Samples Gallery
The Kodak DCS 520 is
the
reference camera, nearly every photograph I took with this
camera (and I took well over 1,200) made me go "oooh" and
"aaah", low light and night time performance was exceptional
(due to it's ability to take long exposures and the quality of the
CCD and electronics systems), I took advantage of this in the second
samples gallery, most of the indoor shots were taken without a flash
and the high ISO rating of the camera dealt with this easily. When
this camera is combined with a quality flash (such as the Canon 380EX
Speedlight I used) results can be truely outstanding.
Most images shown have
been through the "Digital Darkroom" and then sampled down
to 50% size (to fit in your browser). Read the section below
on Digital Darkroom to understand why I process images before
putting them in a gallery.
In total there are
nearly 70 sample images all with
originals available (a link below the main image). All originals are
JPEG 0% compression (nearly lossless and around 1Mb each), for the
original TIFF that came out of the camera email
me with the exact filename.
The Galleries
[
Enter the Kodak DCS 520 samples gallery one (33) ]
[
Enter the Kodak DCS 520 samples gallery two (36) ]
"Digital
Darkroom", why?
I'm a firm believer
that no matter HOW good the camera is (and believe me, this one is
fantastic) it will never see the subject the way your eye does, there
is always some darkroom work to be done. In the case of digital photography
this is much easier to achieve with excellent packages such as Photoshop
you can easily balance the levels in a photograph and apply an unsharpen
mask to slightly out-of-focus images. Some people don't agree
with this, and that is why I also provide the original images linked
from below the larger image.
Below you can see an example of what
I mean by Digital Darkroom and how it can enhance (and correct) an
image.

In this shot the camera made a very
good judgement in properly exposing the subject in the foreground;
our cat, Ash (right half of image), however level adjustment in Photoshop
brought the colour of her fur back to what it should be (left half
of image)
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