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Canon EOS 5D Mark II specifications

street price
(body only)
• US: $ 2,699
• EU: € 2,499
• UK: £ 2,299
List price
(EF 24-105 L kit)
• US: $ 3,499
• EU: € 3,299
• UK: £ 3,049
Body material Magnesium alloy
Sensor * • 36 x 24 mm CMOS sensor
• Full 35 mm size frame
• RGB Color Filter Array
• Built-in fixed low-pass filter (with self-cleaning unit)
• 22.0 million total pixels
• 21.1 million effective pixels
• 3:2 aspect ratio
Lenses • Canon EF lens mount (does not support EF-S lenses)
• No field of view crop (1.0x)
Dust reduction • "EOS Integrated Cleaning System"
• Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled)
• Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software
Image processor * DIGIC 4
A/D conversion 14 bit
Image sizes (JPEG) * • 5616 x 3744 (21.0 MP)
• 4080 x 2720 (11.1 MP)
• 2784 x 1856 (5.2 MP)
Image sizes (RAW) * • 5616 x 3744 (21.0 MP)
• 3861 x 2574 (10.0 MP)
• 2784 x 1856 (5.2 MP)
File formats *

• RAW (.CR2; 14-bit)
• JPEG (EXIF 2.21) - Fine / Normal
• RAW + JPEG (separate files)
sRAW1, sRAW2 (see above) *

Auto focus • 9-point TTL CMOS sensor
• 6 "Invisible Assist AF points"
• Centre point cross type F5.6 or faster
• Center point additionally sensitive with lenses of F2.8 or faster
• AF working range: -0.5 - 18 EV (at 23°C, ISO 100)
Focus modes • One shot AF
• AI Servo AF
• AI Focus AF
• Manual focus
AF micro adjustment *

• Adjust all lenses by same amount (effectively body adjustment)
• Adjust up to 20 lenses individually

AF point selection • Auto
• Manual
Predictive AF • As close as 8 m (with 300 mm F2.8L lens at 50 kph)
AF assist No (only with external flash)
Metering • TTL full aperture metering 35 zone SPC
• Metering range: 1.0 - 20 EV
Metering modes

• Evaluative 35 zone (linked to any AF point)
• Partial (8% at center)
• Spot metering (approx. 3.5% at center)
• Center-weighted average

AE lock • Auto: One Shot AF with evaluative metering
• Manual: AE lock button
Exposure compensation • +/-2.0 EV
• 0.3 or 0.5 EV increments
Exposure bracketing • +/- 2.0 EV
• 0.3 or 0.5 EV increments
Sensitivity *

• ISO 100 - 6400
• 0.3 or 1.0 EV increments
• Auto ISO (100-3200)
• Expansion options:
ISO 50 (L1)
ISO 12800 (H1)
ISO 25600 (H2)

Shutter • Focal-plane shutter
• 150,000 exposure durability
• 30 - 1/8000 sec
• 0.3 or 0.5 EV increments
• Flash X-Sync: 1/200 sec
• Bulb
Aperture values • F1.0 - F91
• 0.3 or 0.5 EV increments
• Actual aperture range depends on lens used
White balance • Auto
• Daylight
• Shade
• Cloudy
• Tungsten
• Fluorescent
• Flash
• Custom
• Kelvin (2500 - 10000 K in 100 K steps)
WB bracketing • +/-3 levels
• 3 images
• Blue / Amber or Magenta / Green bias
WB shift • Blue (-9) To Amber (+9)
• Magenta (-9) to Green (+9)
Picture style • Standard
• Portrait
• Landscape
• Neutral
• Faithful
• Monochrome
• User def. 1
• User def. 2
• User def. 3
Custom image parameters • Sharpness: 0 to 7
• Contrast: -4 to +4
• Saturation: -4 to +4
• Color tone: -4 to +4
• B&W filter: N, Ye, Or, R, G
• B&W tone: N, S, B, P, G
Image processing options *

• Highlight tone priority
• Auto lighting optimizer (4 settings)
• Long exposure noise reduction
• High ISO noise reduction (4 settings)
• Auto correction of lens peripheral illumination (vignetting)

Color space • sRGB
• Adobe RGB
Viewfinder * • Eye-level pentaprism
• 98% frame coverage
• Magnification: 0.71x (-1 diopter with 50 mm lens at infinity)
• Eyepoint: Approx. 21 mm
• Interchangeable focusing screen (3 other types optional)
• Dioptric adjustment: -3.0 to +1.0 diopter
Mirror • Quick-return half mirror (transmission:reflection ratio 40:60)
• Mirror lock-up (once or multiple exposures)
Viewfinder info *

• AF information:
AF points
Focus confirmation light
• Exposure information:
Shutter speed
Aperture value
ISO speed (always displayed)
AE lock
Exposure level/compensation
Spot metering circle
Exposure warning
AEB
• Flash information:
Flash ready
High-speed sync
FE lock
Flash exposure compensation
• Image information:
White balance correction
CF card information
Monochrome shooting
Maximum burst (2 digit display)
Highlight tone priority (D+)

LCD monitor * • 3.0 " TFT LCD
• 920,000 pixels
• Automatic 3 level brightness adjustment plus 7 manual levels
• 170 ° viewing angle
• Dual anti-reflection ('Clear View')
LCD Live view *

