FujiFilm FinePix 4700Z Review
As it turned out the 4700Z has one of Fuji's new "Honeycomb" SuperCCD's, the major difference between a SuperCCD and standard CCD is the orientation of the CCD pixels. In a SuperCCD they're orientated in a diamond formation, turning this into a square image requires interpolation which generates a higher pixel count.
The Fuji 4700z has a 2.4 megapixel SuperCCD which generates a 4.3 megapixel image (2400 x 1800). This means that the cameras internal systems are processing those diagonally orientated pixels to generate the image... The jury is still out as to whether this is a good thing or not, the SuperCCD design does lend itself to higher sensitivity thus the 4700z has a lowest sensitivity of ISO 200 and highest of ISO 800 (typical digicams have sensitivities ISO 80 / 100).
I won't talk more at this stage about image quality (that's for later in the review).
From the front the 4700z looks the business, similar in design to it's older brother the 2700 but with a new pop-up flash design, metal covered lens system and circular LCD panel set between the cursor controls on the rear of the camera.
It also looks like Fuji have really thought about the ergonomics of this camera, controls are much more logical and changing modes and options is much easier.
Despite it's diminutive size the 4700z sports a 3x optical zoom lens, thanks to their amazing zoom mechanism first seen in the MX-1700 (shown out of its skin here on the right).
If you're new to digital photography you may want to read the Digital Photography Glossary before diving into this review (it may help you understand some of the terms used).
Photographs of the camera were taken with Nikon Coolpix 950, images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (normally 800 x 600 or smaller if cropped) image in a new window.
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This review is Copyright 2000 Phil Askey and the review in part or in whole may NOT be reproduced in any electronic or printed medium without prior permission from the author. For information on reproducing any part of this review (or any images) please contact: Phil Askey.