
Compared to... (contd.)
Colour Chart Comparison
Now we can compare the 6800Z to a few of other cameras,
using samples from our test archives we will now compare its image quality
to the Nikon Coolpix 990,Canon PowerShot G1 and Sony DSC-S75.
Colour charts are shot in daylight, Auto White Balance,
EV compensation +0.3 (all cameras), measured light ~10 EV.
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| Fujifilm FinePix 6800Z |
Nikon Coolpix 990 |
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| Canon PowerShot G1 |
Sony DSC-S75 |
It's a tough call, the 6800Z is definetly stronger in reds but it's pipped
by our current colour expert the Sony DSC-S75 which manages to pull nice
vivid saturation better out of all the colours in the spectrum.
We're only measuring colour here. RGB values below were
taken from a VGA reduced image (to average colours and eliminate JPEG
artifacts) using the Eyedropper tool in Photoshop with a 5 by 5 Average
Sample Size.
| |
Fuji FinePix
6800Z
|
Nikon
Coolpix
990 |
Canon
PowerShot
G1 |
Sony
DSC-S75 |
| Patch White |
204,200,193 |
201,201,201 |
214,208,208 |
193,195,194 |
| |
|
|
|
| Middle Gray |
91,93,89 |
104,104,104 |
97,96,102 |
90,94,95 |
| |
|
|
|
| Patch Red |
233,28,31 |
223,52,58 |
186,33,53 |
205,0,26 |
| |
|
|
|
| Patch Green |
5,128,52 |
5,149,63 |
26,149,73 |
34,138,34 |
| |
|
|
|
| Patch Blue |
21,26,97 |
60,50,112 |
55,49,117 |
31,24,152 |
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Resolution Comparison
Shots here are of the PIMA/ISO 12233 standard resolution
test chart (more available for comparison in our comparison database).
Studio light, cameras set to auto, Exposure compensation +0.7 EV for all
cameras. How to read the charts: All values are 1/100 th lines/picture
height/width. So the "10" value equates to 1000. Here've thrown
in the S1 Pro's resolution chart for comparison purposes.
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| Fujifilm FinePix 6800Z (6 megapixel
file) |
 |
 |
| Fujifilm FinePix S1 Pro (6 megapixel
file) |
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| Nikon Coolpix 990 (3 megapixel) |
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| Canon PowerShot G1 (3 megapixel) |
 |
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| Sony DSC-S75 (3 megapixel) |
Measurable findings (three measurements taken for each camera):
| Camera |
Measurement |
Absolute Res. |
Extinction Res. |
Fujifilm
FinePix 6800Z |
Horiz LPH |
1200* |
1450 |
| Vert LPH |
1150* |
1400 |
| 5o Diagonal LPH |
900 |
n/a |
FujiFilm
FinePix S1 Pro |
Horiz LPH |
1300 |
1450 |
| Vert LPH |
1200 |
1400 |
| 5o Diagonal LPH * |
1000 |
n/a |
Nikon
Coolpix 990 |
Horiz LPH |
900 |
1300 |
| Vert LPH |
900 |
1400 |
| 5o Diagonal LPH |
900 |
n/a |
Canon
PowerShot G1 |
Horiz LPH |
950 |
1300 |
| Vert LPH |
950 |
1400 |
| 5o Diagonal LPH |
900 |
n/a |
Sony
DSC-S75 |
Horiz LPH |
1050 |
1400 |
| Vert LPH |
1050 |
1500 |
| 5o Diagonal LPH |
1000 |
n/a |
* with dotted artifacts
Definition of terms:
| LPH |
Lines per Picture Height (to allow
for different aspect ratios the measurement is the same for horizontal
and vertical) |
| 5o Diagonal |
Lines set at 5o diagonal |
| Absolute Resolution |
Still defined detail (below Nyquist
frequency*) |
| Extinction Resolution |
Detail beyond camera's definition
(becomes a solid gray alias) |
| n/a |
Not Available (above the capability
of the test chart) |
| n/v |
Not Visible (not visible on test
results) |
* Nyquist frequency defined as the highest spatial frequency
where the CCD can still faithfully record
image detail. Beyond the Nyquist frequency aliasing occurs.
Surprising results here, the 6800Z managing to squeeze
almost as much resolution out of our chart as its bigger brother the S1
Pro, though that's not to say it does so without introducing some rather
funny artifacts which we didn't see on the S1 Pro sample. It's clear by
comparing these numerical results with what we've seen in the side-by-side
comparison on the previous page that Fujifilm's SuperCCD and processing
algorithms are capable of squeezing a little extra detail out of regular
patterns (such as the lines on our resolution chart).
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