• Live TTL display of scene from CMOS image sensor
• 100% frame coverage
• 30 fps
• Real-time evaluative metering using CMOS image sensor
• Best view or exposure simulation
• Silent mode
• Grid optional (x2)
• Magnify optional (5x or 10x at AF point)
• Three AF modes - Live mode / Quick mode / Face Detection
• Live histogram (Luminance or RGB)
• Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT)

Movie recording *

• Available optionally during Live view mode
• 1920 x 1080 (16:9) up to 12 mins (Quicktime 1080p H.264; 38.6 Mbits/sec)
• 640 x 480 (4:3) up to 24 mins (Quicktime 480p H.264; 17.3 Mbits/sec)
• Max file size 4 GB
• Quicktime MOV format (H.264 video, PCM sound)
• 30 fps

Record review • Off
• On (histogram via INFO button)
• Display mode same as last used Play mode
• 2 / 4 / 8 sec / Hold
Playback modes

1. Single image with exposure, file number, storage slot
2. As 1 but also image count and quality
3. Detailed exposure information, thumbnail and luminance histogram
4. Less detailed exposure info., thumbnail, luminance and RGB histograms

Playback features • Optional blinking highlight alert
• Optional AF point display
• Magnified view (up to 10x)
• 2x2 or 3x3 thumbnail index
• Jump (by 1, 10, 100 images, screen, date, folder, movies, stills)*
• Delete / Protect
Flash

• No built-in flash unit
• E-TTL II auto flash / metered manual
• Flash compensation +/-2.0 EV in 0.3 or 0.5 EV increments
• X-Sync: 1/200 sec
• Hot-shoe & PC Terminal

External flash • E-TTL II auto flash with EX-series Speedlites
• In-camera flash configuration (currently only 580 EX II)
• Wireless multi-flash support
• PC Sync
Shooting modes

• Auto
• Creative Auto *
• Program AE (P)
• Shutter priority AE (Tv)
• Aperture priority AE (Av)
• Manual (M)
• Custom 1
• Custom 2 *
• Custom 3 *

Drive modes

• Single
• Continuous: 3.9 fps *
• Self-timer: 2 or 10 sec (2 sec with mirror lock-up)

Burst buffer • Large/Fine JPEG: 78 frames (310 with UDMA card) *
• RAW: 13 frames *
Orientation sensor Yes
Auto rotation • On (recorded and LCD display)
• On (recorded only)
• Off
Custom functions * 25 custom functions with 71 settings in 4 groups
Menu languages *

• 25 Languages
• English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese

Firmware User upgradable
Portrait grip • Optional WFT-E4 (WiFi / LAN / USB mass storage)
• Optional BG-E6 battery grip
Connectivity *

• USB 2.0 Hi-Speed
• AV out (video & audio *)
• HDMI connector *
• Microphone input *
• PC Sync flash terminal
• Communication terminal on base for WFT-E4
• InfraRed *

Storage * • Compact Flash Type I or II (inc. FAT32)
• Supports UDMA cards *
• Copyright metatag support
• Canon Original Data Security Kit supported ("Original Image Data")
Power * • Lithium-Ion LP-E6 rechargeable battery (supplied & charger)
• CR1616 for date & settings
• Approx. 850 shots at 20°C
• Battery indication 6 levels & percentage (memorized)
Dimensions * 152 x 114 x 75 mm (6.0 x 4.5 x 2.9 in)
Weight * • No battery: 810 g (1.8 lb)
Accessories

• Viewfinder: Eyecup Eb, E-series Dioptric Adjustment Lens with Rubber Frame Eb, Eyepiece Extender EP-EX15, Focusing Screens Eg, Angle Finder C
• Wireless File Transmitter WFT-E4
• Battery Grip BG-E6
• All EF lenses (excludes EF-S lenses)
• Canon Speedlites (220EX, 380EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2)
• Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-1, Remote Controller RC-5
• Original Data Security Kit OSK-E3

* Changes or additions compared to the EOS 5D

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Comments

Total comments: 3
BobFoster

I work in Nyc as a fashion photographer and I have to say the the 5d series are the most used cameras out side of medium format cameras .Ive been shooting with the mark 3 for over a year after shooting with the mark 2 for 2 years great both great cameras. You can see the shots I've taken with it for my work on my website www.brianschutzaphotography.com hope it helps!! also note I only shoot RAW format.

1 upvote
EcoPix

Was it really 2009? I'm still in the first flush of my love affair with this camera. And I'm still fathoming the depths of its capability. Okay, she's got a lot of paint missing these days, but the images are still magic. Whenever I use another camera, I sigh and wonder why I didn't use the 5D2.
A brief history of photography:

silver chemistry

flexible roll film

Kodachrome

Velvia

5D Mark 2...

0 upvotes
reanim888

As I know when the original 5D debuted three years ago, it wasn't clear why most enthusiasts would want such a camera. Though it captured excellent, high resolution images, it was slower and bigger and more expensive. Today the market has changed significantly, and it's clear that the market is ready for full-frame digital SLRs that can turn out high image quality. High quality is one thing, but being a camera that can deliver high quality over a wide range of lighting conditions and different ISO settings is what makes the Canon 5D Mark II such a compelling choice, and a clear Dave's Picks.
It's really very very good.

1 upvote
Total comments: 3