
Image Quality
One thing that stood out in the press release for the
QV-3000EX was the fact that it had a Canon lens. Unlike previous Casio's
(and many other digicams from non-camera manufacturers) which normally
use an OEM lens, this Casio is blessed with a good quality, fast lens
(F2.0).
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This choice has definitely
paid off. Image quality is extremely good, most noticeable is an almost
complete lack of chromatic aberrations even in shots which would typically
pick up chromatic aberrations such as this crop of a top-corner of
a daylit image with fine cables. This gives us a hint as to the quality
of the lens. |
The next bit of good news comes again from the lens,
the camera suffers only very very slight barrel distortion (really hardly
noticeable) at full wide and no pincushion at full tele. So as far as
getting a quality image onto the CCD we're ok. The rest is down to the
quality of the CCD, associated electronics and the processing algorithm.
All of which do a pretty good job. Of all the digicams I've reviewed I'd
put the QV-3000EX's image quality in the top five.
Colours are neutral and well balanced (if you like a
brightly coloured image then just push the saturation up in the menu),
white balance is generally good though the camera can sometimes get confused
(using manual override solves this). Images down to a pixel level are
fairly sharp, though I did get the feeling they could have been a little
sharper, also in some cases the bottom end of the dynamic range was a
little lacking, black wasn't quite black. But these really are niggles
and don't detract from a camera which can produce some stunning images.
Noise is also fairly low, some visible at slower shutter
speeds and of course if you increase sensitivity, the night mode with
its noise reduction was an interesting addition though longer exposures
(than 1 second) would have been more appropriate.

Compared with the Canon S20 & Nikon Coolpix 990
The following scenes were shot with each camera from
the same tripod, same lighting within minutes of each other. Cameras were
set to automatic white balance. The 990 used here is full production firmware
v1.0 but non-QC.
Unaltered Originals
In the first set of samples below each 100% (1:1) crop
was taken out of unaltered images, remembering that each of these cameras
has different pixel counts you need to look at the image quality and amount
of definition rather than size of details.
Subject One: Test Poster Shot
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Casio QV-3000EX
2048 x 1536 Untouched
1,115 KB
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Nikon Coolpix
990
2048 x 1536 Untouched
1,003 KB
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Canon Powershot
S20
2048 x 1536 Untouched
895 KB
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Well there's really not that much in it is there?
To get a better impression look at the whole image in context. The
QV-3000EX's image is cooler (bluer) but fairly sharp, there are
some odd colour aberrations around pure primary colours. The 990's
image is probably the best overall, sharpness and detail definition,
colours are exactly as the original poster and whites are very good.
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Subject Two: Still Life Bottles
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Casio QV-3000EX
2048 x 1536 Untouched
1,230 KB
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Nikon Coolpix
990
2048 x 1536 Untouched
982 KB
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Canon Powershot
S20
2048 x 1536 Untouched
919 KB
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Here we can see that the QV-3000EX is a little
softer than the rest, in a pure sharpness contest it's between the
Coolpix 990 and PowerShot S20, colour balance is closest on the
Coolpix 990, it deals especially well with the bright blue on the
Martini bottle which gets washed out by the QV-3000EX. Colours on
the S20 seem washed out (and again) cooler (bluer) which does make
whites seem whiter but pushes down the saturation of other colours.
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Subject Three: Resolution Chart
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Casio QV-3000EX
2048 x 1536 Untouched
1,092 KB
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Nikon Coolpix
990
2048 x 1536 Untouched
1,074 KB
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Canon Powershot
S20
2048 x 1536 Untouched
692 KB
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Again, the Coolpix 990 produced the best colour
balanced image, sharpness between the QV-3000EX and Coolpix 990
were very similar. No camera could see the 90dpi lines individually,
the QV-3000EX had a very slight blue/red moiré pattern on
this very fine detail.
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