Output image file quality / JPEG artifacts
Standard Test Scene
You can combine the two in RAW+JPEG mode writing one JPEG (of any size/compression) and one RAW.
Below you will find 200% magnified crops of the same 240 x 100 portion of the center of a sequence of images taken at full size but different output settings. The RAW file was converted to a TIFF using Canon RAW Image Task 2.2 (via Zoombrowser EX).
|4368 x 2912 RAW - 13,996 KB .CR2 (not for download) (VGA TIFF crop)|
|4368 x 2912 (L) JPEG Fine - 4,916 KB .JPG|
|4368 x 2912 (L) JPEG Normal - 2,450 KB .JPG|
|3168 x 2112 (M) JPEG Fine - 2,859 KB .JPG|
|2496 x 1664 (S) JPEG Fine - 2,008 KB .JPG|
You would be very hard pressed to notice any difference between the RAW converted image and JPEG Large/Fine, a relatively low compression level combined with a quality JPEG encoder. Even at the Normal setting artifacts don't really jump out of the image, you can detect some around fine detail if you look closely but it's safe to say that if your CF card is near full switching to Normal will gain you twice as many more shots with little downside.
The EOS 5D provides the independent selection of output color space, you can select from sRGB or Adobe RGB directly from the record menu (just above the selection for Picture Style). Images taken in the Adobe RGB color space have their filename prefixed with an underscore (_) this complies with DCF 2.0 (Exif 2.21), which makes it difficult to keep images in order if you shoot a mix.
Place your mouse over the label to see a ColorChecker chart shot in the respective mode. As you can see in this comparison rather than producing an identical result using Adobe RGB mode will deliver noticeably more vivid (and likely more accurate thanks to its wider gamut) color than sRGB. This is a bigger swing of saturation than we have seen from previous Canon digital SLRs.
|sRGB||Adobe RGB (converted to sRGB)|
Color space: CIE u'v' Color Distribution chart
Note that in these samples the Adobe RGB image has not been converted to sRGB and so to view it correctly you will have to load it into a color space aware photo application and assign the Adobe RGB color space. Below each sample is the CIE u'v' Color Distribution chart; larger gray triangle approximately represents the range of color which the human eye can resolve, the inner triangle the available gamut in each color space (sRGB or Adobe RGB).
Canon EOS 5D Mark III 22.3 MP Full Frame CMOS
with 1080p Full-HD Video Mode Digital SLR Camera (Body)
Canon EOS 5D 12.8 MP Digital SLR Camera (Body Only)
Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera
with EF 24-105mm f/4 L IS USM Lens
Canon EOS 5D Mark II Full Frame DSLR Camera (Body Only) (OLD MODEL)
Canon EOS 7D Mark II Digital SLR Camera 20.2 MP CMOS
with EF-S 18-55mm f/3.5-5.6 IS STM Zoom Lens + EF 75-300mm f/4-5.6 III Telephoto Zoom Lens + Telephoto 500mm f/8.0 T- Mount Lens (Long) With 58mm 2x Professional Lens +High Definition 58mm Wide Angle Lens + Auto Flash + UV Filter Kit with 64GB Complete Deluxe Accessory Bundle
Canon EOS 50D DSLR Camera (Body Only) (Discontinued by Manufacturer)
Canon EOS 5DS Digital SLR (Body Only)
Canon EOS 5D Mark III Digital SLR Camera
with 7 Lens Kit including 3 Canon: EF 28-135mm f/3.5-5.6 IS USM & EF 75-300mm f/4.0-5.6 III AF Telephoto & EF 50mm f/1.8 II Autofocus + 16 GB + TTL Flash + essential Accessory Kit
Canon EOS 7D 18 MP CMOS Digital SLR Camera
with 28-135mm f/3.5-5.6 IS USM Lens (discontinued by manufacturer)
Canon EOS 1D Mark II N DSLR Camera (Body Only) (OLD MODEL)