
Compared to... (contd.)
Now we'll compare the Canon PowerShot G3 to a few other
four megapixel digital cameras from our test archives. Here we're comparing
colour and resolution to the previous Canon PowerShot G2, Nikon Coolpix
4500 and Sony DSC-S85.
Colour Chart Comparison
Colour charts are shot in daylight, Auto White Balance,
EV compensation +0.3 (all cameras), measured light ~10 EV. This test is
also dependent on the accuracy of the camera's auto white balance, the
colour charts are shot in daylight but some camera's white balance is
better than others. All cameras are given 20 seconds to "settle"
before the shot is taken.
 |
 |
| Canon PowerShot G3 |
Canon PowerShot G2 |
 |
 |
| Nikon Coolpix 4500 |
Sony DSC-S85 |
In the table below we're only measuring colour. The RGB values were measured
from a VGA reduced image (to average colours, remove noise and eliminate
JPEG artifacts) using the Eyedropper tool in Photoshop with a 5 by 5 Average
Sample Size.
| Patch |
Canon
PowerShot G3
|
Canon
PowerShot G2 |
Nikon
Coolpix 4500
|
Sony
DSC-S85 |
| Black |
34,34,34 |
45,43,42 |
25,27,27 |
17,17,19 |
| Middle Gray |
102,105,105 |
107,106,110 |
101,100,102 |
76,81,79 |
| White |
212,212,212 |
208,210,208 |
211,210,209 |
188,189,189 |
| Magenta |
208,45,115 |
196,37,116 |
203,38,118 |
170,12,124 |
| Red |
203,34,44 |
195,30,35 |
189,22,43 |
176,0,40 |
| Yellow |
208,192,30 |
205,195,20 |
193,183,27 |
181,180,14 |
| Green |
23,138,73 |
43,152,68 |
29,140,61 |
24,131,27 |
| Cyan |
5,152,218 |
23,169,234 |
60,167,205 |
23,158,175 |
| Blue |
37,49,122 |
61,56,133 |
54,47,112 |
23,31,112 |
In the majority of cases the G3's response is quite similar to the G2
(no surprises really), however it is worth noting that the G3's black
is darker (which will add a little more contrast to images) and that blues
seem to have more purity (lower green / red levels). The G3's automatic
white balance is very impressive with very clean pure greys and whites.
Resolution Comparison
Shots here are of the PIMA/ISO 12233 standard resolution
test chart (more of which are available in our comparison
database). This resolution chart allows us to measure the actual performance
of the lens and sensor system. It measures the ability of the camera to
resolve lines at gradually higher resolutions and enables us to provide
a definitive value for comparison purposes. Values on the chart are 1/100th
lines per picture height. So a value of 8 equates to 800 lines per picture
height.
Studio light, cameras set to auto, all settings factory
default. Exposure compensation +0.7 EV for all cameras (to compensate
for the white background).
| Horizontal resolution |
Vertical resolution |
5 degree diagonal
res. |
 |
 |
 |
| Canon PowerShot G3 |
 |
 |
 |
| Canon PowerShot G2 |
 |
 |
 |
| Nikon Coolpix 4500 |
 |
 |
 |
| Sony DSC-S85 |
Measurable findings (three measurements taken for each camera)
| Camera |
Measurement |
Absolute
Res. |
Extinction
Res. |
| Canon PowerShot G3 |
Horiz LPH |
1250 |
1400 |
| Vert LPH |
1200 |
1400 |
| 5° Diagonal LPH |
#
1000 |
n/a |
| Canon PowerShot G2 |
Horiz LPH |
1250 |
* 1450 |
| Vert LPH |
1200 |
* 1500 |
| 5° Diagonal LPH |
# 1000 |
n/a |
| Nikon Coolpix 4500 |
Horiz LPH |
* 1200 |
* 1350 |
| Vert LPH |
1100 |
1300 |
| 5° Diagonal LPH |
1000 |
n/a |
| Sony
DSC-S85 |
Horiz LPH |
1250 |
* 1650 |
| Vert LPH |
1200 |
1650 |
| 5° Diagonal LPH |
1000 |
n/a |
* Moiré is visible, # Jagged edges to diagonals
Definition of terms
| LPH |
Lines per Picture
Height (to allow for different aspect ratios the measurement is
the same for horizontal and vertical) |
| 5°
Diagonal |
Lines set at
5° diagonal |
| Absolute
Resolution |
Still defined
detail (below Nyquist frequency*) |
| Extinction
Resolution |
Detail beyond
camera's definition (becomes a solid gray alias) |
| n/a |
Not Available
(above the capability of the test chart) |
| n/v |
Not Visible
(not visible on test results) |
* Nyquist frequency defined as the highest spatial
frequency where the CCD can still faithfully record
image detail. Beyond the Nyquist frequency aliasing occurs.
As expected the G3 put in pretty much the same resolution
performance as the G2, it appears as though Canon has decided to compromise
extinction resolution (only slightly) for reduced moiré, this is
probably a wise move. Compared to other four megapixel digital cameras
the G3 has very good resolution, up there with the best (Sony's DSC-S85).
It may be worth noting that Canon's sharpening algorithms appear to be
accentuating the visibility of 'jaggies' on the 5° lines.
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