User Interface
Nikon has redesigned the user interface of the D5200, making it both prettier and more logically laid out. Both the 'classic' and 'graphic' displays have had a makeover, and are now split into two 'panels'. The top one shows the major exposure parameters and the AF system status, while the lower one displays an array of secondary settings in two rows (which were previously arranged in a row across the bottom and a column down the right hand side). Overall this makes better use of the D5200's high resolution display.
The 'graphic' display now gives shutter speed, aperture and ISO equal billing, so you can keep track of all three at a glance. This is one of the better methods we've seen for visualizing the camera's key settings.
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The refreshed 'Graphic' interface gives equal prominence to Shutter Speed, Aperture and ISO. Other settings are arranged in neat grid below.
The result is a visually attractive and quick-to-read display screen. The three virtual dials are all animated, and turn onscreen when you change a setting. The iris closes down too. |
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When you change exposure mode, the ISO 'dial' is temporarily replaced by a virtual mode display. This may appear entirely superficial, but it means you can change mode more easily without having to look at the top of the camera. |
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The display offers a choice of three colour schemes, so you can pick whichever you find most readable. You can configure your preferred display separately for the Auto/Scene/Effects and PSAM modes (so you could use graphic in PSAM and classic in Auto, for example). |
The lower panel of the control panel is interactive, like on many of the D5200's rivals (it can be used to change settings, rather than having to delve into the menus). However, unlike most contemporary cameras, it's not possible to change the settings on the screen itself - in each instance you have to confirm which parameter you wish to change, which then takes you to another screen from which you can select the specific setting you were looking for. This rather under-uses the control dial, and makes it slower to change settings compared to its competitors.
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The D5200's 'classic' interface shows all the key settings on the back of the camera, but with a simple numerical display of shutter speed, aperture and ISO. In either display mode, you can adjust the settings by pressing the [i] button... |
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...which activates the panel, allowing you to navigate to the parameter you want to change using the four way controller or dial. There's no option to change the settings on this screen though (most of Nikon's rivals use the dial for this)... |
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...instead you have to press the OK button and visit another screen, showing all the available options. This makes sense when first getting used to the camera, but it would be nice to have a navigation method that required a little less button pressing. |
AF and metering systems

The D5200 has the same autofocus and metering system as the D7000 - a big step up from the D5100. The most obvious difference is that the D5200 has 39 autofocus points, rather than the 11 of its predecessor. Nine of the D5200's AF points are cross-type, i.e. sensitive to both horizontal and vertical detail, rather than the D5100's solitary central cross-type point.
Meanwhile, the more sophisticated 2016 pixel metering sensor of the D5200 is also used to aid subject tracking during AF-C - providing color information about the subject to the AF system to determine which AF point to use. The D5100's metering system had only 420 pixels, allowing much less tracking precision. This means the D5200 can, for example, track faces when they're further away and smaller in the frame.
Like the D7000, the D5200 has the option to use just 11 AF points (Custom Settings a2). The points you're left with are highlighted red in the above diagram. Reducing the number of available points makes it faster to select an off-center point if you don't need the level of precision that using all 39 provides.
The other thing that's gained from the D7000 is the ability to overlay a composition grid into the viewfinder (Custom Settings, d2).
Auto ISO
The D5200 gains the same Auto ISO configuration options as Nikon's D4, D800 and D600 - making it the most sophisticated Auto ISO system on the market at present. The system can be set up in a number of ways, depending on whether it's camera shake or subject movement that you think is most likely to ruin your image.
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| You can either specify a minimum shutter speed, or allow the camera to select the value for you based on the lens in use. | But, even with this 'Auto' option, you can fine-tune its behavior towards using faster or slower shutter speeds. |
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Minimum Shutter Speed
If you're more concerned with freezing subject movement (when shooting sports for instance), then you can specify a fixed minimum shutter speed that the Auto ISO system will always attempt to maintain. You might also like the control this direct setting gives if you're shooting with a fixed-focal-length lens.
Auto
The Auto setting varies the minimum shutter speed in relation to the current focal length, which makes it ideal for avoiding camera shake (the effect of which is focal length dependent). If you find you're more or less able to keep that camera steady at the shutter speeds that 'Auto' uses, you can fine-tune its behavior to maintain faster or slower shutter speeds than its default.
Overall this gives plenty of control over the behavior of Auto ISO (you may find that just fine-tuning the Auto shutter speed setting gives you the results you're looking for). However, turning Auto ISO on and off, as well as adjusting any of the finer settings, is conducted by navigating to the 14th (of 18) menu items in the second tab of the main menu - rather than simply having 'Auto' as a selectable setting via the Fn button (when set to ISO) or through the interactive control panel.
Additional movie mode settings
The D5200 gains a few new options in the Movie Settings screen, that give you a bit more control over video shooting compared to the D5100 (these are the same as other current Nikon SLRs). The camera does however retain Nikon's long-running anomaly of recording movies using the aperture that's set at the point you enter live view, even if you subsequently change the setting before pressing the little red button. If you want to use a different aperture you have to exit and re-enter live view.
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Setting 'Manual movie settings' to 'On' allows the shutter speed and ISO sensitivity for movies to be selected manually. Rotate the mode dial to M, and you can choose the shutter speed and sensitivity before movie recording. Set this to 'Off' and shutter speed and aperture will be set automatically even in manual mode, which eliminates the risk of incorrect exposure. |
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The D5200 offers finer control over the microphone recording level too; you can set the gain manually in 20 steps, aided by a stereo sound meter. |

















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