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Compared to 950, Canon S20 & Casio QV-3000

In all my reviews I try to present a comparison with other digicams. In these sets of sample images all the cameras were setup in exactly the same manner, had the same subjects, lighting and camera settings (as close as possible).

Colour Comparison

Shot in daylight, Auto White Balance, EV compensation +0.7 (all cameras), measured light 9 EV.

Nikon Coolpix 990 Nikon Coolpix 950
Canon PowerShot S20 Casio QV-3000EX

First thing to note is that three of the cameras managed the white balance almost perfectly: Coolpix 990, Coolpix 950 and PowerShot S20. The Casio QV-3000EX has a slight yellow cast.

We're only measuring colour here. RGB values below were taken from a VGA reduced image (to average colours and eliminate JPEG artifacts) using the Eyedropper tool in Photoshop with a 5 by 5 Average Sample Size.

  Coolpix 950 Coolpix 990 PowerShot S20 QV-3000EX
Patch White 237,240,237 231,231,231 232,226,230 224,224,216
       
Middle Gray 118,118,118 108,108,108 112,110,112 104,104,95
       
Patch Red 250,50,68 223,52,58 200,33,50 216,50,55
       
Patch Green 0,169,80 3,158,70 59,144,82 32,131,60
       
Patch Blue 52,48,139 49,39,102 51,51,98 40,37,103
       

Overall I'd say all cameras did well, the 950 and 990 produced more neutral colours the QV-3000EX suffered from a yellow cast and the S20 suffered from a very slight magenta cast and lower saturation. These samples shouldn't be seen as definitive as they're just one set, taking these samples again in different circumstances may produce slightly different results.

Red Channel Noise

After my 950 review it became apparent that some people had noticed noise in blue skies, upon closer examination I saw this as red channel noise which could be corrected using third party tools. Closer inspection of some of the 990 shots with blue skies also indicated some noise, the samples above are of 50 x 50 blocks cropped from the colour comparison charts above of the Blue and Cyan patches, each block is then broken down into it's red green and blue channels and reflected as such directly below.

As you can see both the 950 and 990 suffer from more noise (speckling) on the Cyan sample (right hand sample) than the S20, the 990 certainly doesn't seem to be any worse than the 950 but then there's no improvement either. Whether this is down to the CCD, electronics systems, algorithms or JPEG compression it's there in the final image and therefore becomes visible in certain circumstances.

Resolution Comparison

Unfortunately the Casio QV-3000EX had to go back before I had the resolution chart setup so no QV-3000EX samples from now onward, though you can find comparisons between the QV-3000EX and Coolpix 990 in the QV-3000EX review.

Shots here are of the PIMA/ISO 12233 standard resolution test chart. Daylight, cameras set to auto, Exposure compensation +0.7 EV for all cameras. How to read the charts: All values are 1/100 th lines/picture height/width. So the "10" value equates to 1000.

Nikon Coolpix 950
Nikon Coolpix 990
Canon PowerShot S20

Measurable findings (three measurements taken for each camera):

Camera Measurement Absolute Res. Extinction Res. Moire Res.
Nikon
Coolpix 950
Horiz LPH 750 1100 800 (mild)
Vert LPH 800 1150 850 (weak)
5o Diagonal 700 1000 900 (mild)
Nikon
Coolpix 990
Horiz LPH 900 1300 1000 (mild)
Vert LPH 900 1400 n/v
5o Diagonal LPH 900 n/a n/v
Canon
PowerShot S20
Horiz LPH 850 1400 1000 (strong)
Vert LPH 900 1400 1000 (mild)
5o Diagonal LPH 900 n/a 1000 (weak)

Definition of terms:

LPH Lines per Picture Height (to allow for different aspect ratios the measurement is the same for horizontal and vertical)
5o Diagonal Lines set at 5o diagonal
Absolute Resolution Still defined detail (below Nyquist frequency*)
Extinction Resolution Detail beyond camera's definition (becomes a solid gray alias)
Moiré Resolution Resolution at which a Moiré (coloured bands) pattern emerges
n/a Not Available (above the capability of the test chart)
n/v Not Visible (not visible on test results)
* Nyquist frequency defined as the highest spatial frequency where the CCD can still faithfully record
image detail. Beyond the Nyquist frequency aliasing occurs.

First off, yes guys (Canon Talk) I can see the magenta cast on the S20 shot, can we have a firmware fix please Canon? For absolute resolution there's little difference between the 990 and S20 (we'll ignore the 2.1 megapixel 950 in these comments). The S20 does however have much more noticeable Moiré (the striped yellow / blue patterns). Alias is a phenomenon which exists for all digital cameras, it's an effect of the definition of detail and the Bayer pattern on the CCD (detail beyond the Nyquist frequency). It's down to the internal algorithms in the camera to reduce their effect on the image, on the 990 it looks like the engineers have done a good job striking the balance between resolution and alias moiré, on the S20 Canon appear to have chosen resolution.

Thanks to Dave Etchells of Imaging-Resource for helping to correct a couple of terminology mistakes on this page.

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Comments

Total comments: 2
Tord S Eriksson

Still in use by some ;-)!

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Ashley Pomeroy

By coincidence I won one of these on eBay yesterday, with the original box n'ting. Then I popped over to DPReview to see how they covered it, and a day later your comment appeared!

It was the first digital camera I ever used. It'll be interesting to see how it's held up. I remember it ate batteries *but* I'm sure battery technology has moved on since then. I hope it reads 2gb cards, that's the smallest size I have.

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