
White Balance
As we'd expect the DiMAGE X performs best in natural
light, with its Auto white balance not doing well under incandescent light.
The incandescent preset (Tungsten) was fairly close to our test lamp colour
but still left images a little warm. The DiMAGE X does not have a manual
white balance feature.
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| Outdoors, Auto |
Outdoors, Sunny |
Outdoors, Cloudy |
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| Incandescent,
Auto |
Incandescent,
Tungsten |
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| Fluorescent, Auto |
Fluorescent, Fluorescent |
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Low Light Focus
This
test measures the minimum amount of light under which the camera can still
focus. The focus target is our lens distortion test chart (shown here
on the right), camera is positioned exactly 2 m (6.6 ft) away.
Light levels are gradually dropped until the camera can no longer focus.
This is carried out at both wide angle and telephoto zoom positions (as
more light reaches the focusing systems with a larger aperture).
This test target is the optimum type of subject for most "contrast
detect" AF systems (as it has a vertical line at its center), you
should consider the results below the best you could expect to achieve.
| Lens position |
Aperture |
Lowest light focus |
| Wide angle (37 mm) |
F2.8 |
3.8 EV (34.8 Lux, 3.2 foot-candle) |
| Telephoto (111 mm) |
F3.6 |
4.2 EV (45.9 Lux, 4.3 foot-candle) |
Light intensity
(Lux) = 2.5 x 2^EV (@ ISO 100), 10.76391 Lux = 1 foot-candle (fc)
This is an average performance for this level of camera at these apertures,
the positive note being that if you have enough light to focus at wide
angle you'll probably not need any more light to focus at telephoto. 4.0
EV is about as much light as you'd get in a dimly lit living room.

Flash Performance
The DiMAGE X's flash has a rated range of 0.25 - 2.9 m (0.8 - 9.5 ft)
at wide angle and 0.25 - 2.3 m (0.8 - 7.5 ft) at telephoto. Interestingly
the camera automatically switches to ISO 200 sensitivity when taking flash
shots, this is probably to compensate a little for the flash units low
power output. Overall flash shots were fairly good at less than 2 m distance,
although I found the white balance to be a little too warm (this avoids
blue skin syndrome but can leave white walls looking a little pink).
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| Skin tone test: No visible colour cast,
slightly warm white balance and an uneven flash illumination. |
Wide angle 2 m wall test: As we'd expect
from such a tiny flash unit there's not quite enough power to fill
out, evidence of vignetting too (see below). |
Here you can clearly see the 'warm'
white balance given to flash photos. Warmer colours are preferable
for skin tones but this I would say is a little much. |

Barrel and Pincushion Distortion
Overall the DiMAGE X produced a little less than the expected
lens distortion. Exhibiting approximately 1% barrel distortion at full
wide angle and approximately 0.8% at full telephoto.
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| Barrel Distortion, 1.0% @ wide angle |
Pincushion Distortion, 0.8% @ telephoto |

Overall Image Quality / Specific Issues
I'll be honest I wasn't overly impressed by the DiMAGE
X's image quality. I'm afraid that the whole prism "folded optics"
concept simply hasn't come out well. I don't know the physics behind it
but the prism is clearly affecting the image quality in a detrimental
way, images look blurred and unsharp with a definite 'ghosting' of detail.
Colour, metering and overall image balance is good enough but the ability
to resolve detail and produce images which look photographic rather than
video is sadly lacking.
Ghosting / Softness
One thing which immediately struck me about the DiMAGE
X images was that they looked very 'video like', soft with some visible
ghosting artifacts. This ghosting was apparent as a shifted (similar to
a chromatic aberration shift) of highlighted or shadowed detail within
the image, a red or blue artifact on either side of a prominent detail.
The X's images were overall also quite soft, this is more clearly defined
on the next page of this review in the resolution chart comparison.
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| Ghosting in visible on
our resolution chart as a 'shifted' halo of white (blue) below and
red above a black detail. |
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| Again ghosting is visible
in this 'every day' shot as well as the softness I was talking of. |
Vignetting
This is something I didn't pick up on in my pre-production review but
became very apparent when browsing thumbnails of DiMAGE X images. When
an image is reduced in size the vignetting effect (darkened corners) tends
to be more visible. This appeared to occur at focal lengths between full
wide angle and mid-zoom. In the sample below you can clearly see vignetting
in the thumbnail image on the left, to make it more visible I've increased
the contrast of the image, now it's really quite visible.
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Normal thumbnail of image
(click for original) |
Increased contrast to make vignetting
more visible |
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