
White Balance
The DSC-V1 had a real problem with our outdoor test chart.
Using Auto white balance the test chart was always reproduced with a clearly
noticeable blue cast. The chart itself does not sit in direct sunlight
but does face 'the outdoors' is lit by strong ambient light (no other
digital camera has had a problem measuring WB in the outdoor shot). Setting
the camera to the Cloudy preset or taking a Manual reading did of course
produce a better rendition.
Under artificial light the V1's Auto white balance worked
very well in fluorescent light but less so in incandescent light where
it suffered from a warm yellow cast.
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 |
 |
| Outdoors, Auto |
Outdoors, Cloudy (or Sunny) |
Outdoors, Manual |
 |
 |
 |
| Incandescent, Auto |
Incandescent, Incandescent |
Incandescent, Manual |
 |
 |
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| Fluorescent, Auto |
Fluorescent, Fluorescent |
Fluorescent, Manual |

Macro Focus
The DSC-V1's best macro frame coverage (smallest possible
area across the entire frame) was 56 mm (2.2 in) at half zoom. This was
an almost exact match for the Canon PowerShot G5's performance, above
average.

Flash Performance
The DSC-V1's pop-up flash has a specified range of 3.5 m (11. 5 ft).
As you can see flash shots did not suffer from any color cast but were
slightly underexposed with a bright background, this could be corrected
using flash exposure compensation (menu option).
 |
 |
| Skin tone - Natural color,
no blue cast, moderately underexposed. |
Color patches - Good color
balance, no color cast, moderately underexposed. |

Night exposures
There are two methods for taking night exposures with the DSC-V1. Firstly
there is the built-in Night Scene mode, we found this to be frankly inadequate,
especially as its longest shutter speed was two seconds. The second (and
IMHO preferred) is to use manual exposure mode, here too you can of course
select the aperture to improve sharpness and use timed exposures of up
to 30 seconds. The V1 has automatic noise reduction which is applied automatically
for exposures of 1/6 sec or slower.
 |
 |
| Manual exposure: ISO 100, 8 sec,
F4.0 |
 |
 |
| Manual exposure: ISO 100, 30 sec,
F8.0 |

Barrel and Pincushion Distortion
In our lens distortion tests the DSC-V1 exhibited 1.1%
barrel distortion at wide angle and 0.6% pincushion distortion at telephoto.
These results are about average for a compact four times optical zoom
lens, unfortunately a certain amount of lens distortion has to be expected
on these compact long zoom lens systems.
 |
 |
| Barrel Distortion, 1.1% @ wide
angle |
Pincushion Distortion, 0.6% @
telephoto |

Vignetting / Light fall off
Our vignetting / light fall off test is very simple, a
shot of a blank wall from two meters away, vignetting will always be most
visible at wide angle and maximum aperture and will start to disappear
at smaller apertures and/or further zoom. The DSC-V1 exhibits some very
slight vignetting (less than average) at wide angle and also at telephoto
(which is unusual). Having said that the amount of vignetting / light
fall off we can see below would almost definitely not be visible in everyday
shots.
 |
 |
| Slight corner vignetting visible
at wide angle and maximum aperture (F2.8) |
Again, very slight (less than
at wide angle) vignetting at telephoto (F4.0) |

Purple Fringing (Chromatic Aberrations)
The DSC-V1 certainly did exhibit some purple fringing on
our standard test shot, however it seemed to occur with this strength
at wide angle and maximum aperture. Our everyday shots exhibited very
little purple fringing.
 |
 |
| No fringing visible around reflective
highlights, F4.0 |
Slight fringing visible in areas
of contrast, F4.0 |
 |
|
| Our standard chromatic aberration
test shot |
|

Overall Image Quality / Specific Issues
Sony will be pleased to hear that other than what is mentioned
above I had no other issues with the DSC-V1's image quality. Indeed the
V1 consistently delivered well exposed, sharp images with good resolution,
tonal balance and color. Noise levels were kept under control by Sony's
noise reduction systems and the camera performed well even at ISO 400
(although 800 is a little brave). Considering the size of the lens system
this also produced good results, some moderate distortion at wide angle
but apart from that good performance throughout the zoom range.
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