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Body & Design

Physical size notwithstanding, the Rebel SL1's design will be immediately familiar to anyone who's used an entry-level Canon SLR over the last few years. The camera's aluminum and polycarbonate resin body construction feels appropriately solid in your hands. A textured handgrip is deep enough to provide a firm hold of the camera, and there's also the familiar contoured thumb pad along the right side of the camera.

All of the key shooting controls you'd expect in an entry-level Rebel series are present: focus point selection and exposure lock, along with dedicated ISO, exposure compensation and depth-of-field preview buttons. The Q menu and SET option share a button and are surrounded by a 4-way controller. Its directional keys no longer have functions assigned to them: instead all secondary options are accessed via the on-screen 'Q' panel.

Top of camera

The controls along the top of the Rebel SL1 are almost indistinguishable from those found on the T4i/T5i. An easy to reach ISO button sits next to the camera's single adjustment dial. A three-position switch surrounding the mode dial is used to power the camera on and off and switch to video mode. You must set the camera to video mode in order for the red record button on the rear of the camera to work; in stills mode it enters and exits live view. But while you can't record movies in stills mode, you can capture stills in movie mode with a full-press of the shutter button.

The mode dial sees a couple of changes though. For starters, the number of icons has been reduced, with several scene modes now housed under a single mode icon. In addition, we're happy to note that on the SL1 you can rotate the dial a full 360 degrees, a long overdue feature we saw Canon adopt on the EOS 6D. The A+ position on the mode dial gives access to Intelligent Auto mode, and is followed by other fully automatic modes like Creative Auto and Canon's scene modes. Rotating the dial the other way gives access to the program, shutter priority, aperture priority and manual modes.

The SCN position gives access to six modes. Three of these - Night Portrait, Handheld Night Scene and HDR Backlight Control - are familiar from previous models, while another three are new to the SL1 (Kids, Food, and Candlelight). They're selected using an onscreen menu, which like everything almost else on the SL1 can be operated by touch.

In your hand

The SL1 feels reasonably solid in your hand and provides the external controls you'd expect in a Canon entry-level DSLR. Button shape and placement has been redesigned from earlier Rebels to accommodate the SL1's significantly reduced size. The handgrip, with its offset shutter button and lip running across to the lens throat, is surprisingly good for such a small SLR.

The Rebel SL1 is comfortable to hold - indeed unexpectedly so for a small camera. The textured grip is deep enough to provide a solid hold of the camera. Users with even medium-sized hands, however, may be taken aback initially at just how little beyond the bottom edge of the rear LCD the camera body extends. Many may find it difficult to wrap all three remaining fingers around the grip when holding the camera in a shooting position, an experience not unlike using a 'bridge' camera for example.

Make no mistake though, we find it impressive that Canon has been able to whittle away so much size and weight from a DSLR while still allowing it to operate more or less like just about any recent Rebel-class camera.

Viewfinder size and crop

One figure hidden away in every SLR's spec is the size of the viewfinder (often in a format that makes comparison between competing models impossible). The size of the viewfinder is a key factor in usability: the bigger it is, the easier it is to frame and focus your shots, and the more enjoyable and involving process it is.

Because of the way viewfinders are measured (using a fixed lens, rather than a lens of equivalent magnification), you also need to take the sensor size into account, so the numbers in the diagram below are the manufacturer's specified magnifications divided by the respective 'crop factors'.

The EOS 100D/Rebel SL1's small body size fortunately does not result in a reduced view magnification. In fact, the Rebel SL1 offers slightly higher magnifications than larger APS-C DSLRs from Canon and Nikon. It still falls well shy of the high view magnification offered by Sony SLT models, which use an electronic viewfinder.

The pentamirror viewfinder in the Rebel SL1 offers approximately 95% scene coverage, on par with optical finders in cameras of its class. As you can see in the illustration above, the camera provides a magnification view that is marginally greater than the physically larger co-announced T5i. As is standard on Canon's lower-level DSLRs, the viewfinder's focusing screen is not user-replaceable. You can set diopter adjustments between -3 and +1.

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Comments

Total comments: 18
destritt
By destritt (1 week ago)

This looks like a great camera but I have Canon EOS Rebel T31 and absolutely love it. Alright, call me old fashion or old school but all those attachments associated with digital cameras scare me to death so a neighbor recommended the Canon EOS Rebel T3i as a good choice for a beginner photographer like me. There are so many brands and types of digital cameras in the market today that it is stressful for me to even think about buying one.
I did buy the Canon EOS Rebel T3i http://www.squidoo.com/canon-eos-canon-eos-rebel-t3i-camera-review-best-price but not without a lot of stress.

0 upvotes
dweberphotography
By dweberphotography (2 weeks ago)

This camera really is tiny. Compared to Sony's a230, which was the smallest of its time, it is about the same size, but he SL1 can shoot 4fps compared to 2.5, and has a much bigger buffer, and has 18mp instead of 10.2, and has a touhscreen, etc.

I think this is a great camera for the size and pice.

