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Operation and Controls (cont.)

Like all other cameras at this level, interaction with the 600D is primarily via its rear LCD. This shows you the status of the camera and allows you to change its settings, with the degree of control available (and therefore complexity presented to the user) dependant on the exposure mode you're using.

Central to the interface is the Quick Control 'Q' button, a press of which allows you to access and change settings on-screen. New to the 600D is the 'Feature Guide', which displays brief explanations about what its various functions actually do. In this section we're using graphics supplied by Canon to illustrate the various display screens available.

Status screens

The camera has essentially two styles of status screen while shooting - a basic, unintimidating version that summarizes the key settings in the various 'Simple' modes (Scene Intelligent Auto, Creative Auto and the scene modes), and a more complex, control-panel style version that's used in the P, Av, Tv, M and A-DEP 'Creative' modes.

Camera settings in 'Basic Zone' modes Camera settings in 'Creative Zone' modes

'Basic +' image controls (in scene modes)

The 600D inherits the 60D's 'Basic +' image controls in scene modes, which are accessed by pressing the 'Q' button. You can choose from a number of 'Ambiences', which are like more extreme versions of the picture styles, giving more dramatic changes in color and contrast response. You can also get the camera to consider what type of lighting you're shooting under, essentially giving a less intimidating approach to white balance.

You can specify the 'Ambience' you wish to apply to the scene modes, including options such as 'cool' and 'intense.' You can also select the 'Lighting or Scene type' which looks very much like a list of white balance presets.

Other options are also available, depending on the exposure mode you're in at the time. They include drive and flash modes, and 'Background Blur' in Creative Auto - which essentially provides a friendly face to aperture control. This approach to offering a simplified, easily-understandable degree of creative control in what were previously fully-automatic modes makes a huge amount of sense in this class of camera - indeed more so than with the 60D, on which they first saw the light of day.

Feature Guide

The EOS 600D's beginner-friendly credentials are reinforced by its new 'Feature Guide', which essentially consists of little snippets of text that aim to inform the user what each function does. This isn't anything breathtakingly unique - plenty of other cameras do much the same thing - and it doesn't lead you through changing settings to achieve a particular result in the way Nikon's 'Guide Mode' does. But it should help users learn their way around the camera nonetheless.

The Feature Guide displays a brief explanation for each function; for example this is what you see when you turn the Mode Dial to 'A+'. Here's what the Feature Guide offers for the 'Background blur' function. The word 'concise' springs to mind here.

Quick Control (P, Av, Tv, M, A-DEP modes)

In the 'Creative Zone' exposure modes (P, Av, Tv, M and A-DEP), pressing the Q button 'activates' the status screen and allows you to change any of the displayed parameters.

Pressing the Q button allows quick access to a wide range of shooting settings. You can use the 4-way controller to select the item you want, then either change it with the control dial... ...or press the 'SET' button, which brings you to a new screen where you can choose from the available options.

Wireless flash control

The 600D becomes the first entry-level Canon to feature wireless flash control, which works with the two relatively inexpensive new flash units launched alongside it (the 270EX II and 320EX). You can also use Canon's existing higher-end, more powerful models such as the 430EX II and 580EX II.

Wireless flash control is available directly via the Quick Control panel. On this screen you can select from normal flash firing, 'Easy wireless' where the camera sets everything up for you, and 'Custom wireless'... which you get a wide range of control, including the ability to set up multiple external flashguns and balance their light output.

Live View/Movie Displays

Live View and Movie Mode follow much the same approach as on the 550D. New to the 600D, though, is the ability to shoot still images in multiple aspect ratios, with 4:3, 16:9 and 1:1 options now available. The selected ratio is previewed on the screen.

Perhaps the only real inconsistency in the 600D's overall operation is found in Live View, where the buttons of the four-way controller no longer give direct access to their usual functions, but instead move the focus point around the frame. AF, drive mode, white balance and Picture Style are available via the 'Q' button instead. This can be an annoyance - we found ourselves pressing the wrong button more than once because of it - but overall it's not a huge flaw.

Pressing the Q button live view brings up this list of frequently-changed items. In movie mode you get a similar screen, with appropriate options. The preview is cropped to the aspect ratio of the selected movie format (in this case 16:9).

Movie mode options

Canon was one of the first manufacturers to offer video recording on an SLR, and after a slightly shaky start has rapidly developed its offerings in this area. The 600D therefore has one of the most fully-featured movie modes available at its price point.

The 600D offers full HD movie recording at up to 30fps, and now adds in digital zoom ranging from 3-10x. This uses the central region of the sensor only; full HD resolution is maintained at 3x, but quality starts to suffer at higher magnifications. The 'Video Snapshot' mode allows you to compile movies using a number of short takes. Snapshots are saved to 'Albums', and the camera will play back all those in an album sequentially as a single movie. You can have multiple albums active at any one time.
As usual from Canon, full manual control of shooting parameters is available if you want it... ...along with recording volume control and a wind filter function.

Playback mode options

Many of the playback options that were previously menu-driven are now available via the Quick Control menu, that's accessed via the 'Q' button. With still images the available options are Protect, Rotate, Rate, Creative Filters, Resize and Jump, all neatly displayed in a column down the left hand side of the screen.

