
Compared to...
Now we'll use the data in our review database to compare the S602Z's
colour and resolution to three other digital cameras: the Canon PowerShot
G2, Sony DSC-S75 and Nikon Coolpix 995.
Colour Chart Comparison
Colour charts are shot in daylight, Auto White Balance,
EV compensation +0.3 (all cameras), measured light ~10 EV. This test is
also dependent on the accuracy of the camera's auto white balance, the
colour charts are shot in daylight but some camera's white balance is
better than others. All cameras are given 20 seconds to "settle"
before the shot is taken.
 |
 |
| Fujifilm FinePix S602 Zoom |
Canon PowerShot G2 |
 |
 |
| Sony DSC-S75 |
Nikon Coolpix 995 |
In the table below we're only measuring colour. The RGB
values were measured from a VGA reduced image (to average colours, remove
noise and eliminate JPEG artifacts) using the Eyedropper tool in Photoshop
with a 5 by 5 Average Sample Size.
| Patch |
Fujifilm
FinePix
S602 Zoom |
Canon
PowerShot G2 |
Sony
DSC-S75 |
Nikon
Coolpix 995 |
| Black |
25,25,25 |
45,43,42 |
22,23,25 |
25,25,23 |
| Middle Gray |
100,104,109 |
107,106,110 |
92,95,96 |
103,103,102 |
| White |
207,214,218 |
208,210,208 |
193,195,194 |
215,215,211 |
| Magenta |
217,53,119 |
196,37,116 |
200,7,130 |
207,38,117 |
| Red |
225,47,36 |
195,30,35 |
204,0,25 |
197,31,50 |
| Yellow |
225,200,65 |
205,195,20 |
185,189,15 |
216,188,36 |
| Green |
18,145,82 |
43,152,68 |
35,140,34 |
8,136,61 |
| Cyan |
0,168,219 |
23,196,234 |
41,154,199 |
52,164,196 |
| Blue |
42,48,131 |
61,56,133 |
33,25,150 |
41,33,84 |
As we've already noted the S602Z's reds do have a fairly strong orange
tinge to them.
Resolution Comparison
Shots here are of the PIMA/ISO 12233 standard resolution
test chart (more of which are available in our comparison
database). This resolution chart allows us to measure the actual performance
of the lens and sensor system. It measures the ability of the camera to
resolve lines at gradually higher resolutions and enables us to provide
a definitive value for comparison purposes. Values on the chart are 1/100th
lines per picture height. So a value of 8 equates to 800 lines per picture
height.
Studio light, cameras set to auto, all settings factory
default. Exposure compensation +0.7 EV for all cameras.
| Horizontal resolution |
Vertical resolution |
5 degree diagonal
res. |
 |
 |
 |
| Fujifilm FinePix S602 Zoom (6 mp) |
 |
 |
 |
| Canon PowerShot G2 (4 mp) |
 |
 |
 |
| Sony DSC-S75 (3 mp) |
 |
 |
 |
| Nikon Coolpix 995 (3 mp) |
Measurable findings (three measurements taken for each camera):
| Camera |
Measurement |
Absolute
Res. |
Extinction
Res. |
| Fujifilm
FinePix S602Z |
Horiz LPH |
1200 |
1400 |
| Vert LPH |
1200 |
1450 |
| 5° Diagonal LPH |
900 |
n/a |
| Canon
PowerShot G2 |
Horiz LPH |
1250 |
* 1450 |
| Vert LPH |
1200 |
* 1500 |
| 5° Diagonal LPH |
1000 |
n/a |
| Sony
DSC-S75 |
Horiz LPH |
1050 |
* 1400 |
| Vert LPH |
1050 |
* 1400 |
| 5° Diagonal LPH |
1000 |
n/a |
| Nikon
Coolpix 995 |
Horiz LPH |
* 1000 |
1300 |
| Vert LPH |
* 1000 |
1350 |
| 5° Diagonal LPH |
* 900 |
n/a |
* Moiré is visible
Definition of terms:
| LPH |
Lines per Picture Height (to allow
for different aspect ratios the measurement is the same for horizontal
and vertical) |
| 5° Diagonal |
Lines set at 5° diagonal |
| Absolute Resolution |
Still defined detail (below Nyquist
frequency*) |
| Extinction Resolution |
Detail beyond camera's definition
(becomes a solid gray alias) |
| n/a |
Not Available (above the capability
of the test chart) |
| n/v |
Not Visible (not visible on test
results) |
* Nyquist frequency defined as the highest spatial frequency
where the CCD can still faithfully record
image detail. Beyond the Nyquist frequency aliasing occurs.
As we've seen before the SuperCCD algorithm does a good
job at continuing our resolution chart detail beyond what we'd expect
from the 3.1 megapixel sensor. This puts the S602Z's absolute resolution
as better than three megapixel and just slightly less than four megapixel.
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