Resolution Chart Comparison (JPEG and RAW)
Images on this page are of our standard resolution chart which provides for measurement of resolution up to 4000 LPH (Lines Per Picture Height). A value of 20 equates to 2000 lines per picture height. For each camera we use the relevant prime lens (the same one we use for all the other tests in a particular review). The chart is shot at a full range of apertures and the sharpest image selected. Studio light, cameras set to aperture priority (optimum aperture selected), image parameters default. Exposure compensation set to deliver approximately 80% luminance in the white areas.
What we want to show here is how well the camera is able to resolve the detail in our standard test chart compared to the theoretical maximum resolution of the sensor, which for the charts we shoot is easy to work out - it's simply the number of vertical pixels (the chart shows the number of single lines per picture height, the theoretical limit is 1 line per pixel). Beyond this limit (which when talking about line pairs is usually referred to as the Nyquist frequency) the sensor cannot faithfully record image detail and aliasing occurs.
This limit is rarely attained, because the majority of sensors are fitted with anti-aliasing filters. Anti-aliasing filters are designed to reduce unpleasant moiré effects, but in doing so, they also reduce resolution (the relative strength and quality of these filters varies from camera to camera). In theory though, a sensor without an AA filter, when coupled with a 'perfect' lens, will deliver resolution equal to its Nyquist limit. Therefore, even though it may be effectively unattainable with normal equipment in normal shooting situations, an understanding of a sensor's theoretical limit provides a useful benchmark for best possible performance. Nyquist is indicated in these crops with a red line.
On this page we're looking at both JPEG and Raw resolution. For a (more) level playing field we convert the latter using Adobe Camera Raw. Because Adobe Camera Raw applies different levels of sharpening to different cameras (this confirmed) we use the following workflow for these conversions:
- Load RAW file into Adobe Camera RAW (Auto mode disabled)
- Set Sharpness to 0 (all other settings default)
- Open file to Photoshop
- Apply a Unsharp mask tuned to the camera, usually 100%, Radius 0.6, Threshold 0
- Save as a TIFF (for cropping) and as a JPEG quality 11 for download
|JPEG (4272 x 2848) 3.2MB||RAW (4272 x 2848) 3.0MB|
The Canon 1100D's JPEG engine does a decent job of resolving the captured image detail, showing distinct lines up to around 2100 l/ph and with relatively few artifacts beyond that point (there is some more at higher frequencies). Processing with Adobe Camera Raw and then applying a little sharpening reveals finer detail up to nearer 2200 l/ph but with a lot of false color artifacts appearing at higher frequencies. It's about the performance you'd expect to see from an 12MP camera.
Canon EOS 1100D Digital SLR Camera
(With 18-55 mm f/3.5-5.6 DC III Lens Kit)
Canon EOS 1200D Digital SLR Camera
with EF-S 18-55mm f/3.5-5.6 III Lens
Canon EOS 1100D Digital SLR Camera (Body Only)
Canon EOS 1200D Digital SLR Camera (Body Only)
Canon EOS 1100D EF-S IS II Lens 12MP SLR Camera 2.7 inch LCD - Black
Canon EOS 600D Digital SLR Camera
(inc. 18-55 mm f/3.5-5.6 IS II Lens Kit)
Canon EOS 400D Digital SLR Camera
(incl. EF-S 18-55mm f/3.5-5.6 Lens Kit)
Canon EOS 1000D EF-S 18-55mm f/3.5-5.6 (non IS) Lens Kit
Canon EOS 450D Digital SLR Camera Kit
(incl EF-S 18-55mm IS f/3.5-5.6 non USM Lens Kit)
Canon EOS 1000D Body Only