Ricoh Caplio GX100 Review, August 2007
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| Ricoh GX100, 24mm equiv. | Fujifilm F40fd, 36mm equiv. |
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Ricoh GX100 specifications
| Street price | US:$699.99 (with viewfinder), $599.99 (without viewfinder) UK: £399.99 (inc. viewfinder), £349.99 (without viewfinder) |
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| Body Material | Metal and plastic |
| Sensor | 1/1.75" Type CCD |
| Image sizes | 3648x2736 |
| Movie clips | 640x480 |
| File formats | Still: JPEG, RAW (DNG), RAW & JPEG Movie: AVI (Open DML Motion JPEG Format Compliant) Sound: WAV |
| Lens | 5.1-15.3mm (24-72 35 mm equivalent) 3x optical zoom |
| Image stabilization | CCD-Shift |
| Conversion lenses | 19mm equivalent wide converter (Optional) |
| Digital zoom | up to 4x |
| Focus | • Auto focus • Manual focus • Snap (Hyperfocal) • Infinity •Normal Shooting: External Passive/CCD method, Macro: CCD method |
| AF area modes | Multi-point (17 points) Spot |
| AF assist lamp | Yes |
| Focus distance | 30cm - ∞ (wide & telephoto) 1cm - ∞ (wide macro) 4cm - ∞ (tele macro) 1cm - ∞ (zoom macro) |
| Metering | Multi (256 zone) Center weighted Spot |
| ISO sensitivity | • Auto • Auto High • ISO 80 • ISO 100 • ISO 200 • ISO 400 • ISO 800 • ISO 1600 |
| Exposure compensation | +/- 2 EV 1/3 EV steps |
| Exposure bracketing | +/- 0.3EV +/- 0.5EV |
| Shutter speed | Still images: 180 - 1/2000 sec Movies: 1/30 - 1/2000 sec |
| Aperture | F2.5 - 9.1 (wide) F4.4 - 15.8 (wide) |
| Modes | Cont S-Cont M-Cont Program-shift Aperture-priority Manual exposure Movie mode My setting 1&2 |
| Scene modes | Portrait Sports Landscape Nightscape Skew correction Text Zoom macro High sensitivity |
| White balance | Auto Outdoors Cloudy Incandescent Fluorescent Custom • WB bracketing |
| White balance fine tune | no |
| Self timer | 2 or 10 sec |
| Interval timer | 5 sec - 3 hours interval selectable |
| Continuous shooting | Cont (Limited only by size of card) 1.6 to 2.4 fps (dependent. on file size/quality). Multi-shot (16 shots combined into one image) at 7.5fps • M (Memory-reversal)-CONT |
| Image parameters | Hard, normal, soft, b/w, two presets (contrast, saturation, sharpening, 5 levels each) |
| Flash | Auto Forced off Forced on Red-eye reduction Slow-sync Soft Flash Range: 20cm - 5m (wide), 15cm - 3m (tele) (auto ISO) |
| Viewfinder | Removeable electronic viewfinder |
| LCD monitor | 2.5" TFT LCD 230k pixels •170° view angle. |
| Connectivity | • USB 2.0 Hi-Speed • AV out |
| Print compliance | EXIF 2.21 DPOF |
| Storage | SDHC/SD/MMC card 26MB internal memory |
| Power | DB-60 Li-ion battery 2 x AAA cells (alkaline/oxyride/NIMH) BJ-6 Charger included |
| Weight | 220 g (no card, batteries or strap) 250 g (with batteries and strap) |
| Dimensions | 111.6 mm (W) × 58.0 mm (H) × 25.0 mm (D) (excluding projecting parts) |
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If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).
Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions. Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window. To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top. DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C. |
This article is Copyright 2007 Simon Joinson / dpreview.com and the review in part or in whole may NOT be reproduced in any electronic or printed medium without prior permission from the author. For information on reproducing any part of this review (or any images) please contact: Phil Askey
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