0 upvotes
Dr Aref
By Dr Aref (3 weeks ago)

40mm 2.8 STM is a full frame lens and it become 64mm equivalent if we use it with EOS 100D. So you really cant use for street photography. It is really perplexing to me why Canon is not making any pancake lens for EFS, like M22mm F2 (equvalent to 35mm full frame) they made for EOS M. They can easily modify that lens to be used with 100D. The combined small form factor with any 24, 28 or 35mm equivalen pancake lens EFS will be a big selling boost for 100D and other Canon APC SLRs.

I think Canon should rethink in their lens line up strategy.

1 upvote
C M Greene
By C M Greene (2 months ago)

Despite what the review says the 40mm 2.8 STM (pancake) lens is an EF lens, not an EF-S lens. (at least when I last looked at mine)

Now as a result of Canon just announcing the 55-250 IS STM lens, Canon will have three EF-S STM lenses. But it did not when this review was written.

0 upvotes
CameraLabTester
By CameraLabTester (2 months ago)

The Multi Shot Noise Reduction is a real killer of a feature.

4 super fast frames merged into one image for a clean (noiseless) low light photo.

This feature is on the Fuji X series (the X10 has it) and now here on the 100D.

.

1 upvote
Rmano
By Rmano (2 months ago)

The size is quite similar to my sony alpha 55. I was quite deceived when they decided to grow up the 57 and further models. Really don't know why. It's a great positive point in my opinion for this camera...
http://camerasize.com/compare/#448,238

Comment edited 34 seconds after posting
0 upvotes
MnTony
By MnTony (2 months ago)

I rented one of these in May to take on a short vacation rather than drag my much heavier camera along. I debated renting one of the mirrorless models, but this had just been announced and seemed like an interesting choice. I used it almost entirely with the 40mm pancake lens. It was terrific. Barely noticed it hanging around my neck. I owned an original Digital Rebel way back when - this kit is noticeably smaller and lighter. The touch screen really helps when you're used to a camera with lots of dedicated buttons.

There's more on my blog about it with a few shots. This was from the point of view of a photographer who shoots Manual or Av, so there's nothing about the picture modes. It's here: http://www.addrummimages.com/2013/05/19/new-orleans-and-the-canon-sl1/

For geeky info about size and weight, I did a follow-up post here: http://www.addrummimages.com/2013/05/25/canon-sl1-followup/

FWIW...
Tony

0 upvotes
Wimlex
By Wimlex (2 months ago)

Hi Yonsarh, I've been thinking the same! Back to film....But I don't think this will happen. The camera companies have spent so much in digital photgraphy. Even the "super-cameras" like Hasselblad did it. Although you still can buy Hasselblad cameras which use film....So, I don't know. I alwys loved to work in the dark room, developing my own films and print the pics myself. My tool; a Hasselblad EL/M, build in 1973, with a 100 mm Zeiss-lens. Big fun!!!!! We'll wait and see.. :-)

0 upvotes
yonsarh
By yonsarh (2 months ago)

No, in the future, the sensor price will so cheap that it will cost less than a dollar and camera image sensor will be used on everywhere. So we could expect end of digital photography and people will eventuallly come back to film again.

1 upvote
Pyrros
By Pyrros (3 months ago)

I wonder how it is that the Canon EOS Rebel SL1 has a DPreview Gold Award (an overall score of 78%), whereas the more sophisticated 60D has only managed a Silver Award in your Review (with an overall score of 79%)??!!

1 upvote
Zmkis
By Zmkis (3 months ago)

If you haven't noticed 100D is entry level while 60D is mid level. DPreview warns that different categories scores are not directly comperable.

3 upvotes
Bill3R
By Bill3R (3 months ago)

I have noticed this too with other cameras and it doesn't make sense to me. Why don't you standardize your rating system.

Comment edited 1 minute after posting
1 upvote
ArturoGars
By ArturoGars (2 months ago)

What is the meaning of the percentile and gold award anyway? I am trying to find the legend on the percentile and award but the explanations is nowhere.

Comment edited 47 seconds after posting
0 upvotes
GeminiH
By GeminiH (3 months ago)

Its funny how this is considered a radical, minaturised design, yet its the same size as the 450D/500D was 4-5 years ago. The internal functions, pentaprism, sensor size have been similar all along.

The biggest change has been the flip screen. Who uses that regularly?

3 upvotes
Nichlas H
By Nichlas H (1 month ago)

I just upgraded from an EOS 400D to the 100D. The 100D *is* definitely a smaller camera.

Comment edited 15 seconds after posting
0 upvotes
GeminiH
By GeminiH (3 months ago)

I'm trawling through to find out what AF points this has, apart from the hybrid sensor...

Any takers?

0 upvotes
bandkj7
By bandkj7 (2 months ago)

Same as Rebel T5i, T4i, T3i - 9-points.
http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_rebel_sl1_18_55mm_is_stm_kit#Specifications

0 upvotes
Eurodynamica
By Eurodynamica (3 months ago)

>>>>>>Autofocusing with a USM or other lens in either mode is still difficult, however, and fraught with cumbersome seeking during video and long autofocus lag for stills <<<< Does that mean a Sigma 18-->200 zoom, for example??

0 upvotes
Total comments: 18