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The A99 hews closely to the user interface we've seen on the recent Alpha-series cameras - with a menu option to enable up to six different views with varying amounts of information overlaid. These displays can be selected independently for the viewfinder and the rear screen, and you cycle through the selected options using the 'DISP' button. As with other recent Alpha SLTs, exposure parameters are listed along the bottom of the screen surrounded by a black border.

There are five display modes available for both the viewfinder and rear screen. The graphic mode includes a beginner-oriented shutter speed and aperture overlay. An 'all info' mode displays more than a dozen shooting settings alongside resolution, battery life and storage capacity.
The image-only view eliminates all onscreen information except the 19-point AF overlay. You can choose to display a dual axis level...
...or a luminance histogram that reflects, in real time, the tonal distribution of the live view preview. The rear LCD has a sixth viewing option. You can choose this status screen if you prefer to compose solely through the viewfinder or wish to take advantage of the Quick Navi interface.

The ability to toggle visibility of these screens is useful, as you can set the camera to cycle through only the screens you're actually likely to ever use. The ability to choose different settings for the rear screen and the eye-level finder is also a welcome one as well. You can, for example, choose to have the virtual horizon level gauge appear only on the rear screen, for situations when you're shooting at an awkward angle. One slight criticism we continue to have with Sony's implementation is that you cannot combine individual features from separate screens. We'd like the ability to view both the histogram and level at the same time, for example.

Fn menu

Although most major settings have their own buttons on the A99, the majority of these can also be adjusted onscreen through the 'Fn' menu. Absent from the Fn menu is the Raw/JPEG quality setting. As several of the camera's features are JPEG-only, we'd prefer to see this option more directly accessible. You can, however, access it through the Quick Navi menu or assign the function to one of five customizable buttons on the A99.

Pressing the Fn button brings up the familiar Sony function menu listing most of the camera's key settings. The joystick allows you to quickly navigate around... ...while pushing the joystick in takes you to a separate settings screen. Alternatively, spin the front dial to change the setting without leaving the Fn screen (pictured).

Quick Navi screen

The A99 sees the welcome return of the Quick Navi interactive settings screen. Having been one of the first companies to offer such a screen (and which has now become all-but universal), it's odd that it took so long for Sony to bring the concept to its SLT lineup. Quick Navi is a sixth display option for the rear LCD only. You can be access it by cycling through the display modes using the DISP button (though we'd ideally like to see it accessed from the Fn button). With Quick Navi displayed you do forgo live view on the rear screen, but it has the distinct advantage of including more settings (including Raw/JPEG quality) than the Fn menu.

Quick Navi makes a welcome return as one of the display options. If chosen in the menus, it can be accessed by pressing DISP to cycle through the selected displays. Press Fn when Quick Navi is on screen and the panel becomes interactive. Note that Quick Navi gives access to file size/quality, which the Fn menu doesn't.
As in the Fn menu, pressing the joystick in takes you to a separate screen for your currently selected setting. Alternatively, spinning the front dial lets you make your selection without leaving the page. Press Fn again to select.

Image review

The A99's playback mode offers three separate image views. The camera can be configured to immediately display the image after capture for either two, five or 10 seconds, or bypass automatic image review altogether. The A99 has dual SD card slots and you can specify the card slot from which the image reviews are generated.

In playback mode there are three image views available. Using the DISP button you can opt for a display with shooting data overlaid, a thumbnail view with single channel RGB+Luminance histograms, or an image-only view.

Playback magnification and thumbnails

You initiate zoom on the A99 by pressing the AF/MF button on the shoulder of the camera when in playback mode. You can increase the view to maximum magnification by rotating the rear dial. The front dial cycles among images while maintaining the specified magnification view, allowing you to compare critical focus of consecutive images.

Pressing the AF/MF button again reverts back to the normal view. Alternatively, pressing the AEL button jumps out to a thumbnail view, allowing you to browse more quickly through images.

Pressing the AF button zooms in to a magnified view. You can continue zooming to maximum magnification by rotating the rear dial. Like previous Sony Alpha models, the A99 offers a single 2 x 2 grid thumbnail view.

As is Sony's way - and as we detailed in our NEX-7 review - the ability to playback both stills and movies is made unnecessarily difficult, as they're stored into different 'Folders', meaning you must actually switch view modes to go from browsing stills to reviewing video and vice versa. The camera defaults to the view mode of your most recent capture.

We also find it odd that when you play back a movie it doesn't actually stop at the end, like pretty well all other cameras do. Instead it insists on continuing through all of the following movies on your card as well, stopping only when it's reached the end of the most recently-recorded one. This means that playing through your movies with a view to deleting those you don't want becomes fraught with peril. You have to pay very close attention to what you're doing, as it's all-too-easy to decide to delete a movie, only to find the camera had moved onto the next file and you've deleted the wrong one.

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Total comments: 17

magnified live view is not available in video mode." This is a terribly brilliant feature I got used to on A7. It would be great if Sony included it as a firmware update.


