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Operation and controls

Top of camera controls

On the top of the Rebel SL1 all controls are located on the right side of the camera. Immediately behind the shutter button is the main control dial that's used directly to change the primary exposure setting (program shift, shutter speed, or aperture), or other settings in concert with the various buttons. Next there's the ISO button, which is extremely well-placed for operation with the camera to your eye; you simply press it then spin the dial to change the value, which is displayed in the optical viewfinder.

The main power switch surrounds the mode dial. Flicking it beyond the ON position to the movie camera icon puts the camera into movie mode. The mode dial is the same as that on the Rebel SL1, but the SCN icon covers six modes rather than three (Kids, Food, Candlelight, Night Portrait, Handheld Night Scene, and HDR Backlight Control). The dial rotates 360 degrees with no hard stop, a welcome feature we saw earlier from Canon on the EOS 6D.

Rear Controls

The rest of the Rebel SL1's major shooting controls are on the back, arranged for operation by your thumb. Next to the viewfinder is a dual purpose button that initiates live view in stills shooting mode and video recording when the camera is set to movie mode.

In a break from their traditional horizontal layout, the AF point and AF/AE lock buttons are arranged vertically along the right edge of the camera body. While we understand that such a significant size reduction necessitates changes in the control layout, we do find the location of the AF/AE lock button a bit awkward to reach with your thumb when holding the camera in the shooting position. Fortunately, you can swap the functionality of these two buttons, setting the top button to AF lock, if you prefer. These buttons also do double duty as magnification controls during playback.

The dual purpose Q/SET button brings up an interactive control screen while shooting, allowing you to change camera parameters that can't necessarily be accessed directly through external buttons. It also brings overlaid option menus in Live View and Playback modes and is used to confirm settings and options in the menu system. Surrounding the Q/SET button is a 4-way controller that's used for such things as changing the focus point, navigating menus and scrolling around images in playback. Gone are the dedicated Drive mode, WB, and Picture Style buttons, but these features can be accessed very quickly via the Q menu.

Front of camera controls

The front of the Rebel SL1/100D has just two controls, both on one side of the lens throat. The flash button is used to pop-up the built-in unit, and below the lens release is the depth of field preview button that stops down the lens to show the effect of the aperture on the final image. This is particularly useful in live view, with its bright clear image.

The most immediately compelling feature of the Rebel SL1 is of course its small form factor. A redesign of internal components has allowed Canon to produce a miniaturized APS-C DSLR that is surprisingly close in size to the company's mirrorless model, the EOS M. What's equally as impressive, though, is how much the Rebel SL1 operates and behaves like any other recent generation Rebel-series camera. Indeed, it gives up very little in functionality to the co-announced Rebel T5i, which, though not an overly large camera by any stretch, is still significantly bulkier than the SL1.

The Rebel SL1/EOS 100D (center) shares much of the operational control of the co-announced Rebel T5i/EOS 700D (left) in a smaller package, while offering a deep handgrip, viewfinder and built-in flash that the EOS M (right) lacks. All three cameras use Canon's 18MP APS-C sensor and DIGIC 5 processor.

The camera's significant size reduction fortunately doesn't come at the expense of greatly reduced operability. The SL1 packs no fewer than nine external buttons on the rear of the camera, plus a 4-way controller. A reasonably bright viewfinder provides image magnification that is on par with entry-level DSLR competitors. Some compromises have to be made to size reduction, of course.

Overall, the Rebel SL1 owes much of its operational performance and behavior to previous Rebel-series cameras. This is no surprise, as Canon is typically conservative with iterations of its popular entry-level lineup. The fact that the Rebel SL1 can retain so much of the Rebel heritage at such a dramatic reduction of size and weight is a testament to some clever under-the-hood engineering. Has Canon managed to pull off an equivalent Rebel-shooting experience in a DSLR that is sized to give mirrorless models a run for their money? See our User Experience Still photography and Live View and Movie pages to find out.

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Comments

Total comments: 18
destritt
By destritt (1 week ago)

This looks like a great camera but I have Canon EOS Rebel T31 and absolutely love it. Alright, call me old fashion or old school but all those attachments associated with digital cameras scare me to death so a neighbor recommended the Canon EOS Rebel T3i as a good choice for a beginner photographer like me. There are so many brands and types of digital cameras in the market today that it is stressful for me to even think about buying one.
I did buy the Canon EOS Rebel T3i http://www.squidoo.com/canon-eos-canon-eos-rebel-t3i-camera-review-best-price but not without a lot of stress.

0 upvotes
dweberphotography
By dweberphotography (2 weeks ago)

This camera really is tiny. Compared to Sony's a230, which was the smallest of its time, it is about the same size, but he SL1 can shoot 4fps compared to 2.5, and has a much bigger buffer, and has 18mp instead of 10.2, and has a touhscreen, etc.

I think this is a great camera for the size and pice.

