
Image parameters
The Mark II splits its image parameter adjustment into two groups, the
first is 'Parameters' which provides for control of the Tone Curve, Sharpness
and Contrast. The second is 'Color matrix' which provides for control
of Color space, Saturation and Color Tone. This is a notable improvement
over previous iterations of the EOS-1D as you can see from the table below.
Image
parameter |
EOS-1D |
EOS-1Ds |
EOS-1D Mark
II |
| Tone curve |
Yes, via upload |
Yes, via upload |
Yes, via upload |
| Contrast |
No |
No |
Yes, +/-2 |
| Sharpness |
Level & Pattern |
Level & Pattern |
Level |
| Color space |
Preset color matrix |
Preset color matrix |
Preset, custom
matrix |
| Color saturation |
No |
No |
Yes, custom matrix |
| Color tone |
No |
No |
Yes, custom matrix |
Parameters: Tone curve
Custom Tone Curves can be created using the supplied Canon EOS Viewer
Utility while manipulating a RAW file, these curves can then be saved
into a .TCD file and uploaded into one of the three custom Tone Curve
locations in the Mark II. The samples below were shot one after another
in JPEG mode with first the standard tone curve and then a custom tone
curve.
Settings:
Settings:
ISO 200, Canon EF 24-70 mm F2.8L, Color matrix: Standard
 |
 |
| Standard tone curve |
Custom tone curve (very contrasty) |
 |
 |

 |

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Parameters: Sharpness
As with previous professional digital SLR's Canon has taken a 'hands
off' approach to image sharpening on the Mark II. The Sharpness setting
on the Mark II ranges from 0 (virtually no sharpening) to 5 (sharp). The
Standard image parameter set has a Sharpness setting of 0, so essentially
'out of the box' the camera has almost no sharpening applied to its images.
From a professional workflow and finishing point of view this can be seen
as a good thing as it does ensure that no sharpening artifacts are introduced
into the image (which can not be removed later) and allows the photographer
(or picture editor) to sharpen the image were appropriate.
Personally I prefer my images with a little sharpening out of the camera,
I would recommend a Sharpness setting of 3 as this delivers sharp details
with very few artifacts, personally however I used a setting of 2 which
delivers a very clean image with no halo artifacts but still enough sharpening
to 'pull out' the detail.
Settings:
Settings:
ISO 200, Canon EF 24-70 mm F2.8L, Color matrix: Standard
 |
| Sharpness: 0 |
 |
| Sharpness: 1 |
 |
| Sharpness: 2 |
 |
| Sharpness: 3 |
 |
| Sharpness: 4 |
 |
| Sharpness: 5 |
Parameters: Contrast
Adjusting the tone alters the shape of the 'S curve' used
to map the linear image data captured by the sensor into the correct gamma.
A lower contrast setting maintains more of the original data's dynamic
range but leads to a flatter looking image. A higher contrast setting
stretches the grayscale (dark to light) of the image and could lead to
clipping of both shadow detail and highlights.
Settings:
Settings:
ISO 200, Canon EF 24-70 mm F2.8L, Parameters: Shp+2
| |
Contrast |
Luminosity histogram |
| -2 |
 |

 |
| 0 |
 |

 |
| +2 |
 |

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|