
JPEG/TIFF Image Size & Quality
The 995 offers two more resolution options (1280 x 960,
1600 x 1200) over what was already available on the 990. This means the
995 now provides 20 possible combinations of image size and quality (plus
512 x 384 in Multi-16 continuous mode and 320 x 240 in Ultra-HS continuous
mode). The HI (TIFF) mode is only available at 2048 x 1536 or 2048 x 1360
(3:2).

Standard Test Scene |
To give an impression of what some of the combinations
of image size and quality produce the table below is a cross reference
of some of them:
- 2048 x 1536 HI (TIFF)
- 2048 x 1536 FINE
- 2048 x 1536 NORMAL
- 2048 x 1536 BASIC
- 1600 x 1200 FINE
- 1280 x 960 FINE
- 1024 x 768 FINE
- 640 x 480 FINE
Images below are cropped 240 x 100 area of the image magnified
200% (nearest neighbour).
|
2048
x 1536 |
HI
TIFF |

9,327 KB (Not available for download) |
FINE
JPEG |

990 KB |
NORM.
JPEG |

677 KB |
BASIC
JPEG |

329 KB |
| |
|
1600
x 1200 |
FINE
JPEG |

595 KB |
| |
|
1280
x 960 |
FINE
JPEG |

460 KB |
| |
|
1024
x 768 |
JPEG
FINE |

293 KB |
| |
|
640
x 480 |
JPEG
FINE |

122 KB |
As you can see there's very little to gain from shooting
TIFF (and plenty of space to lose) but it's there for the purist shooters.
Otherwise JPEG artifacts increase as we'd expect, 2048 x 1536 NORMAL is
managable and doesn't really produce to many artifacts. The new 1600 x
1200 and 1280 x 960 sizes are very welcome and will be very useful for
those shooting for the web / cd-rom publication / monitor slideshows only.

ISO (Sensitivity) Adjustment
ISO equivalence on a digital camera is the ability to increase
the sensitivity of the CCD to allow for faster shutter speeds and/or better
performance in low light. The way this works in a digital camera is by
"turning up the volume" on the CCD's signal amplifiers, nothing
is without its price however and doing so also amplifies any noise that
may be present and often affects colour saturation.
The 995 features four selectable ISO sensitivities of 100,
200, 400 and 800 as well as the same Auto mode we saw on the 990 (which
appears to vary sensitivity between ISO 100 and 200 depending on available
light). The ISO 800 setting is new to the 995 and appears in red on the
LCD monitor when selected to warn of the potential of excessive noise.
| Good light (10 EV) |
Low light (3 EV) |
 |
 |
| ISO 100, 1/58 sec, F3.1 |
ISO 100, 1.0 sec, F3.6 |
 |
 |
| ISO 200, 1/91 sec, F3.6 |
ISO 200, 1/2 sec, F3.1 |
 |
 |
| ISO 400, 1/151 sec,
F4.0 |
ISO 400, 1/4 sec, F3.1 |
 |
 |
| ISO 800, 1/198 sec,
F5.1 |
ISO 800, 1/6 sec, F3.1 |
Noise levels seem noticeably lower than the 990, and
this is an improvement over the original pre-production 995 we used. Noise
levels at ISO 100 are very low, even ISO 200 is usable with only very
slight chroma speckling. ISO 400 noise is relatively low and manageable,
ISO 800 could be used in extreme circumstances (and assuming you'll be
cleaning / downsampling the image).
Enabling Noise Reduction has no effect on ISO noise,
it is designed to be used only for long exposures to remove "hot
pixels".
|