
Color mode
The DSC-F828 sees the introduction of a new setting named
'Color', you can select between 'Standard' and 'Real'. The manual doesn't
help much either, it's description is "Shots for faithfulness of
the actual texture and color, which the contrast, brightness, and saturation
become lower. This mode is suitable for modifying the image on a computer"
UPDATE: After completing the review
Sony inform me that the 'Real Color' mode is actually mapped to the sYCC
color space, personally I've never heard of this before nor seen it implemented
in any known photo applications. Perhaps Sony could make the ICC profile
for sYCC available for download.
Place your mouse cursor over the labels shown below the color chart to
see the difference between shooting in Standard or Real color modes and
also how these compare to the DSC-F828's predecessor, the DSC-F717.
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| F828 Standard Color |
F828 Real Color |
F717 |
Below are three studio shots taken with both Standard and Real color
modes on the DSC-F828 and for reference the same shot taken with the DSC-F717.
I do prefer the DSC-F828's Standard color output to the DSC-F717, most
notably blues and yellows appear to be more accurate.
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| DSC-F828 Standard Color |
DSC-F828 Real Color *
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DSC-F717 |
* Not valid measured on an sRGB CIE chart as we
now know this is sYCC color space.

Image parameters
In addition to the 'color' setting above the DSC-F828 also
provides a full range of image parameter controls; saturation, contrast
and sharpness. I commend Sony for finally providing control of these image
parameters to enable owners to 'tune' the camera to their own personal
tastes, output medium or scene type. Perhaps in the next camera they could
provide more latitude of adjustment for each setting (-3 to +3?).
Saturation adjustment
Saturation adjustment allows you to control the strength
of color in the final image, a frequent criticism of older Cybershot's
was 'Disney' color reproduction, I'm glad to say that's no longer true
and that you can go for even milder color with the '-' setting.
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Saturation |
100% crop |
| - |
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| 0 |
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| + |
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Contrast adjustment
Adjusting the contrast setting alters the shape of the
'S curve' used to map the linear image data captured by the sensor into
the correct gamma. A lower contrast setting maintains more of the original
data's dynamic range but leads to a flatter looking image. A higher contrast
setting stretches the grayscale (dark to light) of the image and could
lead to clipping of both shadow detail and highlights.
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Contrast |
Luminosity histogram |
| - |
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| 0 |
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| + |
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Sharpness adjustment
A limited range of sharpness adjustment which makes only
a very subtle difference to the overall look of the output image. This
is a good example of a parameter which would benefit from more latitude
of control.
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Sharpness (100%
crop) |
| - |
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| 0 |
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| + |
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