
Lenses
One of the most obvious advantages of a digital SLR compared
to a prosumer digital camera is the ability to pick and choose lenses,
to use lenses you may already own and to use specialist lenses for particular
situations (such as macro or tilt and shift lenses). The EOS 300D has
Canon's EF lens mount, this provides for a wide range of lenses both from
Canon (over 50 lenses) and third party lens manufacturers. In addition
the EOS 300D also supports the new EF-S mount, at the time of writing
this review there was only one EF-S lens available, the 18 - 55 mm F3.5
- F5.6 which is being included in the EOS 300D Kit.
As part of this review we have chosen to provide a quick
overview of three lenses; the Canon EF-S 18 - 55 mm F3.5-F5.6 (provided
as part of the EOS 300D Kit), the Canon EF 50 mm F1.4 USM and the Canon
EF 28 - 70 mm F2.8 L USM (professional lens).
Field Of View crop
One thing it is important to understand is Field of View
crop. Because the EOS 300D's sensor is smaller than a 35 mm negative the
field of view provided by a lens is effectively cropped (in the case of
the EOS 300D the crop factor is 1.6x). This used to be referred to as
'focal length multiplier' although this term is actually inaccurate as
it is not a multiplication but a crop, we prefer to refer to it as Field
Of View crop (FOV crop). Thus the 18 - 55 mm F3.5 - F5.6 lens provides
a field of view equivalent to a 28.8 - 88 mm lens on a 35 mm film camera.

Color reproduction
Below you can see a GretagMacBeth ColorChecker chart taken
using the EF-S 18 - 55 mm lens, place your mouse over either any of the
labels below the image to see the same chart taken at the same time (within
minutes) in the same light with the same exposure. As you can see the
18 - 55 mm lens is quite contrasty giving a good color response very similar
to the 28 - 70 mm L lens (although this proves slightly brighter and lifts
mid-tones and shadow detail slightly). The 50 mm produces the same color
response although the overall image was slightly darker.
Settings: ISO 100, Parameters: Parameter
1, 1/15 sec, F8
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| EF-S
18 - 55 mm |
EF
28 - 70 mm L |
EF
50 mm F1.4 |

Resolution and sharpness
Below you will find a range of crops from a shots of our standard resolution
chart. Each shot was taken at a different focal length and aperture combination.
This should provide you with a good impression of how well each lens works
from wide open to smallest aperture and at both full wide angle and full
telephoto zoom. Remember no lens is sharp at maximum aperture ('wide open')
nor at minimum aperture ('smallest').
Canon EF 18 - 55 mm F3.5 - F5.6
This lightweight 'consumer' lens performed remarkably well considering
its relatively cheap price ($100 included with the EOS 300D). It's clearly
a little soft at maximum aperture (almost all lenses are), but stopped
down it produced good resolution at wide angle and average resolution
at full telephoto. It's not going to break any resolution records but
overall it's a useful, light and relatively good lens.
Wide angle: 18 mm
| F3.5 (wide open) |
F8 |
F14 |
F22 (smallest aperture) |
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Telephoto: 55 mm
| F5.6 (wide open) |
F8 |
F14 |
F36 (smallest aperture) |
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Canon EF 28 - 70 mm F2.8 L USM
Canon's benchmark wide zoom isn't as wide as anyone would like on a digital
SLR (unless you've got the money for an EOS-1Ds), that said it's still
a remarkable lens. Interestingly ours seems to have grown a problem at
70 mm maximum aperture (F2.8) which we will have to get Canon to check.
Wide angle: 28 mm
| F2.8 (wide open) |
F8 |
F14 |
F22 (smallest aperture) |
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Telephoto: 70 mm
| F2.8 (wide open) * |
F8 |
F14 |
F22 (smallest aperture) |
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* Looks like there's a problem with our 28 - 70 F2.8 L at 70 mm F2.8,
we would expect the same results as we saw at 28 mm F2.8, will get Canon
to check this.
Canon EF 50 mm F1.4 USM
Arguably Canon's best prime lens, this lens is sharp from around F2.2
upwards and maintains good resolution even stopped down to around F14.
This is the lens we use for test comparisons to other digital SLR's (as
it's such a good match for Nikon's excellent 50 mm F1.4 D).
Normal: 50 mm
| F1.4 (wide open) |
F8 |
F14 |
F22 (smallest aperture) |
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