0 upvotes
Dr Aref
By Dr Aref (3 weeks ago)

40mm 2.8 STM is a full frame lens and it become 64mm equivalent if we use it with EOS 100D. So you really cant use for street photography. It is really perplexing to me why Canon is not making any pancake lens for EFS, like M22mm F2 (equvalent to 35mm full frame) they made for EOS M. They can easily modify that lens to be used with 100D. The combined small form factor with any 24, 28 or 35mm equivalen pancake lens EFS will be a big selling boost for 100D and other Canon APC SLRs.

I think Canon should rethink in their lens line up strategy.

1 upvote
C M Greene
By C M Greene (2 months ago)

Despite what the review says the 40mm 2.8 STM (pancake) lens is an EF lens, not an EF-S lens. (at least when I last looked at mine)

Now as a result of Canon just announcing the 55-250 IS STM lens, Canon will have three EF-S STM lenses. But it did not when this review was written.

0 upvotes
CameraLabTester
By CameraLabTester (2 months ago)

The Multi Shot Noise Reduction is a real killer of a feature.

4 super fast frames merged into one image for a clean (noiseless) low light photo.

This feature is on the Fuji X series (the X10 has it) and now here on the 100D.

.

1 upvote
Rmano
By Rmano (2 months ago)

The size is quite similar to my sony alpha 55. I was quite deceived when they decided to grow up the 57 and further models. Really don't know why. It's a great positive point in my opinion for this camera...
http://camerasize.com/compare/#448,238

Comment edited 34 seconds after posting
0 upvotes
MnTony
By MnTony (2 months ago)

I rented one of these in May to take on a short vacation rather than drag my much heavier camera along. I debated renting one of the mirrorless models, but this had just been announced and seemed like an interesting choice. I used it almost entirely with the 40mm pancake lens. It was terrific. Barely noticed it hanging around my neck. I owned an original Digital Rebel way back when - this kit is noticeably smaller and lighter. The touch screen really helps when you're used to a camera with lots of dedicated buttons.

There's more on my blog about it with a few shots. This was from the point of view of a photographer who shoots Manual or Av, so there's nothing about the picture modes. It's here: http://www.addrummimages.com/2013/05/19/new-orleans-and-the-canon-sl1/

For geeky info about size and weight, I did a follow-up post here: http://www.addrummimages.com/2013/05/25/canon-sl1-followup/

FWIW...
Tony

0 upvotes
Wimlex
By Wimlex (2 months ago)

Hi Yonsarh, I've been thinking the same! Back to film....But I don't think this will happen. The camera companies have spent so much in digital photgraphy. Even the "super-cameras" like Hasselblad did it. Although you still can buy Hasselblad cameras which use film....So, I don't know. I alwys loved to work in the dark room, developing my own films and print the pics myself. My tool; a Hasselblad EL/M, build in 1973, with a 100 mm Zeiss-lens. Big fun!!!!! We'll wait and see.. :-)

0 upvotes
yonsarh
By yonsarh (2 months ago)

No, in the future, the sensor price will so cheap that it will cost less than a dollar and camera image sensor will be used on everywhere. So we could expect end of digital photography and people will eventuallly come back to film again.

1 upvote
Pyrros
By Pyrros (3 months ago)

I wonder how it is that the Canon EOS Rebel SL1 has a DPreview Gold Award (an overall score of 78%), whereas the more sophisticated 60D has only managed a Silver Award in your Review (with an overall score of 79%)??!!

1 upvote
Zmkis
By Zmkis (3 months ago)

If you haven't noticed 100D is entry level while 60D is mid level. DPreview warns that different categories scores are not directly comperable.

3 upvotes
Bill3R
By Bill3R (3 months ago)

I have noticed this too with other cameras and it doesn't make sense to me. Why don't you standardize your rating system.

Comment edited 1 minute after posting
1 upvote
ArturoGars
By ArturoGars (2 months ago)

What is the meaning of the percentile and gold award anyway? I am trying to find the legend on the percentile and award but the explanations is nowhere.

Comment edited 47 seconds after posting
0 upvotes
GeminiH
By GeminiH (3 months ago)

Its funny how this is considered a radical, minaturised design, yet its the same size as the 450D/500D was 4-5 years ago. The internal functions, pentaprism, sensor size have been similar all along.

The biggest change has been the flip screen. Who uses that regularly?

3 upvotes
Nichlas H
By Nichlas H (1 month ago)

I just upgraded from an EOS 400D to the 100D. The 100D *is* definitely a smaller camera.

Comment edited 15 seconds after posting
0 upvotes
GeminiH
By GeminiH (3 months ago)

I'm trawling through to find out what AF points this has, apart from the hybrid sensor...

Any takers?

0 upvotes
bandkj7
By bandkj7 (2 months ago)

Same as Rebel T5i, T4i, T3i - 9-points.
http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_rebel_sl1_18_55mm_is_stm_kit#Specifications

0 upvotes
Eurodynamica
By Eurodynamica (3 months ago)

>>>>>>Autofocusing with a USM or other lens in either mode is still difficult, however, and fraught with cumbersome seeking during video and long autofocus lag for stills <<<< Does that mean a Sigma 18-->200 zoom, for example??

0 upvotes
Total comments: 18