Whether you're taking pictures of your kids or trying to get a photo of that elusive sea turtle, you want your camera to be responsive. With one exception, the PowerShot D20 holds its own in the performance department. The D20 starts up in roughly 0.8 seconds, which is quite good for a compact camera. The user interface is snappy, with no waiting for menus to come up. Changing settings is quick and easy, though deleting photos takes more steps than it should, as the camera lacks a dedicated button for this purpose.
In good lighting, autofocus performance is very responsive, with focus times hovering around a half second. The D20 doesn't fare as well in low light, taking upwards of two seconds to lock onto its subject. Underwater, the camera focused well, though we were shooting in good light most of the time. Regardless of where you're shooting, you'll wait for two seconds without the flash to four seconds with it.
If it's continuous shooting you're after, the D20 can keep firing away at 1.9 fps, until your memory card fills up. That's not bad, though some of its peers are capable of shooting considerably faster (but not for very long).
The PowerShot D20's battery life of 280 shots per charge is decent (but not spectacular) for a compact camera. You should be able to get through a day of shooting without having to recharge. Keep in mind that the battery life number above is calculated with the GPS turned off. With it turned on, expect battery life to be considerably shorter - especially if you have the logging function turned on.
Above water, the PowerShot D20 produces fairly good photos for a camera in its class. Images are on the soft side at very close examination, though you'll only notice this when viewing the photos at 100% on your computer - something most potential D20 buyers probably won't end up doing often. Color saturation is pleasing, capturing the beauty of Maui just as my eyes saw it on a recent vacation. Photos do have a bit of grainy luminance noise to them, though that's in exchange for less detail smudging than many other compact cameras.
Bright Light, Low ISO
|Photo have pleasing (though not overly saturated) color and accurate exposure.
ISO 100, 1/250 sec, f/9
|When you view images at 100% though, you'll find that they're on the soft side.|
At high sensitivities (ISO 800 and above), details start to get lost, which is what you'd expect from a small-sensored camera. Photos taken at ISO 800 and 1600 are still usable, but only for small prints or web viewing.
Low Light, High ISO
|At ISO 1600, you'll see that there's quite a bit of detail loss on the books.
ISO 1600, 1/13 sec, f/3.9
While exposure is mostly accurate, the D20 does struggle with highlight clipping, which is common for a compact camera. You can reduce some of this by using the i-Contrast feature, which is covered in our full review of the PowerShot D20.
|The crop above is a rather extreme example of strong lateral chromatic aberration, which you'll find in several places in this image (and others in our gallery).
ISO 100, 1/250 sec, f/8
Both chromatic aberration (as well as purple fringing) are common on compact cameras like the D20. With a bit of processing you can reduce this unwanted effect. It's pretty bad on some images in the D20 (mainly at wide-angle), but it's only likely to be if you crop-in or view at 100% that it'll be a real problem.
Underwater results from the D20 are similar to images captured with other competitive compact underwater cameras: mixed. Setting up underwater photos is difficult - especially when you're snorkeling (when both the photographer and the subjects are in constant motion), which in practice means that blur-free images are rare. During our shooting, of the photos that were sharp, we noticed some noise (not unexpected) and a color cast that was nearly universal on all the underwater cameras we tested (despite using the underwater scene mode). Because the D20 doesn't shoot RAW (and we wouldn't expect it to) this means that post-capture corrections must be applied to JPEGs.
For more sample photos and analysis, please read our full review of the PowerShot D20.
As mentioned on the previous page, the PowerShot D20 can record video at 1920 x 1080 (24 fps) for up to fifteen minutes. Below are two samples, taken both above and below sea level.
Sample Video 1
This movie, taken right on the beach (hence the water drop at the top of the screen), shows how the D20's video quality performs in daylight:
|1920 x 1080, 24p, 36 Mbps, 19.5 MB, 11 secs Click here to download original video|
We noticed something odd about this sample (and it's not the drop of water on the top): it's very shaky, despite image stabilization being turned on. We were able to replicate this nearly every time here in our studios, though it's only when the camera is being handheld. We scoured the Internet and found some other sample videos with the same problem, so we're confident that this is not specific to our camera.
Sample Video 2
Naturally, everyone wants to see what an underwater movie looks and sounds like. Here's a somewhat shaky video of the author chasing a fish in Maui.
|1920 x 1080, 24p, 36 Mbps, 49.5 MB, 8 secs Click here to download original video|
As with the underwater stills, this video has a slight color cast. If you're skilled with video editing software, this can be corrected. If not, then the results are still good enough for sharing.
The PowerShot D20 offers a uniquely designed body that be plunged underwater or dropped (a little bit). It's a solid everyday shooter that takes good quality photos for its class, though they're a bit soft, and can suffer from highlight clipping and fringing at times. The D20 performs well in most respects, save for low light focusing, which is sluggish. Battery life is average for the rugged camera class.
Canon has packed a nice set of fun features into the D20, plus a few manual controls as well. It also has a built-in GPS receiver which, while not as elaborate as what some of its competitors offer, does its job well. The D20 can record video at 1080/24p, though subjects can get 'shaky' at times, which isn't something you want to see.