Operation and controlsThe S9000's buttons and switches cover its body like a rash, adding to the 'SLR-like' handling, and meaning you'll make far fewer trips to the menu system in everyday photography. I'd have been a lot happier if white balance wasn't hidden in a menu (or even if it was put in the underutilized 'F" menu), and I'd much rather see an external control for ISO. This is especially true given the wide ISO range on offer, and the rather unsatisfactory auto ISO mode (which seems a little too happy to move right up the scale when using flash, and a little hesitant to when you really need it - at the long end of the zoom on overcast days). Of course all those buttons can seem a little daunting at first glance, but the more you use the S9000 the more you appreciate the control layout, though there are elements of the user-interface (particularly the menu system) that are frankly frustrating, so near to being 'just right', but not quite there. That said, it's more of a photographic tool than 99% of the fixed-lens cameras on the market, and does offer about as close an experience as possible to using a DSLR without actually being one. Rear of camera
The rear of the S9000 is home to a plethora of control buttons and switches. To the left of the viewfinder is a circular metering mode switch, surrounding an Auto Exposure Lock button. Below this are toggle switches for the electronic viewfinder and LCD screen and a 'Focus Check' button (to enlarge the central portion of the frame in manual focus mode). Next down is Fuji's now-standard 'F' (that's F for Photo Mode...) button, which, like a cut-down version of Canon's FUNC menu, offers fast access to image size / quality, ISO and color mode. Below this are the standard four-way menu controller (with a menu / OK button in the middle) and DISP/BACK button (used to change the record and playback display modes, and to act as a 'cancel' button in menus). Top of cameraDisplay and menusIn the past I've criticized Fujifilm for 'refining' (i.e. completely redesigning) it's user interface with each new generation of cameras, something that's probably more of a problem for camera reviewers than normal users (save for those hoping for a seamless upgrade from a previous FinePix). When it comes to the S9000's menu system (which is almost identical to the FinePix F10's), I'd have to say a wholesale redesign would be more than welcome, because it is frustratingly difficult to master. The rest of the user-interface is fine - there's lots of information to hand, and - though by no means the prettiest on the market - it does its job well in almost all shooting situations, and rarely - if ever - gives cause for complaint.
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