
Image Size / File Quality Options
The S2 Pro provides four different image sizes in combination
with two JPEG, one TIFF and a RAW mode. Obviously because of the SuperCCD
design there is no 'native' resolution, however the six megapixel (3024
x 2016) should be seen as the nearest size to the input pixel count. Image
sizes available are 4256 x 2848 (12.1 million), 3024 x 2016 (6.1 million),
2304 x 1536 (3.5 million) and 1440 x 960 (1.4 million).

Standard Test Scene |
To give an impression of what some of the combinations
of image size and quality produce the table below is a cross reference
of some of them:
- RAW (converted to 4256 x 2848 TIFF)
- RAW (converted to 3024 x 2016 TIFF)
- 4256 x 2848 TIFF
- 4256 x 2848 JPEG Fine
- 4256 x 2848 JPEG Normal
- 3024 x 2016 JPEG Fine
- 2304 x 1536 JPEG Fine
- 1440 x 960 JPEG Fine
Crops below are of the same 240 x 100 area of each image magnified 200%.
Settings:
Color/Tone/Sharpening: Normal, ISO 100, Nikkor 50 mm F1.4 D @ F8.0
|
RAW
-> 4256 x 2848 (12.1 mp) |
| RAW |

(.RAF file 12,895 KB - not available for download, as a
2,496 KB JPEG) |
| |
|
|
RAW
-> 3024 x 2016 (6.1 mp) |
| RAW |

(.RAF file 12,895 KB - not available for download, as a
1,423 KB JPEG) |
| |
|
|
4256
x 2848 (12.1 mp) |
| TIFF |

35,575 KB (not available for download) |
JPEG
FINE |

2,705 KB |
JPEG
NORM |

1,402 KB |
| |
|
|
3024
x 2016 (6.1 mp) |
JPEG
FINE |

1,529 KB |
| |
|
|
2304
x 1536 (3.5 mp) |
JPEG
FINE |

763 KB |
| |
|
|
1440
x 960 (1.4 mp) |
JPEG
FINE |

763 KB |
The twelve megapixel mode does seem to deliver nice clean
images, although it's difficult to see that much more detail than the
six megapixel mode. The six megapixel image does look very nice and sharp
with no visible JPEG artifacts. Going smaller still will of course 'tighten'
the detail even more and produces a nice clean, sharp image. The JPEG
compression algorithm used in the S2 Pro appears to be very good with
no artifacts visible.

Image settings: Color, Tone and Sharpening
Via the very convenient rear display panel you can quickly
control Color, Tone and Sharpening applied to the image before it is turned
into its final image type. These 'filters' are only applied to JPEG and
TIFF files, for RAW files the image settings are simply stored in the
file header to be applied later.
Settings:
ISO 100, Nikkor 50 mm F1.4 D @ F8.0, 1.4 mp JPEG Fine (~700 KB)
Image setting: Color
The Color image setting controls the saturation of color in the final
image. You can choose for more or less color saturation or even a black
and white mode (which does produce nice B&W shots).
 |
 |
 |
| Color: Standard |
Color: High |
Color: Original |
| |
 |
|
| |
Color: B&W |
|
Image setting: Tone
Tone changes the contrast balance of the image, with hard providing more
contrast and the original setting producing a flatter image.
 |
 |
 |
| Tone: Standard |
Tone: Hard |
Tone: Original |
Image setting: Sharpening
The S2 Pro has three sharpening settings, the Standard setting provides
good sharpness and detail rendition without any visible sharpening artifacts.
The Hard setting provides a much sharper looking image at the expense
of visible 'halo' sharpening artifacts around dark detail and enhanced
noise visibility. The Off setting produces a very soft image without any
in-camera sharpening.
Settings:
ISO 100, Nikkor 50 mm F1.4 D @ F8.0, 6.1 mp JPEG Fine
 |
| Sharpening: Standard (2,419 KB) |
 |
| Sharpening: Hard (2,422 KB) |
 |
| Sharpening: Off (2,386 KB) |
|