I think this review was excellent , very honest and openminded enough to accept the EVF and the great set of amazing features that this camera gets.
If I am free(I mean not need to listen to my partner when I buy a camera), I ‘d sell my D800 for this one or for the 5D3 in a heart beat.
But unfortunaltey , I have to listen to my partner who hates Sony and EVF, so I guess I will have to shoot Nikon or Canon for a while.
That siad , I still love A99v and I really want to buy one since I was a big fan of Sony Zeiss primes from my A900 days.
The A99v is a great camera and it is probably the best camera for portrait and event work.
The 85mmf1.4ZA is a super sharp lens and the 135mmf1.8ZA is even sharper and the 24f2ZA is the best 24mm I have ever shot, well done Sony and thanks for your great review.

Miki Nemeth

"magnified live view is not available in video mode." This is a terribly brilliant feature I got used to on A7. It would be great if Sony included it as a firmware update.


I just don't understand the point, that the A99 empties its buffer twice as fast as Canon's EOS 5D III at Continuous Hi? Both cameras allow 6 fps, but the 5D III can shoot JPEG Large/Fine until the card is full while the Sony stops after 20 frames. When shooting RAW the 5D III can take 17 frames (like the Sony), before the frame rate switches to 2.7 fps (A99: "only" 1.7 fps). The 5D III then needs 4 seconds to empty the buffer, while the A99 needs 7.5 seconds. From my point of view, the 5D III is the faster camera. Or did I get something wrong?


I have owned previously the a55 a77 and for the last 12 months the A99 I paid £1750 new inc tax the a99 paired with the Zeiss 24-70 it a fantastic combo in fact the sony 28-75 2.8 produced stunning results but I would tell lies if i said it was on parr with the Zeiss which really pops the subject although has softness at corner edges @ 24mm is evident...Low light for my use has been great never has any problems...The flash/system shoe is the only annoyance and slight over exposure easily fixed in light room. what would I change upgrade faster AF..sensor 24mp ff is more than ample.In all I am a very happy with my a99 well done sony engineers...

Comment edited 2 times, last edit 3 minutes after posting

There's really no way around it. This is hands down sony's best camera to date. They really should revisit this, maybe give it a sensor and/or mount of their A7s , aim to make it better @ low light than Canon 5d3 (much more cleaner than 5d3, almost 1DX spec), and get rid of the translucent mirror maybe. Keep the body as is, make it mirrorless with around 15-18 megapixel and give it FPS of 8-11.

1 upvote

Waiting for 18Mp,
Mirrorless(or at least the ability to lift the mirror.., somehow...) with high speed AF and low light sensitivity AF down to -3EV[currently seems impossible...]
Touch screen with focus select and AF by touch.

Alternatively to 18Mp - make 36mp with BSI, removing the anti-alias filter and allowing the semi-transparent mirror to be moved out of the way - or else simply have magnificent focus with the sensor itself....wihtout the mirror.....sigh!!!!

1 upvote

Something that amazes me about the A99 is the fact that it handles high ISO better than the new Nikon D600 and D610 cameras. I just found this out by looking at the ISO 6400 samples here on DPreveiw in their studio shot comparison tool:

Make sure you look at the playing card, after you pick which cameras you want to compare and set the ISO selection box to ISO 6400 (or whatever ISO you want to compare).

1 upvote

It doesn't handle high ISOs better than the Nikon D600.

Though one way to help with high ISOs is to use good Zeiss lenses and those are more readily available for this Sony.

J Shen

Continued post: During burst shooting, SLT cameras can see a live image preview or can not see ? Thanks for advice !

J Shen

About SLT & SLR cameras, If following two comments (from dpreview) are conflicting each other ? During bursts shooting SLT cameras can see the frames or can not see ? maybe I'm misunderstood. Thanks !
1, Unlike ordinary DSLR cameras, SLT cameras by Sony use Translucent Mirror technology that directs light onto the main image sensor as well as a separate autofocus sensor. This means that subjects stay sharply focused at all times as you compose scenes with the tilt-angle LCD or through the high-resolution, high-contrast OLED Tru-Finder. And with no moving mirror to slow you down, you’ll enjoy non-stop live image preview during speedy burst shooting or while you’re recording Full HD video.
2, One distinct disadvantage to current EVF technology is that when shooting bursts at higher frame rates, you are not seeing a live preview, rather the frames you have just captured. This can make camera panning (to follow a fast moving subject) virtually impossible to do with any accuracy.


Well, my A55 worked just fine for following fast-moving subjects, while shooting at 10 fps, and I believe the A99 is an improvement over the A55. (also can shoot at 10 fps)

Thomas Karlmann

It may be only the a99 RAW for ISO 25600 that is broken. Thanks.

Thomas Karlmann

beomagi: Thanks, I overlooked it.

Thomas Karlmann

DPR Raw Link for a99 Studio Scene appears to be broken. Please fix.


Connectors under flaps here

Thomas Karlmann

This review fails to show the I/O connectors! What is under those flaps? Most importantly where is the PC-sync terminal???? If there isn't one, I'll keep looking for a different camera. Please clarify.

1 upvote
Total comments: 17