A-mount 500mm F4 lens that it has been showing in various states of preparedness since PMA 2007 will be available from late March.
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