Resolution Chart Comparison
Images below are of both versions of our charts, we introduced version two of the resolution chart in October 2005 to cope with the higher resolution cameras which could already out-res the version one chart. The Pentax K100D and Canon EOS 350D images are of this version two chart, the Pentax *ist DS and Nikon D50 images are of version one. The only difference for this comparison is the relative size of the typeface and the fact that the horizontal resolution 'up to 2000 LPH' ramp runs from left to right on the version two chart, right to left on the version one.
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| Nikon D40 |
Pentax K100D |
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| Canon EOS 350D |
Nikon D50 |
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| Nikon D40 |
Pentax K100D |
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| Canon EOS 350D |
Nikon D50 |
Measurable findings (three measurements taken for each camera):
| Camera |
Measurement |
Absolute
resolution |
Extinction
resolution |
| Nikon D40 |
Horizontal LPH |
* 1600 |
* 1850 |
| Vertical LPH |
1550 |
1700 |
| Pentax K100D |
Horizontal LPH |
* 1600 |
* 1800 |
| Vertical LPH |
* 1600 |
* 1800 |
| Canon EOS 350D |
Horizontal LPH |
1850 |
2100 |
| Vertical LPH |
1650 |
2100 |
| Nikon D50 |
Horizontal LPH |
1600 |
* 1850 |
| Vertical LPH |
1400 |
* 1850 |
| * |
Moire is visible |
| + |
Chart maximum |
| LPH |
Lines per Picture Height (to allow for different aspect ratios the measurement is the same for horizontal and vertical) |
| Absolute res. |
Point at which all lines of a resolution bar are still visible and defined, beyond this resolution loss of detail occurs (below Nyquist frequency). |
| Extinction res. |
Detail beyond camera's definition (becomes aliased) |
Interestingly despite its apparent advantage in our still life scene comparison the D40 performed very slightly under the K100D's figures. There can be several explanations for this but the most likely is that Nikon's software based 'low pass filtering' kicks in earlier than that of the K100D which also exhibits more moire at and beyond absolute resolution.
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