
Nikon D1x Review, Phil Askey, June 2001

Review based on an production Nikon D1x, firmware v1.01
I was first introduced to the D1x at the Nikon launch
here in London, to a room full of journalists Nikon unveiled its new six
megapixel D1X and the 40 image buffer, 5 fps high speed D1H (2.74 megapixel).
The D1x is largely based on the first Nikon produced professional digital
SLR, the D1, which took the professional photography market by storm and
had a huge influence on the price of professional digital SLR's. The D1x
builds on the D1, it adds another 3.3 megapixels of resolution (while
maintaining a respectable 3 fps, 9 image buffer), makes several tweaks
to the user interface (new menu system, shifted controls) and finally
brings selectable colour profiles (sRGB / Adobe RGB), an area which was
probably D1 users biggest bug bear.
D1x Features Summary
- Same body as D1 (some labels / buttons have shifted)
- Same AF system as D1 (and F5)
- Same 1.5x focal length multiplier
- Selectable colour space mode (sRGB or Adobe 1998)
- 3D White Balance (with hue compensation for colour shift produced
by artificial lighting)
- Textual custom functions (available in four languages)
- Increased number of custom functions, now 35
- RS232C port for connection to GPS units, GPS location is recorded
in image header
- ISO sensitivity selectable in 1/3 or 1/2 stops (D1X from ISO
125, D1H from ISO 200)
- D1X also supports a 2.74 megapixel image size which is of higher quality
than the 2.74 megapixel image from the D1/D1H (though frame rates remain
3 fps despite this lower resolution)
- New faster ASIC processor (image processor)
- Photoshop plugin for RAW files
- RAW file optional lossless compression mode (2:1)
- New "total system anti-noise strategy"
- Less noise at high ISO's
- New Nikon Capture 2
- New Nikon View 4 (file copy from card with rename)
- Improved IEEE 1394 (Firewire) data transfer speed
- New 130,000 pixel LCD with "white LED backlight"
- One-button playback with magnification capability
- Official support for new 1 GB Microdrive (though not older
340 MB) *
* Initial problems with later 1 GB Microdrives now solved with firmware
v1.01
The D1x's new 5.4 mp CCD
The slightly controversial thing about the D1x's new CCD is that it has
twice the resolution in the horizontal direction than in the vertical.
Indeed, vertically it has exactly the same resolution as the D1 (1324
rows).
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| A portion of a normal "square pixel"
CCD |
A portion of the D1x's double horizontal
resolution CCD (rectangular pixels) |
The D1X's pixel grid layout is rectangular rather than square (though
still uses the Bayer GRGB colour filter array), in camera processing turns
the 4028 x 1324 raw pixels (5.33 megapixel) into a 3008 x 1960 pixel image
(5.9 megapixel). While it's clear that some interpolation is being carried
out in the vertical direction (to get from 1324 rows to 1960 rows) there
is also compression in the horizontal direction (reducing from 4028 to
3008 columns), this compression is used to add detail to the vertical
data. Nikon argue that because the input and output resolution are almost
identical no image degradation will be visible. Something we'll be able
to test later in this review...
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| D1X "sees" an image with higher
horizontal resolution, 4028 x 1324 (approx. 6:2) |
D1X produces an image which is horizontally
narrower and vertically taller, 3008 x 1960 (approx. 3:2) |
The reasoning behind using a layout is that Nikon have managed to double
resolution while maintaining a usable frame rate, by keeping the "readout
queue" the same (1324 rows) they have managed to maintain relatively
high frame rates (3 fps) while doubling the overall resolution of the
camera.

Lenses
Obviously when you buy a digital SLR you've also got to consider lenses,
a good percentage of D1x buyers will probably be existing Nikon SLR owners,
so they will more than likely have several suitable lenses. Nikon were
good enough to provided the following lenses for evaluation of the D1x
in this review:

If you're new to digital photography you may wish to read the Digital
Photography Glossary before diving into this review (it may help you
understand some of the terms used).
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DPReview calibrate their
monitors using Color Vision OptiCal at the (fairly well accepted)
PC normal gamma 2.2, this means that on our monitors we can make
out the difference between all of the (computer generated) grayscale
blocks below. We recommend to make the most of this review you should
be able to see the difference (at least) between X,Y and Z and ideally
A,B and C. Colourspace used for evaluation is sRGB (unless otherwise
stated).
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This review is Copyright 2001 Phil
Askey and the review in part or in whole may NOT be reproduced in any
electronic or printed medium without prior permission from the author.
For information on reproducing any part of this review (or any images)
please contact: Phil Askey.
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