Panasonic Lumix DMC-FZ20 Review

Review based on a production Panasonic DMC-FZ20
Updated 9th Nov: High ISO samples added to gallery
Announced at the end of July 2004, the DMC-FZ20 is the flagship model of the third generation of 'super zoom' cameras from electronics giant Panasonic, and is a direct replacement for the FZ10. Like its predecessors (and the simultaneously announced DMC-FZ3) the FZ20 sports a Leica-branded DC Vario-Elmarit zoom with a whopping 12x optical range (36-432mm equiv) and a constant F2.8 aperture. It also boasts a newly-improved optical image stabilisation system and the Venus II engine, which, according to Panasonic's documentation, is now equivalent to shooting at 3 or 4 shutter speed steps faster.
The FZ20 offers several enhancements over the FZ10 it replaces, including a higher resolution sensor (5MP as opposed to 4MP), improved hand grip and - thanks to the Venus II image processing engine - it's faster, offers better resolution and lower noise. And that's not all; it is packed with new technologies and upgrades; enhanced metering and focus systems, new shooting modes and a new mode dial, TIFF mode, a better electronic viewfinder, a new menu system and a new two mode image stabiliser.
- 36 - 432mm (equiv.) F2.8, 12x Leica Zoom Lens with one ED lens
- Mega O.I.S (optical image stabilisation)
- Venus II image processing engine
- 9 scene modes and full photographic control
- New mode dial for easy access to exposure modes
- TIFF mode
- New on-screen display
- Ultra fast startup, focus, shutter lag and shot-to-shot time
- Available in Black (FZ20K) and Silver (FZ20S)
Panasonic DMC-FZ20 Key specifications
| Street price | US: $500 UK: £370 |
|---|---|
| Body Material | Metal and Plastic |
| Sensor | 1/2.5" Type CCD 5.3 million pixels total 5.0 million effective pixels |
| Image sizes | 2560 x 1920 |
| Movie clips | 320 x 240 (10 / 30 fps) With audio Limited only by storage MOV (Motion JPEG) |
| Lens | 36 - 432 mm equiv. (12x zoom) |
| Focus | 1 point, 3 point, 9 point Autofocus Spot-focusing Single shot or Continuous AF Switcheable focus trigger Manual Focus(Ring) 5cm macro mode (Wide), 200cm (Tele) |
| Shooting mode | Program (with shift) |
| Sensitivity | Auto ISO 80, 100, 200, 400 |
| White Balance | Auto 4 presets Custom WB (manual) White Balance fine tune (R-B) |
| Image parameters | Contrast (Low, Standard, High) Sharpness (Low, Standard, High) Saturation (Low, Standard, High) Noise reduction (Low, Standard, High) Color effects (Cool, Warm, Black & White, Sepia) |
| Continuous | Full resolution: 3 or 2 fps Full resolution: max 7 images (standard mode), 4 images (fine mode) Infinite consecutive (unlimited but slower shooting rate) |
| Flash | Built-in pop-up flash Modes: Auto, Auto with red-eye reduction, Slow sync, On/Off Range: 0.3 to 7.0 m (0.98 feet - 23.0 feet) External flash via hot-shoe |
| Storage | SD/MMC 16 MB SD supplied* |
| Viewfinder | EVF (114,000 pixels) Field of view approx 100% -4 to +4 dioptre adjustment |
| LCD monitor | 2.0" TFT LCD 130,000 pixels |
| Connectivity | USB 2.0 Full Speed (12 Mbits/s) |
| Power | Lithium-Ion rechargeable battery Charger included |
| In the box* | Battery Charger |
| Other features | Spot, Center-weighted & Multi-pattern metering |
| Weight (inc batt) | 556 g (1.2 lb) |
| Dimensions | 128 x 87 x 106 mm (5.0 x 3.4 x 4.2 in) |
* Supplied accessories may differ in each country or area
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Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions. Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window. To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top. DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C. |
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