
Compared to... (contd.)
Colour Chart Comparison
Now we'll use the data in our review database to compare
the S40's colour and resolution to three other four megapixel digital
cameras: the Olympus C-40Z, Canon PowerShot G2 and Sony DSC-S85.
Colour charts are shot in daylight, Auto White Balance,
EV compensation +0.3 (all cameras), measured light ~10 EV. This test is
also dependent on the accuracy of the camera's auto white balance, the
colour charts are shot in daylight but some camera's white balance is
better than others. All cameras are given 20 seconds to "settle"
before the shot is taken.
 |
 |
| Canon PowerShot S40 |
Olympus C-40Z |
 |
 |
| Canon PowerShot G2 |
Sony DSC-S85 |
As we'd expect virtually identical performance as the G2. The G2's shot
has a slight cyan cast, this could be put down to very slightly different
ambient light when we took the shot, it's not that significant.
In the table below we're only measuring colour. The RGB
values were measured from a VGA reduced image (to average colours, remove
noise and eliminate JPEG artifacts) using the Eyedropper tool in Photoshop
with a 5 by 5 Average Sample Size.
| Patch |
Canon
PowerShot S40 |
Olympus
C-40Z |
Canon
PowerShot G2 |
Sony
DSC-S85 |
| Black |
30,30,30 |
30,31,29 |
45,43,42 |
17,17,19 |
| |
|
|
|
| Middle
Gray |
103,102,103 |
100,99,99 |
107,106,110 |
76,81,79 |
| |
|
|
|
| White |
215,210,211 |
214,216,211 |
208,210,208 |
188,189,189 |
| |
|
|
|
| Magenta |
199,41,113 |
208,51,116 |
196,37,116 |
170,12,124 |
| |
|
|
|
| Red |
196,33,42 |
196,45,41 |
195,30,35 |
176,0,40 |
| |
|
|
|
| Yellow |
211,192,38 |
206,207,50 |
205,195,20 |
181,180,14 |
| |
|
|
|
| Green |
33,140,67 |
8,143,63 |
43,152,68 |
24,131,27 |
| |
|
|
|
| Cyan |
26,160,223 |
17,155,224 |
23,169,234 |
23,158,175 |
| |
|
|
|
| Blue |
33,44,116 |
49,48,111 |
61,56,133 |
23,31,112 |
| |
|
|
|

Resolution Chart Comparison
Shots here are of the PIMA/ISO 12233 standard resolution
test chart (more of which are available in our comparison
database). This resolution chart allows us to measure the actual performance
of the lens and sensor system. It measures the ability of the camera to
resolve lines at gradually higher resolutions and enables us to provide
a definitive value for comparison purposes. Values on the chart are 1/100th
lines per picture height. So a value of 8 equates to 800 lines per picture
height.
Studio light, cameras set to auto, all settings factory
default. Exposure compensation +0.7 EV for all cameras.
| Horizontal resolution |
Vertical resolution |
5 degree diagonal res. |
 |
 |
 |
| Canon PowerShot S40 |
 |
 |
 |
| Olympus C-40Z |
 |
 |
 |
| Canon PowerShot G2 |
 |
 |
 |
| Sony DSC-S85 |
Measurable findings (three measurements taken for each camera):
| Camera |
Measurement |
Absolute Res. |
Extinction Res. |
| Canon PowerShot
S40 |
Horiz LPH |
1250 |
*1400 |
| Vert LPH |
1100 |
1400 |
| 5o Diagonal LPH |
1000 |
n/a |
| Olympus
C-40Z |
Horiz LPH |
*1200 |
*1350 |
| Vert LPH |
1100 |
1400 |
| 5o Diagonal LPH |
1000 |
n/a |
| Canon PowerShot
G2 |
Horiz LPH |
1250 |
*1450 |
| Vert LPH |
1200 |
*1500 |
| 5o Diagonal LPH |
1000 |
n/a |
| Sony DSC-S85
|
Horiz LPH |
1250 |
*1650 |
| Vert LPH |
1200 |
1650 |
| 5o Diagonal LPH |
1000 |
n/a |
* Some artifacts / moiré visible
Definition of terms:
| LPH |
Lines per Picture Height (to allow
for different aspect ratios the measurement is the same for horizontal
and vertical) |
| 5o Diagonal |
Lines set at 5o diagonal |
| Absolute Resolution |
Still defined detail (below Nyquist
frequency*) |
| Extinction Resolution |
Detail beyond camera's definition
(becomes a solid gray alias) |
| n/a |
Not Available (above the capability
of the test chart) |
| n/v |
Not Visible (not visible on test
results) |
* Nyquist frequency defined as the highest spatial frequency
where the CCD can still faithfully record
image detail. Beyond the Nyquist frequency aliasing occurs.
The S40 did remarkably well, especially considering its
tiny lens. Resolution was virtually identical to the G2, perhaps a little
less in the vertical direction. Where the G2's lens will perform better
is corner sharpness (the S40 can be a little soft in the corners) and
its relative speed (F2.0 - F2.5 vs. F2.8 - F4.9). Also putting up a good
fight is Olympus's C-40Z, although it's a shame about all that moiré.
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