Image tagging

The 600D offers the ability to tag each of your images with a 'Star' rating, from one to five. These can then be used to find and filter your images, or as a criterion for setting up slide shows. Once applied to images, these tags are also accessible through the supplied Digital Photo Professional software or third-party packages such as Adobe Bridge and Lightroom.

Each image can be rated individually, either via a menu option or through the on-screen playback 'Q' menu. Once rated it's possible to jump to rated images or use ratings as the basis for slide show image selection.

Post processing options

The EOS 600D has acquired some of the 60D's post-processing options, although sadly it doesn't have in-camera raw conversion for some reason. But you can still apply a range of 'Creative Filters' to your images after they've been shot, with the modified version being saved as a new file. You can also resize your pictures in-camera, if that's the sort of thing you like.

A range of 'Creative Filters' can be applied to JPEG images after they've been shot; Fish-eye, Miniature, and Toy Camera effects, along with Grainy Black and White and Soft Focus looks. You can also resize your images in-camera, which could be useful if (for example) you've managed to capture a particularly cuddly koala and want to email a copy to all your friends.

Movie editing and playback options

The start and end of movie clips can be trimmed in-camera. You can also add a soundtrack while playing back movies or slideshows, and can upload your own music to the camera for this.
The 600D can be controlled over an HDMI cable using the remote control of a compatible device (CEC-enabled). The 'Bass Boost' control is purely for use when playing back your movies.
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Total comments: 12
vladimir funtak

It was kind of funny to take a 24-70 f 2.8 lens on a 600D, was afraid it will broke…Don't worry, work just fine, only the neck-strapp is maybe to delicate…Great little camera. Like video options too.


Does anyone knows if this camera has a socket for studio flash sync cord?


The Canon EOS Rebel T3i is great. It has the ability to take excellent shots, you can learn alot about photography with it. And if you're new to photography it wouldn't be wise to invest in a higher-end expensive camera that you have no idea how to operate. Read the manual a couple of times and you'd be good to go, its not that difficult to use. Read more at

1 upvote

I've had my t3i for about four months now and I find learning how to use it properly an enjoyable project. This camera can be as complex or as simple as one would like it to be, depending on one's interest.

I bought a 70-300 TeleZoom to add to the camera's flexibility and to be able to shoot wildlife.

So far, I have no regrets purchasing this camera and I can't imagine having any going forward.

1 upvote

Pretty good review, thanks.


I have had this camera for over 2 years. The video works very well for exposure, especially in difficult lighting areas. The problem is the focus is slow and hunts. It is best to use it in manual mode and with fairly fast lenses. This was an upgrade to EOS 350, but I only use 2 of the lenses I used before with the 600D - Canon EF 50mm 1.8 and Sigma 70-300 mm. Photos are good and the lens profile works well with the Canon lenses I have. Profile does not work with non-Canon lense like my sigma 17-70 2.8-4 and the 70-300mm. I have also bought a Canon 10-18mm wide angle lens to add to the 18-55 is and 55-250 is lens, plus the lenses mentioned earlier.
I had to buy Nissin flashes as the Sigma 500 flash is not compatible, even after being sent to Sigma for a fix.
The worst issue is the slow focus in live view. Fast lenses are better, but it is best to go manual or use the view finder. I was think of getting the 700D, but not sure if it is worth it, even with the upgrades.


Great camera for shooting still photos. The quality is superb and low-lighting is a breeze (as soon as you get used to working the correct settings).
The main reason I chose the T3i was for the 1080p video is offers. The video quality is great, but there are a few things to be aware of.
You'll want to get a memory card rated at a 10 for speed, and make sure it's a good-quality brand. If you scrimp on the card you'll forever be hitting yourself when the video recording repeatedly stops for no apparent reason. I have been through three cards that don't cut it (three different brands). Make sure you shell out the money for a quality card or you won't be able to record the data fast enough for 1080p (particularly in bright lighting or when you have a light source in the background--like a TV or lamp).

1 upvote

This is my first DSLR as well and I think it functions very well. I use the kit lens and additionally I bought a telephoto zoom lens 55 to 250mm (f4 to f5.6) and a prime 50mm (f1.8). The camera gives me reasonably sharp shots. It does not have as many focus points as a competitive Nikon D3200. I post process with Aperture and then the pictures look even better!


This is my first DSLR, coming from two previous Canon PowerShot cameras and a Minolta 35mm SLR. For my purposes (not professional) this camera has been outstanding. I mainly wanted a camera that allowed me to take better family and vacation photos and one that would allow me to learn about shooting manually. I also feel confident that lens purchases I make for this camera will be supported on better Canon cameras should I see the need for it in the future.


Even for an amateur camera very well. Of course, for a good job requires additional configuration. Plus, the lens plays an important role. That the work of the unit, I want to note the high processing shots. Good sharpness and color rendition. In general, a good camera. And not expensive!


Canon t3i 600D

This new piece of kit is very similar but quite a few dollars cheaper. The specs are similarly very close, with one exceptional difference: the new baby is 240 grams lighter in weight, made from stainless steel and polycarbonate resin with glass fibre. Which says a lot: pros like cameras with a dab of weight while the amateur fraternity goes kinky for models that don’t lower the shoulders.

Read More


So All In All., Im Looking Between This &The Rebel SL1 For Video... I Would Like To Kno Which Would Be Best For The Task &Video Editing ...

Total comments: 12