Resolution Chart Comparison (JPEG)
Images on this page are of our standard resolution chart which provides for measurement of resolution up to 4000 LPH (Lines Per Picture Height). A value of 20 equates to 2000 lines per picture height. For each camera we use the relevant prime lens (the same one we use for all the other tests in a particular review). The chart is shot at a full range of apertures and the sharpest image selected. Studio light, cameras set to aperture priority (optimum aperture selected), image parameters default. Exposure compensation set to deliver approximately 80% luminance in the white areas.
NEW: This is a slightly new treatment of resolution, intended to streamline the amount of information that we include in our tests. As always though, we've made the original images available for download (just click on the magnifying glass on the thumbnail below) so you can still take a look at the camera's raw and JPEG output yourself, using your choice of raw conversion/sharpening workflow.
What we want to show here is how well the camera is able to resolve the detail in our standard test chart compared to the theoretical maximum resolution of the sensor, which for the charts we shoot is easy to work out - it's simply the number of vertical pixels (the chart shows the number of single lines per picture height, the theoretical limit is 1 line per pixel). Beyond this limit (which when talking about line pairs is usually referred to as the Nyquist frequency) the sensor cannot faithfully record image detail and aliasing occurs.
This limit is rarely attained, because the majority of sensors are fitted with anti-aliasing filters. Anti-aliasing filters are designed to reduce unpleasant moiré effects, but in doing so, they also reduce resolution (the relative strength and quality of these filters varies from camera to camera). In theory though, a sensor without an AA filter, when coupled with a 'perfect' lens, will deliver resolution equal to its Nyquist limit. Therefore, even though it may be effectively unattainable with normal equipment in normal shooting situations, an understanding of a sensor's theoretical limit provides a useful benchmark for best possible performance. Nyquist is indicated in these crops with a red line.
On this page we're looking at both JPEG and Raw resolution. For a (more) level playing field we convert the latter using Adobe Camera Raw. Because Adobe Camera Raw applies different levels of sharpening to different cameras (this confirmed) we use the following workflow for these conversions:
- Load RAW file into Adobe Camera RAW (Auto mode disabled)
- Set Sharpness to 0 (all other settings default)
- Open file to Photoshop
- Apply a Unsharp mask tuned to the camera, usually 100%, Radius 0.6, Threshold 0
- Save as a TIFF (for cropping) and as a JPEG quality 11 for download
|JPEG (4000 x 3000) 4.9MB||RAW (4000 x 3000) 3.1MB|
The G2 offers very similar performance to the G1 and GF1. The light anti-alias filter is obvious from the raw file, which gets very close to Nyquist (note that as you can see in the examples on the next page, it's possible to get a lot closer to Nyquist if you use a different raw converter).
Panasonic Lumix DMC-G2 12.1MP Compact System Camera Kit - Black
with 14-42mm Lumix G VARIO f/3.5-5.6 ASPH MEGA OIS Lens
Panasonic Lumix DMC-G2 12.1 MP Live MOS Interchangeable Lens Camera
with 3-Inch Touch Screen LCD and 14-42mm Lumix G VARIO f/3.5-5.6 MEGA OIS Lens (Black)
Panasonic Lumix G2 12.1MP Compact System Camera Kit - Red
Panasonic Lumix G2 12.1MP Compact System Camera Twin Lens Kit - Black
Panasonic Lumix G2 12.1MP Compact System Camera Body - Black
Panasonic Lumix FS16 - Black+4gb Memory
+ Case (14.1MP, 4x Optical Zoom) 2.7 inch LCD